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La meditación sobre la Pasión

ca. 1490
On view at The Met Fifth Avenue in Gallery 606
Además de los famosos ciclos narrativos de Venecia, Carpaccio pintó numerosas imágenes devocionales en las que incluyó complejos símbolos. Esta es una de las más notables. A la derecha, Job está sentado sobre un bloque de piedra en el que se lee una inscripción en hebreo: «Sé que mi redentor vive». San Jerónimo, representado como un eremita a la izquierda, interpretó este pasaje bíblico como una referencia a la Resurrección de Cristo, cuyo cuerpo muerto aparece sobre un trono en ruinas con la corona de espinas a sus pies. El paisaje, desértico a la izquierda y bucólico a la derecha, también hace alusión a los temas contrastantes de la vida y la muerte.

Artwork Details

Object Information
  • Título: La meditación sobre la Pasión
  • Artista: Vittore Carpaccio, italiano, ca. 1455–1523/1526
  • Fecha: ca. 1480–1510
  • Material: Óleo y temple sobre tabla
  • Dimensiones: 70,5 x 86,7 cm
  • Crédito: Fondo John Stewart Kennedy, 1911 (11.118)
  • Número de inventario: 11.118
  • Curatorial Department: European Paintings

More Artwork

More Artwork
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Saint Jerome (recto); Soldier with a Spear (verso), Vittore Carpaccio Italian, Brush with black ink and gray wash, over traces of black chalk or charcoal, highlighted with white gouache on blue paper (recto); black chalk, highlighted with white gouache, with some brush and gray wash (verso)
Saint Jerome (recto); Soldier with a Spear (verso)
Vittore Carpaccio
1460–1525
Studies of a Seated Youth in Armor, Vittore Carpaccio Italian, Black chalk, point of brush and gray wash, highlighted with white gouache, on blue paper
Studies of a Seated Youth in Armor
Vittore Carpaccio
ca. 1505
Saint Martin and the Beggar, Vittore Carpaccio Italian, Pen and gray ink, brush and gray wash, over faint traces of black chalk
Saint Martin and the Beggar
Vittore Carpaccio
1493–1500
Standing Female Figure (St. Anne; Cartoon for a Painting), Vittore Carpaccio Italian, Pen and brown ink, brush and gray-brown wash, over charcoal underdrawing; outlines pricked for transfer, on two glued sheets of paper with overlapping joins
Standing Female Figure (St. Anne; Cartoon for a Painting)
Vittore Carpaccio
ca. 1502–4
The Birth of the Virgin, Fra Carnevale (Bartolomeo di Giovanni Corradini) Italian, Tempera and oil on wood
The Birth of the Virgin
Fra Carnevale (Bartolomeo di Giovanni Corradini)
1467

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