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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 35 results for Domenico Maria Fratta
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Brigands: Design for an Engraving
Domenico Maria Fratta
18th century
Plate 6: Ulysses driving a burning stake into Polyphemus' eye
Bartolomeo Crivellari
1756
Plate 7: the blinded Polyphemus, guarding the entrance of his cavern, with Ulysses and his companions escaping below by covering themselves with ram skins
Bartolomeo Crivellari
1756
Plate 9: the Greeks opening the bag of wind, thinking there is gold inside, driving their vessel to the island of Circe
Bartolomeo Crivellari
1756
Plate 10: Ulysses compelling Circe to restore his companions' human shapes, which she had changed into monsters
Bartolomeo Crivellari
1756
Plate 8: Ulysses receiving the winds in a leather bag from Aeolus
Bartolomeo Crivellari
1756
The Virgin of the Rosary
Domenico Maria Canuti
1645–84
Two Hermits in the Wilderness
Domenico Maria Canuti
1625–84
Plate 21: Saints Valerian and Tiburtius being decapitated and taken to the burial place by a group of men, from "Il claustro di San Michele in Bosco di Bologna..."
Giovanni Fabbri
1776
The Martyrdom of Saint Christina, whose hair is pulled by a bearded torturer
Domenico Maria Bonavera
1673–1731
Guardian angel leading a child through danger, with a snake at lower left and a demon at lower right
Domenico Maria Bonavera
1670–1731
Saint Francis of Assisi, kneeling before a crucifix with two angels at upper left
Domenico Maria Canuti
1643–44
A saint at right, Saint John Nepomuk (?), surrounded by figures, raising his hands towards angels at upper left
Anonymous
1670–1731
A male saint kneeling before the Christ child
Anonymous
1670–1731
The Baptism of Christ
Domenico Maria Bonavera
1670–1731
Madonna of the Rose, she reaches for a rose held by the Christ child, who rests his left arm on a globe
Domenico Tibaldi
1560–75
Christ receiving the Virgin in heaven
Carlo Antonio Forti
1677–1732
A male saint kneeling before the Christ child
Carlo Antonio Forti
1679
Madonna of the Rose
Domenico Tibaldi
1560–75
Applausi a Principi...Presentati ...al Suomo Supremo Regnante Pontefice Benedetto XIV
1752
Saint Anne teaches the young Virgin how to read
Domenico Maria Bonavera
1670–1731
St Elijah reading in the wilderness, addressed by another hermit
Antonio Dardani
1700–30
Virgin and Child
Domenico Cunego
1772
The Imprisonment of St. Roch
Domenico Maria Bonavera
Moses
Domenico Cunego
1773
Martyrdom of St. Agnes
Giuseppe Maria Mitelli
1663
An apostle and four semi-nude youths, after Correggio's frescoes from the cupola of the Parma Cathedral
Domenico Maria Bonavera
1697
Moses holding the Tables of the Law above his head, plate 16 from "Schola Italica Picturae"
Domenico Cunego
1773
Study of St Jerome
Maria Catharina Prestel
1630–50
David Thanking God for His Victory Over Goliath
Giuseppe Maria Mitelli
1669
Regiae Villae. Poetica Descriptae; Et Regiae Celsitudini Victoris Amedei II
Camillo Maria Audibert
1711
Berenice vendicativa Drama per Musica Da rappresentarsi in Piazzola nel Nobilissimo Teatro..
Giorgio Maria Rapparini
1680
Il Favore degli Dei, Drama Fantastico Musicale
Aurelio Aureli
1690
A Collection of Etchings and Engravings in Imitation of Drawings from Various Old Masters, Being Facsimiles of Their Respective Performances, Chiefly by Arthur Pond, & Charles Knapton, London 1734 &c,
Arthur Pond
1732–69
(XXI) Raccolta di Alcuni Disegni del Barberi da Cento detto il Guernico, incisi in Rame, e presentati al singolar merito del Sig. Tommaso Jenkins pittore, ed accademico di S. Luca, in atto di respetto e d'amicizia dall'architetto e suo coaccademio: Gio. Battista Piranesi (Collection of several drawings after Barbieri da Cento (known as Guercino) etched on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi); (XXII) Schola Italica Picturae
Giovanni Battista Piranesi
1764–73