La Frileuse

1787
On view at The Met Fifth Avenue in Gallery 548
Frileuse significa mujer friolenta; la versión en mármol que se encuentra en el Musée Fabre en Montpellier, fechada en 1783, pretendía representar una alegoría del invierno. El propio Houdon fundió el bronce del Museo, proveniente de la colección del duque de Orleans, reduciendo la composición, similar a una columna rotando en espiral, a su esencia. La piel trémula de la joven contrasta con el chal que la envuelve, elegante pero inadecuado para cubrirla.

Artwork Details

Object Information
  • Título: La Frileuse
  • Artista: Jean-Antoine Houdon, francés, 1741–1828
  • Fecha: 1787
  • Material: Bronce
  • Dimensiones: a. 143,5 cm
  • Crédito: Legado de Kate Trubee Davison, 1962
  • Número de inventario: 62.55
  • Curatorial Department: European Sculpture and Decorative Arts

Audio

Solo disponible en: English
Cover Image for 87. Winter, Part 1

87. Winter, Part 1

Gallery 548

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ERIC KANDEL: You just want to walk up to her and put your arms around her and protect her, not only because she's cold, but also because she's sensually rather attractive and you're drawn to her.

NARRATOR: What are some of the things that happen in our brains when we look at this sculpture? Neuroscientist Eric Kandel.

ERIC KANDEL: So this activates a number of systems in the brain, those that are concerned with temperature regulation. How does that work? We are sometimes so moved by what is being depicted that we simulate the action, and there's a system in the brain called the mirror neuron system, which obviously is responding to the fact that she's shivering, and we actually feel cold when we look at something like this.

There is an area called theory of mind that becomes active when we have empathy. What is it like to be in that situation? With this sculpture, we express empathy—this poor young woman—and also, it's slightly charged sexually. So it appeals to us on many, many levels. It's remarkable.

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