デンドゥール神殿は4月26日(日)から5月8日(金)まで閉館となります。メトロポリタン美術館フィフス・アベニュー館は5月4日(月)に休館となります。

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聖母マリア像

ca. 1250
On view at The Met Cloisters in Gallery 08
ゴシック様式の彫刻の傑作であるこの威厳ある聖母マリア像は、ストラスブール大聖堂の巨大な内陣障壁にあったものです。この彫像が置かれた仕切りの中心近くの重要な場所は、天使が聖母の頭上に王冠を掲げる絵が描かれた天蓋に覆われていました。現在は失われている幼子のイエスはマリアの横でバラの木の上に立っていましたが、それは聖母が『トゲのないバラ』であること、またはその赤い色からイエスが十字架で流した血を暗示していると思われます。障壁は教会の儀式が変わったため、1680年に取り外されました。

Artwork Details

Object Information
  • 題: 聖母マリア像
  • 月日: 1250年頃
  • 文化: アルザス、ストラスブール (現フランス)
  • 手法: 砂岩、元の塗料と金箔
  • 寸法: 高さ148.6 cm
  • 提供者: クロイスターズ・コレクション、1947年
  • 受け入れ番号: 47.101.11
  • Curatorial Department: Medieval Art and The Cloisters

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Cover Image for Strasbourg Virgin

Strasbourg Virgin

Gallery 8

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This figure comes from the cathedral of Strasbourg, in eastern France. Do you remember the wooden statue of the Virgin that we saw a few stops back? If you compare that figure with this one, you can appreciate the difference between Romanesque and Gothic sculpture. The Romanesque example was majestic and austere, but the sculptor of this statue has made the Virgin graceful and life-like; her youthful face wears a slight smile, and her mantle faithfully imitates the folds of heavy cloth. This statue was made for a structure called a choir screen, which is a tall, richly decorated barrier that divided the choir and clergy from the lay congregation in medieval cathedrals. The statue was placed high above the floor there, and so it is here too. It’s one of the few fragments that remain from the choir screen of Strasbourg Cathedral.

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