The Collection
The American Wing Ancient Near Eastern Art Arms and Armor The Michael C. Rockefeller Wing Asian Art The Cloisters The Costume Institute Drawings and Prints Egyptian Art European Paintings European Sculpture and Decorative Arts Greek and Roman Art Islamic Art Robert Lehman Collection The Libraries Medieval Art Musical Instruments Photographs Antonio Ratti Textile Center Modern and Contemporary Art

Венера и Купидон

Lorenzo Lotto Italian

середина 1520-х гг.

On view at The Met Fifth Avenue in Gallery 608

Тема этой картины, созданной самым нетрадиционным гением венецианского Ренессанса, навеяна классическими брачными поэмами, а сама картина, вероятнее всего, была написана в честь бракосочетания. Действительно, Венера, возможно, является портретом невесты. Раковина над ее головой и лепестки роз на подоле являются привычными атрибутами богини. Плющ символизирует верность в браке, тогда как миртовый венок и подвешенный на него светильник составляют обстановку брачной комнаты. На Венере серьги и диадема невесты XVI века. Купидон, писающий через миртовый венок, предвещает плодородие и придает настроение беззаботной шутливости этой интимной сцене.

Venus and Cupid, Lorenzo Lotto (Italian, Venice ca. 1480–1556 Loreto), Oil on canvas — Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Venus and Cupid, Lorenzo Lotto (Italian, Venice ca. 1480–1556 Loreto), Oil on canvas

Venus and Cupid, Lorenzo Lotto (Italian, Venice ca. 1480–1556 Loreto), Oil on canvas

Venus and Cupid, Lorenzo Lotto (Italian, Venice ca. 1480–1556 Loreto), Oil on canvas

Venus and Cupid, Lorenzo Lotto (Italian, Venice ca. 1480–1556 Loreto), Oil on canvas

Venus and Cupid, Lorenzo Lotto (Italian, Venice ca. 1480–1556 Loreto), Oil on canvas

Venus and Cupid, Lorenzo Lotto (Italian, Venice ca. 1480–1556 Loreto), Oil on canvas

Venus and Cupid, Lorenzo Lotto (Italian, Venice ca. 1480–1556 Loreto), Oil on canvas

Venus and Cupid, Lorenzo Lotto (Italian, Venice ca. 1480–1556 Loreto), Oil on canvas

Venus and Cupid, Lorenzo Lotto (Italian, Venice ca. 1480–1556 Loreto), Oil on canvas

This artwork is meant to be viewed from right to left. Scroll left to view more.

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Fig. 1. Line engraving (from Salomon Reinach, "Répertoire de peintures du moyen age et de la renaissance (1280–1580)," Paris, vol. 4, 1918, p. 652)

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Fig. 2. Plate from Cesare Vecellio, "Habiti antichi et moderni," Venice, 1598

Fig. 3. Plate from Francesco Colonna, "Hypnerotomachia Poliphili," Venice, 1499

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Fig. 4. Before cleaning (from Bernard Berenson, "Lotto," 3rd ed., Milan, 1955, pl. 258)

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Fig. 5. Painting in frame: overall

Fig. 6. Painting in frame: corner

Fig. 7. Painting in frame: angled corner

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Fig. 8. Profile drawing of frame. W 6 9/16 in. 16.6 cm (T. Newbery)

Название: Венера и Купидон

Художник: Лоренцо Лотто, Италия, около 1480–1556 гг.

Дата: середина 1520-х гг.

Материал: Масло, холст

Размер: 92,4 x 111,4 см

Благодарность: Приобретение, дар миссис Чарльз Райтсмен, в честь Мариетты Три, 1986

Номер объекта: 1986.138

Detail view of a Titian painting depicting Venus lying on a bed with a lute player and a cherub

"Where did Praxiteles see me naked?" Depictions of Venus in Sixteenth-Century Italian Painting

Curator Keith Christiansen explores a provocative new juxtaposition of four paintings by Veronese, Titian, and Lotto, all of which depict Venus, the goddess of love.

An 18th-century painting of the Piazza San Marco in Venice

La Serenissima: Venetian Glory in The Met's Galleries

Curator Andrea Bayer surveys a selection of The Met's Venetian paintings ahead of a series of talks she will give in February, Celebrating La Serenissima.

Two black and white photographs—on the left is Gwen Roginsky and on the right is her teenage daughter Ana Sofia—both are standing in a gallery at The Met

Connections: Olympians

Associate publisher Gwen Roginsky and her teenage daughter Ana Sofia Meneses relish the drama of the dysfunctional family that is the Olympians.

Black and white photograph of editorial assistant Nadja Hansen in The Met galleries

Connections: Date Night

Editorial assistant Nadja Hansen expounds on why the Met is a great place for a date.

The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.

The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.

The Met

European Paintings at The Met

The Met's celebrated European Paintings collection encompasses more than 2,500 works of art from the thirteenth through the early twentieth century.