Mask: Female (Pwo), Wood, fiber, brass, pigment, Chokwe peoples

Mask: Female (Pwo)

19th–early 20th century
Angola, Xassenge region
Chokwe peoples
Wood, fiber, brass, pigment
H. 10 5/8 x W. 7 in. (27 x 17.8 cm)
Credit Line:
Purchase, Daniel and Marian Malcolm, Mr. and Mrs. James J. Ross, Sidney and Bernice Clyman Gifts, and Rogers Fund, 2003
Accession Number:
2003.288a, b
On view at The Met Fifth Avenue in Gallery 352
This work is an outstanding example of Pwo, a classic Chokwe mask genre that honors founding female ancestors. Such representations are especially significant given that the Chokwe trace descent through their mothers' lines. Pwo's joint performance with her male counterpart, Cihongo, brings fertility and prosperity to a community. The cultural ideals of these two iconic representations developed during the precolonial period continue to inspire contemporary artists in the region.

Inscribed motifs on the mask's forehead and cheeks are classic graphic designs that aesthetically enhanced a woman's beauty in past generations and were signs of ethnic identity. The central cruciform on the forehead has been interpreted as a cosmogram while the markings on either cheek are described as a solar disc joined by tears. Chokwe masks are often performed at the celebrations that mark the completion of initiation into adulthood. That occasion also marks the dissolution of the bonds of intimacy between mothers and their sons. The pride and sorrow that event represents for Chokwe women is alluded to by the tear motif.
A Portuguese collector; Patrick Diericks, Brussels, Belgium, until 1982; (Christie's London, 1982, no. 113); Baudouin de Grunne, Belgium, from 1982 until probably 1986 or 1987; [Philippe Guimiot, Brussels, Belgium, by 1987–1997]; Andreas Lindner, Munich, Germany, 1997–2003; [Entwistle Gallery, London, until 2003]