Frammento di pavimento a mosaico raffigurante la personificazione di Ktisis

500–550, with modern restoration
On view at The Met Fifth Avenue in Gallery 301
Nell’arte tardo romana e di epoca bizantina i concetti astratti erano spesso personificati. Qui una donna ingioiellata, che tiene in mano lo strumento di misurazione del piede romano, è identificata grazie all’ iscrizione greca, ora restaurata, come Ktisis, la personificazione dell’atto di generosa offerta o di fondazione. Vicino alla testa di un uomo che regge una cornucopia, in origine parte di una coppia che affiancava la Ktisis, appare la scritta in greco BUONI, parte di una frase che forse recitava “BUONI AUSPICI”. Il frammento, composto da tessere (piccoli pezzi di materiale colorato) di marmo e di vetro, è un tipico esempio degli splendidi mosaici bizantini realizzati nel VI secolo.

Artwork Details

Object Information
  • Titolo: Frammento di pavimento a mosaico raffigurante la personificazione di Ktisis
  • Data: ca. 500-550, restauro moderno
  • Cultura: Bizantino
  • Materiale e tecnica: Marmo, vetro
  • Dimensioni: 151,1 x 199,7 x 2,5 cm
  • Crediti: Harris Brisbane Dick Fund e Fletcher Fund, 1998; acquistato, donazione di Lila Acheson Wallace, Dodge Fund e Rogers Fund, 1999
  • Numero d'inventario: 1999.99
  • Curatorial Department: Medieval Art and The Cloisters

Audio

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Cover Image for 2825. Fragment of a Floor Mosaic with a Personifixation of Ktisis

2825. Fragment of a Floor Mosaic with a Personifixation of Ktisis

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This restored mosaic represents the type of decoration found on floors of large buildings in the mid-sixth century, the peak of the early Byzantine Empire.

A monumental bust shows a stunningly bejeweled woman with large, inviting eyes. She is Ktisis, the personification of the pre-Christian idea of the generous act of foundation, or providing money for a building.

To the left of Ktisis, there’s a man holding a large cornucopia filled with fruits and leaves. He is identified by the Greek word Kaloi, meaning good or beautiful, and serves as a proclamation of the donor’s generosity. These two figures were part of a larger program, where another man would have appeared to the right of Ktisis, probably with the Greek word Kaipoi, so that the full inscription would read as good wishes.

Floor mosaics originated in the Greek and Roman world. Sometimes rugs were woven in the same patterns to cover the floors in cold weather.

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