Exhibitions/ Art Object

Wall panel with a charging bear

ca. 6th century A.D.
Mesopotamia, Ctesiphon
H. 11 5/8 x W. 15 in. (29.5 x 38.1 cm)
Credit Line:
Rogers Fund, 1932
Accession Number:
On view at The Met Fifth Avenue in Gallery 405
Animal motifs are frequent in the mold-made stucco wall panels that decorated the palaces and houses of the Sasanian elite. This panel is from the east iwan (vaulted hall) of a large house at Umm ez-Za’tir in the Ctesiphon area. The scene features a bear charging through trees within a rocky mountainous landscape: the choice of animal may allude to the mountains of the North which surround Mesopotamia, or could simply represent the game of an elite hunter. Allusions to the hunt, a pastime of courtiers, dignitaries and rulers, were popular in the Sasanian iconographic repertoire in various media. An identical panel is in Berlin in the Museum für Islamische Kunst, Staatliche Museen zu Berlin. A comparable panel in the Metropolitan depicts a boar charging through reeds (32.150.22).

The city of Ctesiphon was located on the east bank of the Tigris River, 20 miles (32 km) south of modern Baghdad in Iraq. It flourished for more than 800 years as the capital of the Parthians and the Sasanians, the last two dynasties to rule the ancient Near East before the Islamic conquest in the seventh century. Systematic excavations in the Ctesiphon area were undertaken by an expedition in 1928–29 sponsored by the German Oriental Society (Deutsche Orient-Gesellschaft). The Metropolitan Museum of Art and the Staatliche Museen, Berlin, undertook a joint expedition for one season in 1931–32. Several excavations were conducted, including at the main palace (Taq-i Kisra), in a small fortified area south of the palace at Tell Dheheb, at multiple houses at the mounds of Ma’aridh, and at additional houses at a small mound called Umm ez-Za’tir.

As part of the larger Ctesiphon Expedition, excavations were conducted at a small mound approximately 2 km east of the Taq-i Kisra. This mound was called Umm ez-Za’tir or Mother of Thyme. Excavations at the site exposed rooms associated with housing. Excavations conducted in the winters of 1928/1929 and 1931/1932 revealed the plan of a 6th century Sasanian house following the typical plan of a mix of square and elongated rooms. Iwans were found on the east and west walls which were decorated with stucco reliefs on the walls and on the arches.
1931–32, excavated by the Joint Expedition of the Staatliche Museen of Berlin and the Metropolitan Museum of Art; acquired by the Museum in 1932, ceded in the division of finds.

“Splendeur des Sassanides: L’Empire Perse Entre Rome et la Chine (224-642).” Musées Royaux d’Art et d’Histoire, Brussels, February 12, 1993–April 25, 1993.

“Les Perses Sassanides: Fastes D’Un Empire Oublié, 224-642,” Musée Cernuschi, Paris, September 15, 2006–December 30, 2006.

“Glass, Gilding, and Grand Design: Art of Sasanian Iran (224-642),” Asia Society, New York, February 14, 2007–May 20, 2007.

Crawford, Vaughn E., Prudence Oliver Harper, Oscar White Muscarella, and Beatrice Bodenstein. 1966. Ancient Near Eastern Art: Guide to the Collections. New York: The Metropolitan Museum of Art, p. 36, fig. 56.

Herrmann, Georgina. 1977. The Iranian Revival (The Making of the Past). New York: Elsevier-Phaidon, p. 111.

Kröger, Jens. 1982. Sasanidischer Stuckdekor. Baghdader Forschungen Band 5. Mainz: Philip von Zabern, pp. 60-61, no. 59, fig. 27, pl. 17/2.

Musées Royaux d'Art et d'Histoire. 1993. Splendeur des Sassanides: l'Empire Perse Entre Rome et la Chine (224-642), exh. cat. Brussels: Crédit Communal, p. 146, no. 4.

Harper, Prudence O. 2006. “Plaque. Ours Chargeant.” In Les Perses Sassanides: Fastes D’un Empire Oublié, 224-642, exh. cat. edited by Franҫoise Demange. Paris: Paris Musées, no. 11, pp. 57-58.

Rakic, Yelena ed. 2010. Discovering the Art of the Ancient Near East: Archaeological Excavations Supported by The Metropolitan Museum of Art, 1931–2010. The Metropolitan Museum of Art Bulletin 68 (1), Summer 2010, p. 15.
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