Art/ Collection/ Art Object

Cuneiform tablet: Atra-hasis, Babylonian flood myth

Neo-Babylonian or Achaemenid
ca. 7th–6th century B.C.
Babylonian or Achaemenid
2.5 x 2.25 x 1 in. (6.35 x 5.72 x 2.54 cm)
Credit Line:
Purchase, 1886
Accession Number:
On view at The Met Fifth Avenue in Gallery 406
The invention of writing in approximately 3300 B.C. was one of many developments in administrative technology--including the use of geometric tokens for counting and cylinder seals to guarantee transactions--that accompanied the growth of the first cities and states in southern Mesopotamia. Proto-cuneiform is the name given to the earliest form of writing--pictograms that were drawn on clay tablets. Gradually, the pictograms became abstracted into cuneiform (Latin, "wedge-shaped") signs that were impressed rather than drawn. At its greatest extent, cuneiform writing was used from the Mediterranean coast of Syria to western Iran and from Hittite Anatolia to southern Mesopotamia. It was adapted to write at least fifteen different languages. The last dated cuneiform text has a date corresponding to A.D. 75, although the script probably continued in use over the next two centuries.

This clay tablets fragment contains part of the ancient Akkadian flood story, often called Atra-hasis. The epic tells of how the gods created humans to alleviate their own work, grew tired of the noise of the peoples on earth, and sent various natural disasters – including a flood – to destroy the human race. Because the story describes the intervention of a god to save one man (Atra-hasis) by giving him instruction for building a boat, it is often compared to the biblical story of Noah. The text on this tablet, which reads left to right, describes the noise on earth that led to the gods’ decision to destroy humanity on the front. On the reverse, the very end of the story appears – the gods promise to never send another flood, allowing people to "last forever" – as well as the name of the Mesopotamian flood survivor, who in this text is given the name Ut-napishtim. The epic is best-known from copies of the text dating to the Old Babylonian period, but several examples, including this text, show that the story continued to be copied in later periods.
Acquired by the Museum in 1886, purchased from the Reverend William Hayes Ward.
Spar, Ira, and Wilfred G. Lambert. 2005. Cuneiform Texts in the Metropolitan Museum of Art. Volume II: Literary and Scholastic Texts of the First Millennium B.C. New York: The Metropolitan Museum of Art, no. 42, pp. 197-201, pls. 59-60.
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