帕里斯

Antico (Pier Jacopo Alari Bonacolsi) Italian

On view at The Met Fifth Avenue in Gallery 536

这位艺术家给自己起的绰号“安蒂科”（意大利语“古代”之意）暗指他一生致力于复兴并延续古代雕塑艺术。来自曼图亚的他以青铜小雕像作品最为著名，这类雕像有精美的细节，复制出古代著名雕像的结构。这位健壮的裸体男子像的原型为何尚不得而知，它是安蒂科的小雕像作品中最大的一件，可能描绘的是特洛伊王子帕里斯在三位女神（维纳斯、朱诺和弥涅耳瓦）中判定谁最美的故事。他最终选择了维纳斯，并把自己的金苹果给了她。雕像上光滑的肌肤、优雅錾刻出的容貌以及起强调作用的镀金和镀银都解释了为何安蒂科最优秀的青铜作品依然是所有文艺复兴早期小雕像中最炙手可热的。

Paris, Antico (Pier Jacopo Alari Bonacolsi) (Italian, Mantua ca. 1460–1528 Gazzuolo), Bronze, partially fire-gilt, silver inlay, Italian, Mantua

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Paris, Antico (Pier Jacopo Alari Bonacolsi) (Italian, Mantua ca. 1460–1528 Gazzuolo), Bronze, partially fire-gilt, silver inlay, Italian, Mantua
Paris, Antico (Pier Jacopo Alari Bonacolsi) (Italian, Mantua ca. 1460–1528 Gazzuolo), Bronze, partially fire-gilt, silver inlay, Italian, Mantua
Paris, Antico (Pier Jacopo Alari Bonacolsi) (Italian, Mantua ca. 1460–1528 Gazzuolo), Bronze, partially fire-gilt, silver inlay, Italian, Mantua
Paris, Antico (Pier Jacopo Alari Bonacolsi) (Italian, Mantua ca. 1460–1528 Gazzuolo), Bronze, partially fire-gilt, silver inlay, Italian, Mantua
Paris, Antico (Pier Jacopo Alari Bonacolsi) (Italian, Mantua ca. 1460–1528 Gazzuolo), Bronze, partially fire-gilt, silver inlay, Italian, Mantua
Paris, Antico (Pier Jacopo Alari Bonacolsi) (Italian, Mantua ca. 1460–1528 Gazzuolo), Bronze, partially fire-gilt, silver inlay, Italian, Mantua
Paris, Antico (Pier Jacopo Alari Bonacolsi) (Italian, Mantua ca. 1460–1528 Gazzuolo), Bronze, partially fire-gilt, silver inlay, Italian, Mantua
Paris, Antico (Pier Jacopo Alari Bonacolsi) (Italian, Mantua ca. 1460–1528 Gazzuolo), Bronze, partially fire-gilt, silver inlay, Italian, Mantua

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