Fragment d'une mosaïque de sol personnifiant Ktisis

500–550, with modern restoration
On view at The Met Fifth Avenue in Gallery 301
L’art de la fin de l’Empire romain et de l’Empire byzantin fait une large place aux concepts abstraits. Ici, l’inscription en grec, restaurée, permet de comprendre que cette femme parée de bijoux qui tient un pied romain (instrument de mesure) est Ktisis, personnification de l’acte de fonder ou de doter généreusement. À gauche de la tête de l’homme qui tient une corne d’abondance et qui avait autrefois un vis-à-vis sur la droite, on peut lire le mot grec BONS, moitié du message original qui était probablement « BONS VŒUX ». Le fragment, fait de tesselles (petites pièces colorées) de marbre et de verre, illustre à merveille les mosaïques exceptionnelles exécutées dans tout l’Empire byzantin au VIe siècle.

Artwork Details

Object Information
  • Titre: Fragment d'une mosaïque de sol personnifiant Ktisis
  • Date: v. 500–550
  • Culture: Byzantin
  • Technique: Marbre et verre
  • Dimensions: 151,1 x 199,7 x 2,5 cm
  • Crédits: Fonds Harris Brisbane Dick et Fletcher, 1998 (1998.69) ; Achat, don de Lila Acheson Wallace, fonds Dodge et Rogers, 1999
  • Accession Number: 1999.99
  • Curatorial Department: Medieval Art and The Cloisters

Audio

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Cover Image for 2825. Fragment of a Floor Mosaic with a Personifixation of Ktisis

2825. Fragment of a Floor Mosaic with a Personifixation of Ktisis

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This restored mosaic represents the type of decoration found on floors of large buildings in the mid-sixth century, the peak of the early Byzantine Empire.

A monumental bust shows a stunningly bejeweled woman with large, inviting eyes. She is Ktisis, the personification of the pre-Christian idea of the generous act of foundation, or providing money for a building.

To the left of Ktisis, there’s a man holding a large cornucopia filled with fruits and leaves. He is identified by the Greek word Kaloi, meaning good or beautiful, and serves as a proclamation of the donor’s generosity. These two figures were part of a larger program, where another man would have appeared to the right of Ktisis, probably with the Greek word Kaipoi, so that the full inscription would read as good wishes.

Floor mosaics originated in the Greek and Roman world. Sometimes rugs were woven in the same patterns to cover the floors in cold weather.

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