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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
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The wedding feast at Cana in Galilee
Giovanni Volpato
1772
Portrait of an Elderly Man
Jacopo Tintoretto (Jacopo Robusti)
ca. 1550
Mercury and the Three Graces; the Grace at right kneels to recieve a rose from the Grace at center, the third Grace leans on a die, Mercury behind the group
Agostino Carracci
1589
Portrait of Jacopo Sansovino
Jacopo Tintoretto (Jacopo Robusti)
ca. 1570
The Ascension of Christ
Wolfgang Kilian
1600–62
Head of a Man (Portrait Study)
Jacopo Tintoretto (Jacopo Robusti)
1550s
Portrait of Sebastiano Venier in armor
Anton Joseph von Prenner
1728
Feast at Cana, with Christ and his Disciples, plate 24 from "Schola Italica Picturae"
Giovanni Volpato
1772
Allegory of Juno and Venice, who is represented as a female deity, seated in the clouds with a peacock at center
Andrea Zucchi
ca. 1720
Adoration of the Shepherds
John Singer Sargent
ca. 1874–78
Cain and Abel engaging in battle
Silvestro Manaigo
ca. 1720
The Queen seated on the dragon killed by Saint George who stands at center, Saint Louis of Toulouse at right holding a bishop's staff
Andrea Zucchi
ca. 1720
The blind leading the blind
Gabriel Smith
1767
Christ washing the Disciples' feet
Andrea Zucchi
ca. 1720
Circumcision
Anonymous
1590–ca. 1620
Mercury and the Three Graces
Agostino Carracci
1589
Susanna and the elders
Jacob Männl
1675–1712
The Last Supper with two seated figures and a dog in the foreground
Andrea Zucchi
ca. 1720
Jupiter and Leda
E.J. Glairon-Mondet
1786–98
The Deposition
Peeter van Lisebetten
ca. 1656–60
Christ healing the sick
Anton Joseph von Prenner
1700–61
Partially Nude Man Reclining on Clouds, plate 8 from "Varie pitture a fresco de'principali maestri veneziani ora per la prima volta con le stampe pubblicate" (Frescoes by the Most Important Venetian Masters Published in Print for the First Time)
Antonio Maria Zanetti II
1760
The Virgin Appearing to Saint Jerome
Agostino Carracci
1588
Studies of Two Feet and One Hand, plate 14 from "Varie pitture a fresco de'principali maestri veneziani ora per la prima volta con le stampe pubblicate" (Frescoes by the Most Important Venetian Masters Published in Print for the First Time)
Antonio Maria Zanetti II
1760
Portrait of Nicolò da Ponte, Doge of Venice
Lucas Vorsterman II
ca. 1656–60
The Annunciation, the Virgin Mary kneeling at left and the archangel Gabriel holding a lily at right
Pietro Monaco
1741–52
Four angels carrying a large cross, Saint Peter at lower left
Anton Maria Zanetti the Elder
1700–67
Portrait of an Elderly Bearded Man
Jacopo Tintoretto (Jacopo Robusti)
ca. 1570
Saint Andrew, standing at left alongside a cross, Saint Jerome seated at right holding a rock and a book, a lion at center in the background
Andrea Zucchi
ca. 1720
Miracle of the Loaves and Fishes (Feeding the Multitude)
Jacopo Tintoretto (Jacopo Robusti)
1602
The Presentation of the Virgin in the Temple
Louis Desplaces
1697–1767
Wilton album, folio 81: The wedding feast at Cana, set in an arched interior with a table at left with Christ at the head, a woman at right pouring wine into vases, after a painting by Jacopo Tintoretto in Santa Maria della Salute, Venice
Odoardo Fialetti
1600–38
The Marriage at Cana (from scrapbook)
John Singer Sargent
ca. 1872–74
(XXI) Raccolta di Alcuni Disegni del Barberi da Cento detto il Guernico, incisi in Rame, e presentati al singolar merito del Sig. Tommaso Jenkins pittore, ed accademico di S. Luca, in atto di respetto e d'amicizia dall'architetto e suo coaccademio: Gio. Battista Piranesi (Collection of several drawings after Barbieri da Cento (known as Guercino) etched on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi); (XXII) Schola Italica Picturae
Giovanni Battista Piranesi
1764–73
Christ healing the paralytic
Johann Gottfried Seuter
ca. 1749
The Entombment
Andrea Scacciati
1745–71
The Resurrection
Anonymous
1614–50
Portrait of a Bearded Man, Bust-Length, in a Red Gown
Jacopo Tintoretto (Jacopo Robusti)
ca. 1570
Study after Michelangelo's Giorno (recto and verso)
Jacopo Tintoretto (Jacopo Robusti)
ca. 1550–55
Partially Nude Woman Reclining on Clouds, plate 9 from "Varie pitture a fresco de'principali maestri veneziani ora per la prima volta con le stampe pubblicate" (Frescoes by the Most Important Venetian Masters Published in Print for the First Time)
Antonio Maria Zanetti II
1760