This painting tells the story of how the scholar Wang Guozhen came to have the nickname “Dreaming of Flowers” (Menghua, 夢花). One day, Wang dozed off while at work in his garden. In a dream state, he walked into the garden, where he encountered an old man who lectured him on the illusory nature of sight, saying: “This riot of lushness around you . . . they are flowers, yet they are not, as flowers are only ever the illusion of flowers.” Light color and faint ink make the scene dreamlike, but they also reflect a renewed interest among nineteenth-century artists in Suzhou painters of the sixteenth century. This lightness of touch offered an antidote to the bold and heavy styles that had dominated the eighteenth century.
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[ Kaikodo LLC , New York, unil June 14, 1995; sold to DeBevoise]; Jane DeBevoise , New York and Hong Kong (1995–2024; donated to MMA; on loan to MMA 2016–2024)
New York. The Metropolitan Museum of Art. "Streams and Mountains without End: Landscape Traditions of China," August 26, 2017–January 6, 2019.
New York. The Metropolitan Museum of Art. "Companions in Solitude: Reclusion and Communion in Chinese Art," July 31, 2021–August 14, 2022.
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