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蒙图乌色尔石碑

Middle Kingdom
ca. 1944 B.C.
On view at The Met Fifth Avenue in Gallery 110
中王国时期的埃及人在阿比多斯树立起石碑,这样他们就能通过这种代理人参加一年一度庆祝奥西里斯(主宰阴间的神祗)死亡和复活的节日,直到永远。这块由管家蒙图乌色尔献上的石碑是现存石碑中的佳作,描绘了他坐在供桌前,父亲、儿子、女儿随旁侍候的情景。据上面的文字记载,石碑是在辛努塞尔特一世在位第十七年委托制作的。文字还赞扬了蒙图乌色尔的行政服务、正直的品质及其人生成就与接济穷人的善行。

Artwork Details

Object Information
  • 标题: 蒙图乌色尔石碑
  • 年代: 中王国时期,第十二王朝
  • 创作日期: 约公元前1945年
  • 地域: 阿比多斯
  • 材料: 石灰石,彩绘
  • 尺寸: 411⁄8 x 187⁄8 英寸(104.3 x 47.9厘米)
  • 来源信息: 爱德华·S·哈克尼斯捐赠,1912年
  • 藏品编号: 12.184
  • Curatorial Department: Egyptian Art

Audio

仅适用于: English
Cover Image for 3325. Stela of the Steward Mentuwoser

3325. Stela of the Steward Mentuwoser

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DIANA PATCH: This limestone stela is one of the finest from Middle Kingdom Egypt. It was carved by order of King Senwosret I for the steward Mentuweser. It was probably set up at Abydos, one of Egypt's holiest sites and the burial ground for the kings of the earliest dynasties. Nearby, or so the Egyptians believed, was the tomb of Osiris—the legendary god-king who died by his brother's hand but was resurrected by his wife, Isis to become the ruler of the netherworld. The legend was so compelling that Abydos became an important destination for pilgrims.

The sixteen vertical columns of text above the figure of Mentuweser summarize his career and draw particular attention to his honesty and generosity. The inscription makes a distinction between people who actually read the text and those who listen to it while someone else reads it. It reminds us that a lot of people in ancient Egypt were illiterate.

The stela was carved in Senwosret’s seventeenth year, about 1955 B.C. You see that date written at the right end of the uppermost line of text. Though we mark time in relation to distant events, such as the birth of Christ, the Egyptians reckoned years according to the ruling Pharaoh.

DOROTHEA ARNOLD: From a purely artistic point of view it is remarkable how well balanced this relief is. The inscription occupies considerably more than half of the space. And the figurative panel, by being the lower, is clearly subordinate to the text, although the figures draw the attention of the viewer because of their fine modeling, and their varied gestures and their even spacing. Note how closely the figures fill their allotted space. This man and his family and attendants feel totally comfortable with their role and existence. They live in an ordered, and to them, meaningful system.

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