Polychrome woodblock print; ink and color on paper
14 3/8 x 9 5/8 in. (36.5 x 24.4cm)
Rogers Fund, 1922
Not on view
Kitagawa Utamaro, one of the most prolific artists of the genre of portrayal of beautiful women, was extremely interested in images of mother and child in daily life. This print belongs to a series entitled Fuzoku Bijin Tokei (Women's Daily Customs). To illustrate midnight, Utamaro has chosen a mother who sleepily emerges from her mosquito net to attend to her child, who rubs the sleep from his eyes. The personal, quotidian nature of the subject exemplifies the new interest in the individual that emerged during the Edo period.
Signature: Utamaro fude
Inscription: At right: the title of the series; at left, the Hour of the Rat (11 pm to 1 am); the concubine Mekaké
Alexis Rouart Collection (until d. 1911; sale, The American Art Association, 6 February 1 922, no. 819, sold to MMA).
Richmond. Virginia Museum of Fine Arts. "The Influence of Japanese Prints on Mary Cassatt," May 7, 1981–June 21, 1981.
Artist: Kitagawa Utamaro (Japanese, ca. 1754–1806)Date: probably 1789Medium: Woodblock printed book (orihon, accordion-style); ink, color, mica, and gold-leaf on paperAccession: 2013.897On view in:Not on view