尤底克斯的木乃伊肖像画

Roman Period
A.D. 100–150
On view at The Met Fifth Avenue in Gallery 111
经过数世纪的外族统治和外邦人在埃及境内的大范围定居,到公元二世纪时,埃及已是名副其实的多元文化社会。图上这位衣着整洁的男孩眼神中透着信任和悲伤,画上文字写道:尤底克斯,卡撒尼奥斯的自由人;赫拉克莱提斯之子,伊凡多斯(或作:赫拉克莱提斯,伊凡多斯之子)我签字。显然这名男孩被卡撒尼奥斯解除了奴隶身份,但却夭亡。文中提到的另两位之一可能订购了这幅肖像画或支付了购画款。遵循希腊绘画传统制成的这幅画被放置在男孩埃及风格的木乃伊的裹布里,以盖住他的头。用面具覆盖头部在埃及已有数千年的历史。

Artwork Details

Object Information
  • 标题: 尤底克斯的木乃伊肖像画
  • 年代: 罗马时期
  • 创作日期: 公元100–150年
  • 材料: 木板蜡画,彩绘
  • 尺寸: 147⁄8 x 71⁄2 英寸(38 x 19厘米)
  • 来源信息: 爱德华·S·哈克尼斯捐赠,1918年
  • 藏品编号: 18.9.2
  • Curatorial Department: Egyptian Art

Audio

仅适用于: English
Cover Image for 3536. Portrait of the Boy Eutyches

3536. Portrait of the Boy Eutyches

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NARRATOR: The portrait of this smooth-faced young boy is particularly fine. It was made to be included in the wrappings covering his mummified body. Across the neck of his white tunic we see a painted inscription. The Greek letters seem to follow the folds of cloth. They tell us his name: Eutyches, and that he was a freed slave. Roger Bagnall is professor of Greek and ancient history at Columbia University.

ROGER BAGNALL: Only a small percentage of the mummy portraits have names on them; and Eutyches is an unusual portrait in that it not only has a name but an inscription that tells us something about who he was. What kind of a name is Eutyches? It’s Greek, actually, it means “Lucky.” And so you might say that Eutyches was a Greek, right? Well, it’s not actually that simple. For one thing he was an ex-slave and probably his parents didn’t give him his name, his owner did. For another, Eutyches is a name often used in Egypt to refer to the god of good luck, Shai, an Egyptian god but referred to in Greek translation.

NARRATION: By the time this portrait was painted— in the second century AD— the Greek and Egyptian cultures had been commingling for generations.

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