Search the collection

Filter By

Object Type / Material
Geographic Location
Department
Date
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
More than 10,000 results for Charles Lennox, 4th Duke of Richmond, 4th Duke of Lennox, 4th Duke of Aubigny
Sort by:
John Kay
Charles Lennox, 4th Duke of Richmond, 4th Duke of Lennox, 4th Duke of Aubigny
1789
Multiple artists/makers
May 29, 1789
Tazza, Glasshouse of the Duke of Buckingham  British, Glass, British, London
Glasshouse of the Duke of Buckingham
ca. 1665–70
Reclining Naiad, Antonio Canova , and his studio Italian, Carrara marble, Italian, Rome
Antonio Canova
John Bligh, 4th Earl of Darnley
1819–24
Òpó (veranda post) with equestrian and female figure, Olowe of Ise  Nigerian, Iroko wood, paint, resin, Yoruba peoples
Olowe of Ise
before 1938
Female portrait lü me (figure in wood), Zlan of Belewale, Wood, fiber, pigment, cloth, metal, Dan peoples
Zlan of Belewale
Sonzlanwon
First half 20th century
Standing Vishnu as Keshava, Dasoja of Balligrama, Stone, India (Karnataka, probably Belur)
Dasoja of Balligrama
first quarter of the 12th century
Dish with Abraham and Melchizedek, Hans of Landshut  German, Free-blown glass with paint and metallic foils, South German
Hans of Landshut
1498
Hercules and Achelous, Master of the Martyrdom of St. Sebastian  Austrian, Ivory, probably Austrian
Master of the Martyrdom of St. Sebastian
probably mid-17th century
The Crucifixion, Master of the Codex of Saint George  Italian, Tempera on wood, gold ground, Italian
Master of the Codex of Saint George
ca. 1330–35
Terracotta column-krater (bowl for mixing wine and water), Group of Boston 00.348, Terracotta, Greek, South Italian, Apulian
Group of Boston 00.348
ca. 360–350 BCE
Saints Bartholomew and Simon, Master of Saint Francis  Italian, Tempera and gold on wood, Italian, Umbria
Master of Saint Francis
1266–75
The Visitation, Master Heinrich of Constance  German, Walnut, paint, gilding, rock-crystal cabochons inset in gilded-silver mounts, German
Master Heinrich of Constance
ca. 1310–20
A Medieval Bakery, from the Book of Problems of Pseudo-Aristotle, translated into the French by Évrart de Conty, Master of the Second Roman de la Rose of the Duke of Berry, working late fourteenth-early fifteenth century, Ink, colors, and gold on vellum, French (Paris)
Master of the Second Roman de la Rose of the Duke of Berry,
ca. 1400
Ball gown, House of Worth  French, silk, French
House of Worth
Charles Frederick Worth
ca. 1872
Ẹlẹ́ṣin (equestrian) figure for an Erinlẹ̀ shrine, Maku of Erin, Wood, paint, Yoruba peoples
Maku of Erin
Toibo (Toyinbo) of Erin
1900–1937
Aedes Walpolianae, or a Description of the Collection of Pictures at Houghton Hall in Norfolk, the Seat of the Right Honorable Sir Robert Walpole, Earl of Orford (Interleaved with Drawings by Isaac Ware for: The Plans, Elevations, and Sections of Chimney Pieces, and Celings of Houghton Hall in Norfolk...1735) ["The Walpole Album"], Horace Walpole, 4th Earl of Orford  British, Etching, engraving, pen and ink, brush and wash, watercolor
Horace Walpole, 4th Earl of Orford
Robert Walpole, 1st Earl of Orford
1550–early 20th century
Terracotta volute-krater (bowl for mixing wine and water), Painter of the Woolly Satyrs (namepiece), Terracotta, Greek, Attic
Painter of the Woolly Satyrs
ca. 450 BCE
Virgil's Tomb by Moonlight, with Silius Italicus Declaiming, Joseph Wright (Wright of Derby)  British, Oil on canvas
Joseph Wright (Wright of Derby)
1779
Bowl with the Arms of Pope Julius II and the Manzoli of Bologna surrounded by putti, cornucopiae, satyrs, dolphins, birds, etc., workshop of Giovanni Maria Vasaro, Maiolica (tin-glazed earthenware), Italian, Castel Durante
workshop of Giovanni Maria Vasaro
1508
Plaque, Workshop of Charles Fromery  German, Painted enamel on copper, with tooled gold relief, German, Berlin
Workshop of Charles Fromery
Christian Friedrich Herold
ca. 1730
Cup and saucer, Workshop of Charles Fromery  German, Painted enamel on copper, partly gilt; silver gilt, German, Berlin
Multiple artists/makers
ca. 1730–40
Head of Saint John the Baptist (one of a pair), Master of the Life of Saint John the Baptist  French, Colored, stained, and enemaled glass, French, possibly Rouen
Master of the Life of Saint John the Baptist
Arnold of Nijmegen
ca. 1500–1510
Head of Christ (one of a pair), Master of the Life of Saint John the Baptist  French, Colored, stained, and enameled glass, French, possibly Rouen
Master of the Life of Saint John the Baptist
Arnold of Nijmegen
ca. 1500–1510
October from a set of The Months of Lucas, Master of the Months of Lucas  Netherlandish, Wool, silk (20-21 warps per inch, 8-9 per cm.), French, Paris
Multiple artists/makers
designed ca. 1535, woven 1732–37
April from a set of The Months of Lucas, Master of the Months of Lucas  Netherlandish, Wool, silk (20-21 warps per inch, 8-9 per cm.), French, Paris
Multiple artists/makers
designed ca. 1535, woven 1732–37
An Ordinance Dream or Planning of Fortifications, Thomas Rowlandson  British, Hand-colored etching
Multiple artists/makers
March 7, 1786
An Ordinance Dream or Planning of Fortifications, Thomas Rowlandson  British, Etching
Multiple artists/makers
March 7, 1786
In the Park at Packington, Heneage Finch, 4th Earl of Aylesford  British, Pen and brown ink, brush and brown and gray wash
Heneage Finch, 4th Earl of Aylesford
1770–1812
Landscape, Heneage Finch, 4th Earl of Aylesford  British, Pen and brown ink, brush and brown wash, over graphite
Heneage Finch, 4th Earl of Aylesford
1770–1812
Sermon on Painting, continued, Horace Walpole, 4th Earl of Orford  British, Pen and brown ink
Horace Walpole, 4th Earl of Orford
1742
Leaf from Aedes Walpolinae mounted with a hand-written sheet, two prints and a printed sheet with drawn additions: (a): Sermon on Painting, continued; (b): St. Peter's Church at Walpole; (c): Chateau de Picton; (d): Monument of Eudo de Arsie; (e) Printed text describing Monument of Eudo de Arsie, Horace Walpole, 4th Earl of Orford  British, (a): Pen and brown ink; (b): engraving; (c): etching hand-colored; (d) printed text with image
Multiple artists/makers
1742
Third Bookplate of the Earl of Aylesford, Heneage Finch, 4th Earl of Aylesford  British, Etching
Heneage Finch, 4th Earl of Aylesford
1777 of after
Multiple artists/makers
April 3, 1846
Blades and Mountings for a Pair of Swords (Daishō), Sukemitsu of Bizen  Japanese, Steel, wood, lacquer, copper-silver alloy (shibuichi), gold, copper, rayskin, silk, Japanese
Multiple artists/makers
sword (katana) blade, dated 1440; short sword (wakizashi) blade, 15th century; mountings, late 18th century
"Venus", House of Dior  French, silk, sequins, rhinestones, simulated pearls, French
House of Dior
Christian Dior
fall/winter 1949–50 haute couture
Evening dress, House of Vionnet  French, rayon, French
House of Vionnet
Madeleine Vionnet
spring/summer 1938
Evening dress, House of Paquin  French, silk, French
House of Paquin
Ana de Pombo
spring/summer 1937
"The Concourse of the Birds", Folio 11r from a Mantiq al-Tayr (Language of the Birds), Habiballah of Sava  Iranian, Ink, opaque watercolor, gold, and silver on paper
Habiballah of Sava
Farid al-Din `Attar
ca. 1600
A Stallion, Habiballah of Sava  Iranian, Ink, opaque watercolor, and gold on paper
Habiballah of Sava
ca. 1601–6