尤底克斯的木乃伊肖像画
Artwork Details
- 标题: 尤底克斯的木乃伊肖像画
- 年代: 罗马时期
- 创作日期: 公元100–150年
- 材料: 木板蜡画,彩绘
- 尺寸: 147⁄8 x 71⁄2 英寸(38 x 19厘米)
- 来源信息: 爱德华·S·哈克尼斯捐赠,1918年
- 藏品编号: 18.9.2
- Curatorial Department: Egyptian Art
Audio
3536. Portrait of the Boy Eutyches
NARRATOR: The portrait of this smooth-faced young boy is particularly fine. It was made to be included in the wrappings covering his mummified body. Across the neck of his white tunic we see a painted inscription. The Greek letters seem to follow the folds of cloth. They tell us his name: Eutyches, and that he was a freed slave. Roger Bagnall is professor of Greek and ancient history at Columbia University.
ROGER BAGNALL: Only a small percentage of the mummy portraits have names on them; and Eutyches is an unusual portrait in that it not only has a name but an inscription that tells us something about who he was. What kind of a name is Eutyches? It’s Greek, actually, it means “Lucky.” And so you might say that Eutyches was a Greek, right? Well, it’s not actually that simple. For one thing he was an ex-slave and probably his parents didn’t give him his name, his owner did. For another, Eutyches is a name often used in Egypt to refer to the god of good luck, Shai, an Egyptian god but referred to in Greek translation.
NARRATION: By the time this portrait was painted— in the second century AD— the Greek and Egyptian cultures had been commingling for generations.
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