The oldest Jain image in the Metropolitan Museum's collection also happens to be the earliest known representation of the subject in Jain art, that of Bahubali, a prince who attained the stature of a perfected being (siddha). Although never admitted to the pantheon of twenty-four tirthankaras, he nonetheless attained jina-like status. The legend of Bahubali tells of a prince who renounces violence after coming close to slaying his brother Bharata in a battle of succession and then renounces pride and its expression—violence to other living creatures. Embracing ahimsa (nonviolence), he meditates in the "body-abandonment" posture in a forest, where he is entwined by vines and hosts birds that nest in his hair until he attains moksha.
This diminutive icon is part of a tradition that inspired the largest rock-cut icon in the Indian subcontinent, the Bahubali at Shravana Belgola, in Karnataka, a sixty-foot-high image sculpted from living rock in the tenth century. This icon has been ritually lustrated in the mahamastakabhisheka festival since that date on a twelve-year cycle, most recently celebrated in 2006.