Relief panel
The figures are supernatural but do not represent any of the great gods. Rather, they are part of the vast supernatural population that for ancient Mesopotamians animated every aspect of the world. They appear as either eagle-headed or human-headed and wear a horned crown to indicate divinity. Both types of figure usually have wings. Because of their resemblance to groups of figurines buried under doorways for protection whose identities are known through ritual texts, it has been suggested that the figures in the palace reliefs represent the apkallu, wise sages from the distant past. This may indeed be one level of their symbolism, but protective figures of this kind are likely to have held multiple meanings and mythological connections.
Figures such as these continued to be depicted in later Assyrian palaces, though less frequently. Only in the Northwest Palace do they form such a dominant feature of the relief program.
Donated in 1884, this was the earliest Assyrian relief to enter the Museum’s collection. Originally part of a much larger panel, it shows the head, shoulder, and part of the wing of a human-headed figure facing left. The horned cap indicates divinity, and the long, elaborate beard is similar to that of the Assyrian king. The figure wears a large pendant earring and a collar comprising two bands of beads with spacers. The right side of the panel preserves the edge of another wing, showing that this figure was originally arranged back to back with another, also in the Metropolitan Museum (17.190.2082).
Artwork Details
- Title: Relief panel
- Period: Neo-Assyrian
- Date: ca. 883–859 BCE
- Geography: Mesopotamia, Nimrud (ancient Kalhu)
- Culture: Assyrian
- Medium: Gypsum alabaster
- Dimensions: 25 1/4 x 31 1/2 x 3 in., 140lb. (64.1 x 80 x 7.6 cm, 63.5kg)
- Credit Line: Gift of Benjamin Brewster, 1884
- Object Number: 84.11
- Curatorial Department: Ancient West Asian Art
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