The C(orinthianizing) Painter takes his name from the strong influence of Corinthian vase-painting on his style. He particularly favored the Siana cup, which afforded him an ample, regularly shaped surface over which to deploy mythological narratives. The C Painter has chosen a later moment in the Troilos story than the Painter of London B 76. The hare and bird emphasize the speed of Achilles' pursuit.
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Artwork Details
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Title:Terracotta kylix: Siana cup (drinking cup)
Artist:Attributed to the C Painter
Period:Archaic
Date:ca. 575 BCE
Culture:Greek, Attic
Medium:Terracotta; black-figure
Dimensions:H. 5 1/8 in. (13 cm) diameter 9 5/8 in. (24.5 cm)
Classification:Vases
Credit Line:Purchase, 1901
Object Number:01.8.6
Until 1899, collection of Henry Hoffmann (1823-1897), Paris; May 1899, purchased by Henri de Morgan at the Hoffmann sale at Hôtel Drouot, Paris (lot 78); 1899-1901, collection of Henri de Morgan (1854-1909), Paris; acquired in 1901, purchased at the de Morgan sale at the American Art Galleries, New York (lot 67).
1898. Collection H. Hoffmann, Antiquités. 15-19 Mai, 1899. no. 78, pp. 26–27, pl. VIII.
American Art Galleries. March 12-13, 1901. Greek Art: Fine Iridescent Glass, Greek Vases, Terracotta Figurines and Groups. The Collection of Henry de Morgan. no. 366, p. 67.
Richter, Gisela M. A. and The Metropolitan Museum of Art. 1927. Metropolitan Museum of Art. Handbook of the Classical Collection. p. 92, New York: Gilliss Press.
Beazley, John D. 1934–1936. "The Troilos Cup." Metropolitan Museum Studies, 5(1): pp. 93–96, 101, figs. 1–3.
Kraiker, Wilhelm. 1934. "Einer Prothesis-schale im Kerameikos." Mitteilungen des Deutschen Archäologischen Instituts, Athenische Abteilung 59, 59: no. 4, pp. 9–10, n. 4.
Richter, Gisela M. A. 1953. Handbook of the Greek Collection. pp. 59, 201, pl. 41a, Cambridge, Mass.: Harvard University Press.
Richter, Gisela M. A. 1953. Corpus Vasorum Antiquorum. United States of America 11. The Metropolitan Museum of Art 2. Attic Black-Figured Kylikes. pls. II, XXXVI, Cambridge, MA: Harvard University Press.
Beazley, John D. 1956. Attic Black-figure Vase-painters. pp. 51, 681, no. 4, Oxford: Clarendon Press.
von Bothmer, Dietrich. 1972. Greek Vase Painting: An Introduction. no. 7, pp. 18–19, 69, New York: The Metropolitan Museum of Art.
von Bothmer, Dietrich. 1972. "Greek Vase Painting." Bulletin of the Metropolitan Museum of Art, 31(1): no. 5, pp. 16–18, 67.
Lexicon Iconographicum Mythologiae Classicae (LIMC). 1981. Vol. 1: Aara-Aphlad. "Achilleus," p. 83, no. 307, pl. 88, Zürich: Artemis Verlag.
Beazley, John D. 1986. The Development of Attic Black Figure, Vol. 24, 2nd ed.. p. 96 [p.20 n. 45], pl. 17, 1–3, Berkeley: University of California Press.
Brijder, Herman A. G. 1991. Siana Cups II: The Heidelberg Painter, Allard Pierson Series: Studies in Ancient Civilization, Vol. 8. pp. 360, 376, fig. 6, Amsterdam: Allard Pierson Museum.
Tölle-Kastenbein, Renate. 1994. Das archaische Wasserleitungsnetz für Athen und seine späteren Bauphasen. p. 90, Mainz am Rhein: Verlag Philipp von Zabern.
Mertens, Joan R. 2010. How to Read Greek Vases. pp. 96, 98, fig. 37, New York: The Metropolitan Museum of Art.
Karoglou, Kyriaki. 2018. "Dangerous Beauty : Medusa in Classical Art." Bulletin of the Metropolitan Museum of Art, 75(3): pp. 13, 15, fig. 17.
In this interview, exhibition curator Kiki Karoglou shares provocative insights into the contemporary relevance of mythological hybrid beings and offers a behind-the-scenes look into the making of the exhibition.
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The Museum's collection of Greek and Roman art comprises more than 30,000 works ranging in date from the Neolithic period to the time of the Roman emperor Constantine's conversion to Christianity in A.D. 312.
