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受冻的女孩

1787
On view at The Met Fifth Avenue in Gallery 548
作品的法文标题“frileuse”指对寒冷敏感的女子。本作品还有一个大理石版,现藏于蒙彼利埃的法布尔博物馆,注明日期为1783年,原本是对“冬天”的比喻。大都会博物馆所藏的这尊青铜雕像由乌东亲自浇铸,来自奥尔良公爵的收藏,艺术家将这个螺旋的圆柱式结构简化到只有最基本的元素。女孩颤抖的身躯有她拉紧的披肩作配衬,披肩虽优雅,却几乎无法蔽体。

Artwork Details

Object Information
  • 标题: 受冻的女孩
  • 艺术家: 让-安托万·乌东,法国,1741–1828年
  • 创作日期: 1787年
  • 材料: 青铜
  • 尺寸: 高561⁄2 英寸(143.5厘米)
  • 来源信息: 凯特·特鲁比·戴维森遗赠,1962年
  • 藏品编号: 62.55
  • Curatorial Department: European Sculpture and Decorative Arts

Audio

仅适用于: English
Cover Image for 87. Winter, Part 1

87. Winter, Part 1

Gallery 548

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ERIC KANDEL: You just want to walk up to her and put your arms around her and protect her, not only because she's cold, but also because she's sensually rather attractive and you're drawn to her.

NARRATOR: What are some of the things that happen in our brains when we look at this sculpture? Neuroscientist Eric Kandel.

ERIC KANDEL: So this activates a number of systems in the brain, those that are concerned with temperature regulation. How does that work? We are sometimes so moved by what is being depicted that we simulate the action, and there's a system in the brain called the mirror neuron system, which obviously is responding to the fact that she's shivering, and we actually feel cold when we look at something like this.

There is an area called theory of mind that becomes active when we have empathy. What is it like to be in that situation? With this sculpture, we express empathy—this poor young woman—and also, it's slightly charged sexually. So it appeals to us on many, many levels. It's remarkable.

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