Virgem e o Menino entronizados

ca. 1175–1200
On view at The Met Fifth Avenue in Gallery 304
Esta composição não é apenas a imagem de uma mãe e seu filho, uma vez que o Cristo menino sentado no colo da Virgem encarna a sabedoria divina. Para enfatizar a mensagem, Jesus estaria segurando um livro na mão. A beleza austera da escultura é aparente nas linhas rítmicas do traje da Virgem, no delicado véu emoldurando seu rosto e nos traços remanescentes da pintura, especialmente na almofada verde. Imagens similares eram usadas como objetos de devoção e levadas em procissões religiosas. É provável que essa escultura fosse um repositório de relíquias sagradas, já que tem duas cavidades: uma atrás do ombro e outra no peito da Virgem.

Artwork Details

Object Information
  • Título: Virgem e o Menino entronizados
  • Data: ca. 1150–1200
  • Geografia: França, Auvernia
  • Cultura: França
  • Meio: Madeira de nogueira, pintura, gesso, linho
  • Dimensões: 79,5 x 31,7 x 29,2 cm
  • Linha de créditos: Doação de J. Pierpont Morgan, 1916
  • Número de acesso: 16.32.194a, b
  • Curatorial Department: Medieval Art and The Cloisters

Audio

Disponível apenas em: English
Cover Image for 82. Virgin and Child in Majesty, Part 1

82. Virgin and Child in Majesty, Part 1

Gallery 304

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ED VESSEL: The brain is intimately attuned to the minute differences in shape and arrangement of the hands. For example, understanding the particular meaning conveyed by particular hand grasps.

NARRATOR: Due to the condition of this sculpture, some important hand gestures have been lost.

GRIFFITH MANN: You see the hands of the Virgin Mary reaching around to hold the Christ Child, but Christ's arms and hands are missing. His right hand, which is extended towards us, would have been making a gesture of blessing, with two fingers raised up. And then his left hand probably would have been holding a book representing the Word made Flesh in the figure of Christ.

MELANIE HOLCOMB: The hand is a powerful symbol for a Medieval viewer. Many, many images from the Middle Ages will sometimes only represent God by a hand, because the hand suggests that we can't understand the whole body, the whole outline of God.

NARRATOR: Learn about this sculpture’s context. Press play.

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