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Ogata Kōrin Japanese
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许多艺术家和诗人试图捕捉巨浪汹涌时转瞬即逝的画面。尾形光琳的这一版本传达出奇异的险恶感，毋庸置疑是源于那些千疮百孔、长触手状的不规则泡沫。画家运用传统中国画法中一手持两笔的分染手法勾勒出轮廓，屏风中兽爪般的波浪可能直接受到室町时代艺术家雪村周继（约1504 –1589年)的一幅画作的影响。此屏风上还钤有“道崇”字样印章，这是光琳在1704年采用的号。
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标题: 尾形光琳（日本，1658–1716年）波涛图屏风
年代: 江户时代
创作日期: 约1704–9年
地域: 日本
材料: 双扇折叠屏风；纸本金地水墨设色
尺寸: 575⁄8 x 651⁄8 英寸（146.5 x 165.4厘米）
来源信息: 弗莱彻基金，1926年
藏品编号: 26.117
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