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New York, June 4, 2003 – A spacious, attractively informal new public cafeteria for visitors to The Metropolitan Museum of Art will open on Tuesday, June 17. Located at the very center of the Museum, on the ground floor beneath the Medieval Sculpture Hall, this handsome cafeteria—which comfortably seats 440—replaces the long-time first-floor restaurant adjacent to the Mary and Michael Jaharis Gallery for Greek and Roman art. At the same time, the existing Petrie Court Café—located along the glass wall facing west into Central Park from the Carroll and Milton Petrie European Sculpture Court—will reopen concurrently as a full-service restaurant for Museum visitors, featuring café cuisine accompanied by breathtaking views of the park.
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(New York, June 2, 2003)—Due to the exceptionally strong public response to The Metropolitan Museum of Art's acclaimed international loan exhibition Manet/Velázquez: The French Taste for Spanish Painting, the Museum announced today that it will extend the run of the show through June 29. It was originally scheduled to close on June 8.
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Even as the Metropolitan Museum continues working to open on May 8 its long-scheduled, and now providential international loan exhibition "Art of the First Cities," featuring so many masterpieces of art from ancient Iraq, we join the greater museum community in mourning the horrifying plunder of the Baghdad Museum. And we stand prepared to join our fellow institutions to begin restoring the Baghdad Museum at the earliest possible opportunity.
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(New York, March 25, 2003)—In response to the record-breaking attendance at The Metropolitan Museum of Art's special exhibition Leonardo da Vinci, Master Draftsman, the Museum announced today that it will extend its visiting hours on the exhibition's final weekend until 10:00 p.m. on both Saturday, March 29, and Sunday, March 30.
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Three works of art of exceptional importance have been acquired by The Metropolitan Museum of Art, it was announced today by the Museum's Director, Philippe de Montebello. In making the announcement, Mr. de Montebello stressed the high quality of the works, which come from different centuries and cultures, and reinforce the Museum's ongoing commitment to continually refining and augmenting its encyclopedic collections with what he termed "the best of kind." The new acquisitions are: a 14th-century Crucifixion scene in tempera and gold leaf on wood by the Italian master Pietro Lorenzetti; a bust of the mythological figure Marsyas by the late-Baroque sculptor Balthazar Permoser; and a set of three late-14th-century handscrolls from Japan illustrating the Tale of Aki-no-yonaga (Tale for the Long Autumn Night).
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The Metropolitan Museum of Art will participate in International AIDS Awareness Day for the 14th consecutive year by observing Day Without Art on Tuesday, December 3. In recognition of the devastating losses suffered by the cultural community as a result of AIDS, the Metropolitan will remove from view or shroud at least one object in each of its 18 curatorial departments. In addition, the Museum will lower the flags on its plaza to half-mast to symbolize the losses due to AIDS-related deaths in the art community.
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Barrie A. Wigmore has been elected to the Board of Trustees of The Metropolitan Museum of Art, it was announced today by James R. Houghton, the Museum's Chairman. The election took place at the November 12 meeting of the Board.
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(New York, Tuesday, October 8, 2002)-Sometime between closing time (5:30 p.m.) and 9:00 p.m. on Sunday, October 6, a 15th-century Venetian marble Adam by Tullio Lombardo fell with its pedestal in the Vélez Blanco Patio at The Metropolitan Museum of Art.
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Eugene Victor Thaw has been elected an Honorary Trustee of The Metropolitan Museum of Art, it was announced today by James R. Houghton, the Museum's Chairman. The election took place at the September 10 meeting of the Board of Trustees. Mr. Thaw, a dealer of Old Master drawings and prints, has presided over the New York firm that bears his name since 1950. Known also as a collector and a scholar, he has written numerous articles, essays, reviews, and catalogues. He is a contributing editor to The New Republic.
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(New York, September 6, 2002)—The Metropolitan Museum of Art announced today that it will donate all of the admissions revenues it receives at the main building and The Cloisters on Wednesday, September 11, to the Engine 22 and Ladder 13 Family Fund—a charity established by the neighborhood firehouse that lost nine men at the World Trade Center one year ago.