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イエス・キリストへの裏切りと逮捕の浮彫り彫刻

1264–88
On view at The Met Fifth Avenue in Gallery 304
中世の教会には、身廊(会衆席)を聖歌隊から分離する内陣障壁がありましたが、13世紀までにはさまざまな物語図で装飾されるようになりました。特にイエスの現世での最後の事件である受難の場面が頻繁に描かれました。この作品は、大司祭の従者マルコスの耳をそぎ落とした後に剣を鞘に収めるペテロ、イエスが奇跡的に耳を元に戻した場面、ユダのイエスへの裏切りの接吻、そしてローマ兵によるイエスの逮捕の4つの重要な出来事を表しています。内陣障壁は、信者の儀式への参加の妨げとなったため、ヨーロッパのほとんどの教会では次第に消滅し、アミアン大聖堂の内陣障壁は1755年に取り壊されました。この作品は、現存するなかでも最大かつ最も保存状態のよいもののひとつです。

Artwork Details

Object Information
  • 題: イエス・キリストへの裏切りと逮捕の浮彫り彫刻
  • 月日: 1264–88年頃
  • 地理: ピカルディー地方、アミアン大聖堂
  • 文化: フランス
  • 手法: 石灰岩、顔料の痕跡
  • 寸法: 99.7 x 109.2 x 22.9 cm
  • 提供者: アイザック D. フレッチャー夫妻コレクション、アイザック D. フレッチャー遺贈、1917年
  • 受け入れ番号: 17.120.5
  • Curatorial Department: Medieval Art and The Cloisters

Audio

以下でのみ利用可能: English
Cover Image for 3090. Limestone Relief of the Betrayal and Arrest of Jesus

3090. Limestone Relief of the Betrayal and Arrest of Jesus

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This dramatic relief is part of a great choir screen from the French Cathedral of Amiens. A choir screen is the structure that separates lay people in the nave from the clergy in the choir. In great Gothic cathedrals, choir screens were often decorated with elaborate sculptural reliefs.

This one represents the tumultuous moment before Christ’s death. In the center, we see Judas, his back turned from us as he leans in to kiss Christ in his infamous act of betrayal. On the far right, Roman soldiers prepare to arrest Christ. If you bend over and peek beneath the hem of the soldier on the far right, you can see passages of the bright colors that once covered the entire relief. On the far left is St. Peter, with his arm raised, withdrawing a sword that he just used to sever the ear of Malchus, the figure seated beneath him. Walk around to the left of the sculpture and find Christ’s hand as he reattaches Malchus’ ear. Amid the aggression and brutality of this charged scene, a powerful act of healing and compassion takes place.

Press the green PLAY button to hear Charles Little describe a fascinating discovery made about this work.

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