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Bacchanale : enfants taquinant un faune

and Pietro Bernini Italian
ca. 1616–17
On view at The Met Fifth Avenue in Gallery 534
Prodige d’une habileté extraordinaire, Gian Lorenzo Bernini se forma auprès de Pietro, son père, artiste très polyvalent. Durant cet apprentissage, tous deux collaborèrent à un certain nombre de sculptures sur marbre qui témoignent du talent et de la maîtrise du fils. Le groupe conservé au Metropolitan est la plus ambitieuse de ces œuvres. C’est aussi l’illustration par excellence de l’intérêt particulier du Bernin pour la représentation de textures variées et de groupes de personnages entrelacés, comme l’illustrent la tension musculaire du faune, sa bouche édentée, le corps potelé des enfants, l’écorce de l’arbre et les grappes de fruits gorgés de jus. Inspirés du décor de sarcophages anciens, ces divertissements bachiques sont une fusion du classicisme et du naturalisme typiques de l’art à Rome, au seuil du baroque.

Artwork Details

Object Information
  • Titre: Bacchanale : enfants taquinant un faune
  • Artiste: Le Bernin (Gian Lorenzo Bernini), Italien, 1598–1680, et Pietro Bernini, Italien, 1562–1629
  • Date: v. 1616
  • Technique: Marbre
  • Dimensions: 132,4 cm
  • Crédits: Achat, don de The Annenberg Fund Inc., fonds Fletcher, Rogers, et Louis V. Bell, et don de J. Pierpont Morgan, échange, 1976
  • Accession Number: 1976.92
  • Curatorial Department: European Sculpture and Decorative Arts

Audio

Uniquement disponible en: English
Cover Image for 80. Bacchanal: A Faun Teased by Children

80. Bacchanal: A Faun Teased by Children

Body Language

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Jackie Terrassa: This was a collaboration between two artists working together: a younger Bernini learning from his father, who was also a master. The other thing that's amazing about this sculpture is the artists have punctured the marble to create space in between the forms. How does an artist take a piece of stone and make it feel like it's flying, make it feel like the figures are twisting and throwing each other around? Every single detail of the sculpture has some different treatment in terms of the texture of the marble and how that is finished.

Narrator: You can see this at the back of the sculpture. Look at the baby falling off the panther, especially his arm.

Luke Syson: The texture is actually like that of the tree. It looks almost as if his arm is a little branch growing off it. The sculptors are really thinking about how to give the sense that the act of creating is happening before your eyes.

Narrator: Gian Lorenzo Bernini was the most prominent sculptor of the seventeenth-century Italian Baroque.

Luke Syson: The Baroque artists were very interested in expressive movement, and the way in which transitory emotions can be expressed permanently through movements of the body and so on.

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