La Frileuse

1787
On view at The Met Fifth Avenue in Gallery 548
Frileuse significa uma mulher que sente muito frio; a versão de mármore preservada no Musée Fabre, em Montpellier, datada de 1783, foi originalmente concebida como uma alegoria de inverno. O próprio Houdon fundiu o bronze do Museu, proveniente da coleção do duque de Orleans, incorporando sua essência na composição, similar à coluna girando em espiral. A pele trêmula da jovem contrasta com o xale que a envolve, elegante mas inadequado para cobri-la.

Artwork Details

Object Information
  • Título: La Frileuse
  • Artista: Jean-Antoine Houdon, francês, 1741–1828
  • Data: 1787
  • Meio: Bronze
  • Dimensões: 143,5 cm de altura
  • Linha de créditos: Legado de Kate Trubee Davison, 1962
  • Número de acesso: 62.55
  • Curatorial Department: European Sculpture and Decorative Arts

Audio

Disponível apenas em: English
Cover Image for 87. Winter, Part 1

87. Winter, Part 1

Gallery 548

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ERIC KANDEL: You just want to walk up to her and put your arms around her and protect her, not only because she's cold, but also because she's sensually rather attractive and you're drawn to her.

NARRATOR: What are some of the things that happen in our brains when we look at this sculpture? Neuroscientist Eric Kandel.

ERIC KANDEL: So this activates a number of systems in the brain, those that are concerned with temperature regulation. How does that work? We are sometimes so moved by what is being depicted that we simulate the action, and there's a system in the brain called the mirror neuron system, which obviously is responding to the fact that she's shivering, and we actually feel cold when we look at something like this.

There is an area called theory of mind that becomes active when we have empathy. What is it like to be in that situation? With this sculpture, we express empathy—this poor young woman—and also, it's slightly charged sexually. So it appeals to us on many, many levels. It's remarkable.

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