Scholars have proposed that this large three-piece mihrab-shaped panel once adorned the tomb of the Sufi shaikh 'Abd al-Samad in Natanz. In addition to its selection of Qur'anic verses, the panel includes an inscription describing itself as the work of Hasan ibn 'Ali ibn Ahmad Babavaih, a known fourteenth-century tilemaker from Kashan. Indicative of the collaborative nature of this type of work, this piece also contains the signature of the calligrapher who wrote the inscription - 'Ali ibn Muhammad ibn Fadl Allah.
Signature: Hasan ibn 'Ali ibn Ahmad Babuyeh, the builder
Mr. Chirol, London (ca. 1879–1909); [ Morris & Company, London, 1909; sold to MMA]
New York. The Metropolitan Museum of Art. "The Legacy of Genghis Khan: Courtly Art and Culture in Western Asia 1256-1353," October 28, 2002–February 16, 2003, no. 16.
Los Angeles County Museum of Art. "The Legacy of Genghis Khan: Courtly Art and Culture in Western Asia 1256-1353," April 13, 2003–July 27, 2003, no. 16.
Los Angeles. Los Angeles County Museum of Art. "Gifts of the Sultan: The Arts of Giving at the Islamic Courts," June 5, 2011–September 5, 2011, no. 81.
Houston. Museum of Fine Arts, Houston. "Gifts of the Sultan: The Arts of Giving at the Islamic Courts," October 23, 2011–January 15, 2012, no. 81.
Doha. Museum of Islamic Art, Doha. "Gifts of the Sultan: The Arts of Giving at the Islamic Courts," March 21, 2012–June 2, 2012, no. 81.
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Watson, Oliver. Persian Lustre Ware. London; Boston: Faber and Faber, 1985. p. 148, ill. fig. 126 (b/w).
Blair, Sheila S. "The Ilkhanid shrine complex at Natanz." PhD diss., Center for Middle Eastern Studies, Harvard University, 1986. pp. 35, 65, ill. pl. 54.
Khoury, Nuhan N. N. "The Mihrab Image: Commemorative Themes in Medieval Islamic Architecture." Muqarnas vol. 9 (1992). pp. 14-15, ill. fig. 4 (b/w).
Rossabi, Morris, Charles Melville, James C.Y. Watt, Tomoko Masuya, Sheila Blair, Robert Hillenbrand, Linda Komaroff, Stefano Carboni, Sarah Bertelan, and John Hirx. The Legacy of Genghis Khan: Courtly Art and Culture in Western Asia, 1256–1353, edited by Stefano Carboni, and Linda Komaroff. New Haven: Yale University Press, 2002. no. 116, pp. 199, 268, ill. fig. 237 (color).
Suleman, Fahmida, ed. "The Qur'an and its Creative Expressions." In Word of God, Art of Man. Qur'anic Studies Series 4. United States: Oxford University Press, 2007. p. 278, ill. fig. 16.4 (color.
Komaroff Linda, ed. "The Arts of Giving at the Islamic Courts." In Gifts of the Sultan. Los Angeles; New Haven and London: Los Angeles County Museum of Art, 2011. no. 81, pp. 54, 234-5, ill. fig. 46 (color).