This artwork is meant to be viewed from right to left. Scroll left to view more.
Artwork Details
Use your arrow keys to navigate the tabs below, and your tab key to choose an item
Title:Figurine
Date:7th–9th century
Geography:Attributed to Egypt
Medium:Bone; carved and incised
Dimensions:H. 2 3/8 in. (6 cm) W. 1 in. (2.6 cm) D. 1/4 in. (0.7 cm)
Classification:Ivories and Bone
Credit Line:Gift of Lily S. Place, 1921
Object Number:21.6.107
Figurines: 2001.761.3 and 21.6.107
Each of these two figurines was shaped from a single piece of bone, with the facial features and details of the bodies formed by simple angular incisions. The decoration is confined to the front, while the back is left plain. The arms and the body of 21.6.107 were made from the same piece, whereas the holes on the sides of 2001.761.3 indicate it once had movable arms.
A number of these figurines have been unearthed in Egypt and attributed to a wide range of dates on the basis of neighboring finds or architectural evidence.[1] These objects were probably toys, although it has also been suggested that they may have been used as amulets related to fertility.[2] Usually linked with the Christian population of Egypt, they continue a pre-Islamic tradition of statuettes that survive in a variety of materials including clay and wood, and some may have been discovered in children’s tombs.[3]
The majority of the figurines that survive are plain and take a variety of forms but in general show some common characteristics, with their simple carving of little artistic value. Some are dressed in clothes and have real hair or black paste on their heads.[4] The great number of them in museum collections and the fact that they are frequent finds in excavations suggest that they were common, everyday objects made in large numbers out of bone, a cheaper material than ivory, and thus more easily available.[5]
Mina Moraitou in [Evans and Ratliff 2012]
Footnotes:
1. See George T. Scanlon. "Ancillary Dating Materials from Fustat." Ars Orientalis 7 (1968), pp. 16–17; and Mutsuo Kawatoko and Yoko Shindo, eds. Artifacts of the Medieval Islamic Period Excavated in al-Fustat, Egypt. Tokyo, 2010, pls. 10, 11.
2. Delia Cortese and Simonette Calderini. Women and the Fatimids in the World of Islam. Edinburgh, 2006, p. 218.
3. Brahim Alaoui, ed. L’art copte en Égypte: 2000 ans de christianisme. Exh, cat. Paris, 2000, p. 216; Maria Argyriadē. Dolls: In Greek Life and Art from Antiquity to the Present Day. Athens, 1991, no. 24; and Marie-Hélène Rutschowscaya. Catalogue des bois de l’Égypte copte. Paris, 1986, pp. 85–91.
4. For three examples see Alaoui 2000 (note 3), p. 217.
5. As, for example, the Museum für Byzantische Kunst, Berlin (see Cäcilia Fluck and Klaus Finneiser. Kindheit am Hil: Spielseung, Kleidung, Kinderbilder aus Ägypten in den Staatlichen Museen zu Berlin. Exh, cat. Berlin, 2009, p. 49); the Benaki Museum, Athens; and the British Museum, London (see Maria Argyriadē. Dolls: In Greek Life and Art from Antiquity to the Present Day. Athens, 1991).
Lily S. Place, Cairo (until 1921; gifted to MMA)
New York. The Metropolitan Museum of Art. "Byzantium and Islam: Age of Transition," March 14–July 8, 2012, no. 134B.
Strzygowski, Josef. "Koptische Kunst." In Catalogue Generale du Musee du Caire. vol. 12. Vienna, 1904. nos. 8869–73, ill. pl. XVIII.
Friedman, Florence D. "Egypt and the Copts in the 2nd to 7th Centuries AD." In Beyond the Pharaohs. Providence, R.I.: Museum of Art, Rhode Island School of Design, 1989. no. 75, p. 166, ill. (related).
Evans, Helen C., and Brandie Ratliff, ed. Byzantium and Islam: Age of Transition. New York: The Metropolitan Museum of Art, 2012. no. 134B, pp. 193–4, ill. (color).
Flood, Finbarr Barry, and Gulru Necipoglu. "Volume 1. From the Prophets to the Mongols." In A Companion to Islamic Art and Architecture. vol. I. Hoboken, NJ: John Wiley & Sons, Inc., 2017. pp. 505–6, ill. fig. 20.1 (b/w).
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
The Met's collection of Islamic art is one of the most comprehensive in the world and ranges in date from the seventh to the twenty-first century. Its more than 15,000 objects reflect the great diversity and range of the cultural traditions from Spain to Indonesia.