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멘투오세 석비

Middle Kingdom
ca. 1944 B.C.
On view at The Met Fifth Avenue in Gallery 110
중왕국 시대 이집트인들은오시리스(내세의 신)의 죽음과 부활을 기리는 연례 축제에 대리인으로서 영원히 참여하기 위해 아비도스에 석비를 세웠습니다. 현존하는 가장 훌륭한 석비 중 하나인 이 석비는 관리였던 멘투오세가 봉헌하였으며, 의식에 참여하는 그의 부친, 아들, 딸과 함께 봉헌 테이블에 앉은 모습으로 묘사되었습니다. 비문에 의하면 이 석비는 세누스레트 1세 재위 17년에 봉헌되었으며, 멘투오세의 공무 수행, 정직성, 성공, 빈민에 대한 선행을 칭송하고 있습니다

Artwork Details

Object Information
  • 제목: 멘투오세 석비
  • 시대: 중왕국, 제12왕조
  • 연대: 기원전 1945년경
  • 지리: 아비도스
  • 재료: 석회암, 도료
  • 크기: 104.3 x 47. 9cm
  • 크레디트 라인: 에드워드 S. 하크니스 기증, 1912
  • 작품 번호: 12.184
  • Curatorial Department: Egyptian Art

Audio

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Cover Image for 3325. Stela of the Steward Mentuwoser

3325. Stela of the Steward Mentuwoser

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DIANA PATCH: This limestone stela is one of the finest from Middle Kingdom Egypt. It was carved by order of King Senwosret I for the steward Mentuweser. It was probably set up at Abydos, one of Egypt's holiest sites and the burial ground for the kings of the earliest dynasties. Nearby, or so the Egyptians believed, was the tomb of Osiris—the legendary god-king who died by his brother's hand but was resurrected by his wife, Isis to become the ruler of the netherworld. The legend was so compelling that Abydos became an important destination for pilgrims.

The sixteen vertical columns of text above the figure of Mentuweser summarize his career and draw particular attention to his honesty and generosity. The inscription makes a distinction between people who actually read the text and those who listen to it while someone else reads it. It reminds us that a lot of people in ancient Egypt were illiterate.

The stela was carved in Senwosret’s seventeenth year, about 1955 B.C. You see that date written at the right end of the uppermost line of text. Though we mark time in relation to distant events, such as the birth of Christ, the Egyptians reckoned years according to the ruling Pharaoh.

DOROTHEA ARNOLD: From a purely artistic point of view it is remarkable how well balanced this relief is. The inscription occupies considerably more than half of the space. And the figurative panel, by being the lower, is clearly subordinate to the text, although the figures draw the attention of the viewer because of their fine modeling, and their varied gestures and their even spacing. Note how closely the figures fill their allotted space. This man and his family and attendants feel totally comfortable with their role and existence. They live in an ordered, and to them, meaningful system.

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