Porteuse d'offrande

Middle Kingdom
ca. 1981–1975 B.C.
On view at The Met Fifth Avenue in Gallery 105
Dans l’Ancien Empire, on inscrivait sur les figures féminines portant des offrandes de nourriture le nom des familles qui devaient se charger des rites funéraires pour chaque tombeau. Cette statue sans nom d’une femme richement parée qui porte un panier de nourriture sur la tête et un canard dans la main droite a été exécutée pour la tombe de l’intendant royal Méketrê, de même qu’une pièce qui l’accompagnait et qui se trouve au Caire. Ses bijoux et sa robe de plumes indiquent qu’il ne s’agit pas d’une simple servante, mais d’un personnage presque divin dont le rôle se confond avec celui des déesses Isis et Nephtys, gardiennes des morts.

Artwork Details

Object Information
  • Titre: Porteuse d'offrande
  • Période: Moyen Empire, XIIe dynastie, début du règne d'Amenemhat Ier
  • Date: v. 1981–1975 av. J.-C.
  • Aire géographique: Thèbes, sud de la vallée d'El-Assasif, tombe de Méketrê
  • Technique: Bois, plâtre, peinture
  • Dimensions: 112 x 16,5 x 46,5 cm
  • Crédits: Fonds Rogers et don d’Edward S. Harkness, 1920
  • Accession Number: 20.3.7
  • Curatorial Department: Egyptian Art

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Cover Image for 3300. Statue of an Offering Bearer

3300. Statue of an Offering Bearer

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In some ways, this graceful statue of a woman looks like a servant. She carries a basket of bread and meat on her head and a live duck in her hand.

But other details suggest that she’s much more than a servant. She wears the traditional costume for women of her time—a long, tight dress and a tripartite wig. But the pattern of her dress suggests that it’s made of feathers, a garment usually worn by goddesses such as Hathor, Isis and Nepthys—deities who protected the dead in the afterlife. And while most women in Egyptian art seem very still, standing with their feet locked together, this one strides forward in a purposeful pose usually reserved for men. Walk around the figure, and notice how dynamic the curves of her body are.

Actually, this figure’s posture, and the way she holds her basket on her head, suggest that she is a personification of an agricultural estate or farm—a symbol of the bountiful land itself. For the deceased Meketre she symbolized the provisions that came from these estates to serve as perpetual food for his spirit.

A second very similar estate figure was also found in the tomb. In the division of finds, it went to the Egyptian Museum in Cairo.

All of the colors on this wooden masterpiece are original, and have never been restored.

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