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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 166 results for Koike Izumi no Kami Naomasa

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Sword guard (<i>Tsuba</i>) Depicting Crests and Arabesques (家紋散唐草文鐔), Koike Izumi no Kami Naomasa Japanese, Iron, brass, copper, Japanese — Sword guard (Tsuba) Depicting Crests and Arabesques (家紋散唐草文鐔)
Koike Izumi no Kami Naomasa
late 16th–early 17th century

Sword guard (<i>Tsuba</i>) Depicting Crests and Arabesques (家紋散唐草文鐔), Koike Izumi no Kami Naomasa Japanese, Iron, brass, copper, Japanese — Sword guard (Tsuba) Depicting Crests and Arabesques (家紋散唐草文鐔)
Koike Izumi no Kami Naomasa
late 16th–early 17th century

Blade for a Sword (Katana), Etchū no kami Fujiwara Takahira Japanese, Steel, Japanese — Blade for a Sword (Katana)
Etchū no kami Fujiwara Takahira
dated June 1622

Plate Named "Shape of Water", Koike Shōko Japanese, Stoneware with white and blue glazes, Japan — Plate Named "Shape of Water"
Koike Shōko
2005

Shell vessel, Koike Shōko Japanese, Shigaraki stoneware with white glaze, Japan — Shell vessel
Koike Shōko
1997

Faces #10, Y. Z. Kami Iranian-American, Oil on canvas — Faces #10
Y. Z. Kami
1992

Faces #53, Y. Z. Kami Iranian-American, Oil on canvas — Faces #53
Y. Z. Kami
1993

Endless Prayers XXVIII, Y. Z. Kami Iranian-American, Mixed media on paper — Endless Prayers XXVIII
Y. Z. Kami
2009

Inrō with Prince Yamato Takeru Disguised as a Woman, Bairin (lacquerwork), Five cases; lacquered wood with gold, silver takamaki-e, hiramaki-e, and cut-out gold foil application on gold ground<br/>Netsuke: kagamibuta type, Ono no Tōfū; ivory and metal<br/>Ojime: red coral bead, Japan — Inrō with Prince Yamato Takeru Disguised as a Woman
Bairin
Naomasa
1752, 8th month

"One Titty Dress (OTD)", No Sesso American, nylon, metal, plastic, American — "One Titty Dress (OTD)"
Multiple artists/makers
fall/winter 2022–23

Satsuma Biwa, Mamoru Ohashi Japanese, Wood, lacquer, nylon, Japanese — Satsuma Biwa
Mamoru Ohashi
Kimi Izumi
1996

Poem about Cherry Blossoms from Collection of Elegant Flowers (Reikashū), one of the Scented-Paper Fragments (Kōshi-gire), Kodai no Kimi Japanese, Hanging scroll; ink on paper, Japan — Poem about Cherry Blossoms from Collection of Elegant Flowers (Reikashū), one of the Scented-Paper Fragments (Kōshi-gire)
Kodai no Kimi
late 11th century

Hotei and a Child

, Ono no Ozū (Ono no Tsū) Japanese, Hanging scroll; ink on paper, Japan — Hotei and a Child
Ono no Ozū (Ono no Tsū)
dated 1624 (Genna 10)

Hotei with a Child, Ono no Ozū (Ono no Tsū) Japanese, Hanging scroll; ink on paper, Japan — Hotei with a Child
Ono no Ozū (Ono no Tsū)
1624

Figure: Female (Mwana Hiti), Wood, glass beads, Kami people — Figure: Female (Mwana Hiti)
Kami people
20th century

Shōsōin fragment, Kochi-no-Tanushi Japanese, Silk tabby, Japan — Shōsōin fragment
Kochi-no-Tanushi
dated 756

Tea Scoop (chashaku), Sen no Rikyū Japanese, Wood, Japan — Tea Scoop (chashaku)
Sen no Rikyū
probably early 17th century

Finger Painting of a Landscape, Ike no Taiga Japanese, Hanging scroll; ink and color on paper, Japan — Finger Painting of a Landscape
Ike no Taiga
18th century

Landscapes in Summer and Winter, Ike no Taiga Japanese, Hanging scroll; ink on silk, Japan — Landscapes in Summer and Winter
Ike no Taiga
18th century

Landscapes in Summer and Winter, Ike no Taiga Japanese, Hanging scroll; ink on silk, Japan — Landscapes in Summer and Winter
Ike no Taiga
18th century

Orchids, Ike no Taiga Japanese, Hanging scroll; ink on paper, Japan — Orchids
Ike no Taiga
ca. 1749

"Maple Bridge Night Mooring", Ike no Taiga Japanese, Two-panel folding screen; ink on paper, Japan — "Maple Bridge Night Mooring"
Ike no Taiga
ca. 1770

Heart Sutra (Hannya Shingyō) and Landscape, Ike no Taiga Japanese, Hanging scroll; ink on paper, Japan — Heart Sutra (Hannya Shingyō) and Landscape
Ike no Taiga

Spring Clouds Arising from the Gorge, Ike no Taiga Japanese, Hanging scroll; ink on paper, Japan — Spring Clouds Arising from the Gorge
Ike no Taiga
1770

Landscape and Couplet of Chinese Verse, Ike no Taiga Japanese, Pair of hanging scrolls; ink on paper, Japan — Landscape and Couplet of Chinese Verse
Ike no Taiga
late 18th century

Page from the Illustrations and Explanations of the Three Jewels (Sanbō ekotoba), known as the Tōdaiji Fragment (Tōdaiji-gire), Minamoto no Toshiyori Japanese, Detached page from a book mounted as a hanging scroll; ink on mica paper, Japan — Page from the Illustrations and Explanations of the Three Jewels (Sanbō ekotoba), known as the Tōdaiji Fragment (Tōdaiji-gire)
Minamoto no Toshiyori
1120

Taiga Hall Painting Album (Taigadō gafu), Ike no Taiga Japanese, Woodblock printed book (orihon, accordion-style); ink and color on paper, Japan — Taiga Hall Painting Album (Taigadō gafu)
Ike no Taiga
Murase Kotei
1803

Two Poems from the Collection of Ancient and Modern Poems (Kokin wakashū), Ike no Taiga Japanese, Hanging scroll; ink on paper, Japan — Two Poems from the Collection of Ancient and Modern Poems (Kokin wakashū)
Ike no Taiga
1734

Pine Tree and Calligraphy, Ike no Taiga Japanese, Album leaves mounted as hanging scrolls; ink on paper, Japan — Pine Tree and Calligraphy
Ike no Taiga
Minagawa Kien
late 18th–early 19th century

Orchid Pavilion Gathering; Autumn Harvest Festival, Ike no Taiga Japanese, Pair of six-panel folding screens; ink and color on paper, Japan — Orchid Pavilion Gathering; Autumn Harvest Festival
Ike no Taiga
ca. 1763

Landscape after Li Bai's poem, Ike no Taiga Japanese, Pair of two-panel screens, originally sliding-door panels; ink on paper, Japan — Landscape after Li Bai's poem
Ike no Taiga
probably 19th century

Competition Between Poets of Different Eras (Jidai fudō uta awase), depicting the poet Minamoto no Hitoshi, Fujiwara no Nobuzane Japanese, Section of a handscroll mounted as a hanging scroll; ink on paper, Japan — Competition Between Poets of Different Eras (Jidai fudō uta awase), depicting the poet Minamoto no Hitoshi
Fujiwara no Nobuzane
13th century

Letter about Sake, Sen no Rikyū Japanese, Hanging scroll; ink on paper, Japan — Letter about Sake
Sen no Rikyū
ca. 1583

Two Poems about Palace Gossip, one of the “Ōe Fragments” (Ōe-gire), Fujiwara no Sadayori Japanese, Page from a bound booklet mounted as a hanging scroll; ink on mica paper with gold flecks, Japan — Two Poems about Palace Gossip, one of the “Ōe Fragments” (Ōe-gire)
Fujiwara no Sadayori
early 12th century

Tea Scoop (Chashaku), Sen no Rikyū Japanese, Bent and carved bamboo, Japan — Tea Scoop (Chashaku)
Sen no Rikyū
1580s

Orchid Pavilion Gathering
, Ike no Taiga Japanese, Hanging scroll: ink and color on paper, Japan — Orchid Pavilion Gathering
Ike no Taiga
1765

Poems about Plum Blossoms, from the “Sekido-bon Version of Collection of Poems Ancient and Modern”, Fujiwara no Yukinari Japanese, Page from a bound booklet mounted as a hanging scroll; ink on dyed paper, Japan — Poems about Plum Blossoms, from the “Sekido-bon Version of Collection of Poems Ancient and Modern”
Fujiwara no Yukinari
mid- to late 11th century

Mountain and Calligraphy, Ike no Taiga Japanese, Album leaves mounted as hanging scrolls; ink on paper, Japan — Mountain and Calligraphy
Multiple artists/makers
18th–19th century

Fishing Boat on Reed Covered Bank and Calligraphy, Ike no Taiga Japanese, Album leaves mounted as hanging scrolls; ink on paper, Japan — Fishing Boat on Reed Covered Bank and Calligraphy
Ike no Taiga
Kameda Bōsai
18th–19th century

Evening Glow in a Mountain Village and Calligraphy, Ike no Taiga Japanese, Album leaves mounted as hanging scrolls; ink on paper, Japan — Evening Glow in a Mountain Village and Calligraphy
Ike no Taiga
Rokunyo
late 18th–early 19th century