Cabeça da virgem vista de três-quartos olhando à direita

Leonardo da Vinci Italian

Not on view

Este desenho de beleza lírica é provavelmente um estudo da cabeça da Virgem Maria na pintura de Leonardo intitulada A Virgem e o Menino com Santa Ana, que se encontra no Louvre em Paris, muito semelhante em escala e aparência. O artista usou uma rica combinação de técnicas, esfumaçando os traços de giz preto, giz vermelho e carvão para conseguir uma modelagem sutil com sombras “parecidas com fumaça” (sfumato), tal como ele mesmo descreveu essa técnica em suas notas. A extraordinária leveza atmosférica, a delicada modulação das formas e gradação matizada de luz e das sombras refletem os profundos conhecimentos de Leonardo sobre os fenômenos óticos, com base em suas observações científicas.

The Head of the Virgin in Three-Quarter View Facing Right, Leonardo da Vinci (Italian, Vinci 1452–1519 Amboise), Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing outline in pen and brown ink at upper right (not by Leonardo)

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Open Access

As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.

API

Public domain data for this object can also be accessed using the Met's Open Access API.

The Head of the Virgin in Three-Quarter View Facing Right, Leonardo da Vinci (Italian, Vinci 1452–1519 Amboise), Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing outline in pen and brown ink at upper right (not by Leonardo)
The Head of the Virgin in Three-Quarter View Facing Right, Leonardo da Vinci (Italian, Vinci 1452–1519 Amboise), Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing outline in pen and brown ink at upper right (not by Leonardo)
The Head of the Virgin in Three-Quarter View Facing Right, Leonardo da Vinci (Italian, Vinci 1452–1519 Amboise), Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing outline in pen and brown ink at upper right (not by Leonardo)
The Head of the Virgin in Three-Quarter View Facing Right, Leonardo da Vinci (Italian, Vinci 1452–1519 Amboise), Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing outline in pen and brown ink at upper right (not by Leonardo)

This artwork is meant to be viewed from right to left. Scroll left to view more.