宝座上的圣母与圣婴

ca. 1175–1200
On view at The Met Fifth Avenue in Gallery 304
在这件木雕作品中,圣母紧紧搂住坐在她腿上的耶稣,这一构图反映了这不仅仅是一位母亲与儿子的雕像,它强调了圣子作为神的智慧化身的角色。为了增进这一要旨,耶稣原本可能手捧着一册书。圣母衣服上有节奏的纹路、框住脸颊的精致面纱以及存留下来的颜料痕迹,尤其是绿坐垫上的颜料,都使这件雕像传达出一种严峻的美。这种雕像曾是敬奉物品,被人抬着行进在教会的游行队列中。这件雕像可能曾是装圣骨的容器,它有两处中空的地方,一处在圣母的肩膀后,另一处在她的胸腔。

Artwork Details

Object Information
  • 标题: 宝座上的圣母与圣婴
  • 创作日期: 约1150–1200年
  • 地域: 奥弗涅
  • 文化: 法国
  • 材料: 胡桃木,颜料,石膏粉,亚麻布
  • 尺寸: 313⁄8 x 121⁄2 x 111⁄2 英寸(79.5 x 31.7 x 29.2厘米)
  • 来源信息: J·皮尔蓬·摩根捐赠,1916年
  • 藏品编号: 16.32.194a, b
  • Curatorial Department: Medieval Art and The Cloisters

Audio

仅适用于: English
Cover Image for 82. Virgin and Child in Majesty, Part 1

82. Virgin and Child in Majesty, Part 1

Gallery 304

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ED VESSEL: The brain is intimately attuned to the minute differences in shape and arrangement of the hands. For example, understanding the particular meaning conveyed by particular hand grasps.

NARRATOR: Due to the condition of this sculpture, some important hand gestures have been lost.

GRIFFITH MANN: You see the hands of the Virgin Mary reaching around to hold the Christ Child, but Christ's arms and hands are missing. His right hand, which is extended towards us, would have been making a gesture of blessing, with two fingers raised up. And then his left hand probably would have been holding a book representing the Word made Flesh in the figure of Christ.

MELANIE HOLCOMB: The hand is a powerful symbol for a Medieval viewer. Many, many images from the Middle Ages will sometimes only represent God by a hand, because the hand suggests that we can't understand the whole body, the whole outline of God.

NARRATOR: Learn about this sculpture’s context. Press play.

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