School of Tawaraya Sōtatsu (Japanese, died ca. 1640)
Edo period (1615–1868)
Hanging scroll; ink and color on paper
49 3/4 x 18 1/4 in. (126.4 x 46.4 cm)
H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929
Not on view
Unlike many themes in the repertoire of Rinpa artists, poppies do not figure prominently in classic literature. In fact, this beloved flower, often depicted in Edo period painting, seems to have been introduced to Japan only in the 1630s as an exotic medicinal herb, the result of a growing interest in natural sciences. Here, boldly arranged in two clumps within the narrow vertical format and rendered in the heavy mineral pigments that characterize the works of Sōtatsu and his followers, this decorative rendition of the poppies nevertheless reveals a careful attention to naturalistic detail. These characteristics are notable in the work of Sōsetsu, who by 1639 had taken over Sōtatsu's atelier, as well as the use of his Inen seal, a version of which is impressed on this work.
Signatures, Inscriptions, and Markings
Marking: Seal: Inen
Mrs. H. O. (Louisine W.) Havemeyer , New York (until d. 1929; bequeathed to MMA).
Artist:Studio of Tawaraya Sōtatsu (Japanese, died ca. 1640) Date:mid- to late 17th centuryMedium:Pair of six-panel folding screens; ink, color, silver, and gold flecks on paperAccession:1975.268.60, .61On view in:Gallery 225
Artist:Painting by Tawaraya Sōtatsu (Japanese, died ca. 1640) Date:ca. 1634Medium:Poem card (shikishi) mounted as a hanging scroll; ink, color, and gold on paper
Accession:2015.300.88On view in:Not on view
Artist:Studio of Tawaraya Sōtatsu (Japanese, died ca. 1640) Date:first half of the 17th centuryMedium:Pair of six-panel folding screens; ink and color on paperAccession:55.94.3, .4On view in:Not on view