Se cree que estas dos placas fueron donadas por la reina Felicia de Aragón y Navarra al convento de Santa Cruz de la Serós, en las afueras de la capital real de Jaca. La talla de marfil bizantina del siglo X visible a la derecha pudo ser adquirida en el siglo XI en Italia, país con el que la familia real tenía importantes vínculos, y probablemente inspiró la creación de estas dos piezas votivas. Uno de los zafiros de la placa de la derecha, en cuya inscripción se pueden leer cuatro de los noventa y nueve nombres más hermosos de Dios, pudo llegar a manos cristianas a través del comercio, del intercambio diplomático o del pago de un tributo por parte del reino de taifa de Zaragoza.
These two panels were likely gifted by Queen Felicia of Aragon and Navarre to the convent of Santa Cruz de la Serós, outside the royal capital of Jaca. The tenth-century Byzantine ivory set into the right-hand panel was perhaps acquired in the eleventh century in Italy, where the royal family had important ties, and it likely inspired the creation of these two votive works. A sapphire in the right-hand panel, inscribed with four of the ninety-nine Beautiful Names of God, could have entered Christian hands through trade, diplomatic exchange, or the payment of tribute by the taifa kingdom of Zaragoza.
#2770. Book Cover with Byzantine Icon of the Crucifixion
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Artwork Details
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Title:Panel with Byzantine Ivory Carving of the Crucifixion
Date:10th century (ivory); late 11th century (setting)
Geography:Made in Constantinople (ivory); Made in Aragon, Spain (?) (setting)
Culture:Byzantine (ivory); Spanish (setting)
Medium:Silver-gilt with pseudo-filigree, glass, crystal, and sapphire cabochons, ivory on wood support
Dimensions:Overall: 10 3/8 x 8 5/8 x 1 in. (26.4 x 21.9 x 2.5 cm)
Classification:Ivories
Credit Line:Gift of J. Pierpont Morgan, 1917
Accession Number:17.190.134
From the Benedictine convent of Santa Cruz de la Serós, Jaca; Charles Stein(?), Paris; Sir Thomas Gibson Carmichael, Bart., Castle Craig(sold 1902); Carmichael sale, Christie, Manson & Woods, London(May 12–13, 1902, no. 36); [ Georges B. Brauer, Paris (sold 1906)]; J. Pierpont Morgan (American), London and New York (1906–1913)
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Kelvingrove Art Gallery and Museum. "Glasgow International Exhibition," May 2–November 4, 1901.
Tokyo National Museum. "Treasured Masterpieces of the Metropolitan Museum of Art," August 10, 1972–October 1, 1972.
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New York. The Metropolitan Museum of Art. "The Glory of Byzantium," March 11–July 6, 1997.
New York. The Cloisters, The Metropolitan Museum of Art. "Spain, 1000–1200: Art at the Frontiers of Faith," August 30, 2021–January 30, 2022.
Huesca, Ramón de. Teatro histórico de las Iglesias del Reyno de Aragón. Vol. 8. Pamplona, 1802. p. 332.
Las Joyas de la Exposicion Histórico-Europea de Madrid 1892. Madrid: Sucesor de Laurent, 1893. pl. X.
Exposición Histórico-Europea, 1892 à 1893: Catálogo General. Madrid: Establecimiento Tipográfico de Fortanet, 1893. Sala IX, no. 24.
de Leguina y Vidal, Enrique. "Encuadernaciones Romano-bizantinas." Boletín de la Sociedad Española de Excursiones 2, no. 24 (February 1895). pp. 246–47, ill.
Catalogue of the well-known collection of works of art of the Classic, Medieval and Renaissance times formed by Sir Thomas Gibson Carmichael. London: Christie, Manson & Woods, May 12–13, 1902. no. 36, p. 16, ill.
Carmichael, Thomas Gibson. "Art Objects: Early Bronzes, Ivories and Enamels." In Nineteenth Century Art with Illustrations from Pictures and Objects in the Fine Art Loan Collection of the Glasgow International Exhibition, edited by D. S. MacColl. Glasgow: James MacLehose & Sons, 1902. p. 200, fig. H, (dry point by Muirhead Bone).
Sentenach y Cabañes, Narciso. "Bosquejo Histórico sobre la orfebrería española." Revista de archivos, bibliotecas y museos 12, nos. 7–8 (July–August 1908). p. 10.
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Breck, Joseph. "Pre-Gothic Ivories in the Pierpont Morgan Collection." The Metropolitan Museum of Art Bulletin, o.s., 15, no. 1 (January 1920). p. 16.
Goldschmidt, Adolph. Die Elfenbeinskulpturen aus der romanischen Zeit, XI.-XIII. Jahrhundert. Vol. 4. Berlin: Bruno Cassirer, 1926. pp. 2, 33, fig. 30.
Breck, Joseph, and Meyric R. Rogers. The Pierpont Morgan Wing: A Handbook. 2nd ed. New York: The Metropolitan Museum of Art, 1929. p. 52.
Carmichael, Mary Helen Elizabeth, and Thomas Gibson Carmichael. Lord Carmichael of Skirling: A Memoir Prepared by his Wife. London: Hodder and Stoughton, 1929. p. 295, ill. opp. p. 294.
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