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1-42 of 169 results for Koike Izumi no Kami Naomasa
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Sword guard (<i>Tsuba</i>) Depicting Crests and Arabesques (家紋散唐草文鐔), Koike Izumi no Kami Naomasa Japanese, Iron, brass, copper, Japanese
Sword guard (Tsuba) Depicting Crests and Arabesques (家紋散唐草文鐔)
Koike Izumi no Kami Naomasa
late 16th–early 17th century
Sword guard (<i>Tsuba</i>) Depicting Crests and Arabesques (家紋散唐草文鐔), Koike Izumi no Kami Naomasa Japanese, Iron, brass, copper, Japanese
Sword guard (Tsuba) Depicting Crests and Arabesques (家紋散唐草文鐔)
Koike Izumi no Kami Naomasa
late 16th–early 17th century
Blade for a Sword (Katana), Etchū no kami Fujiwara Takahira Japanese, Steel, Japanese
Blade for a Sword (Katana)
Etchū no kami Fujiwara Takahira
dated June 1622
Plate Named "Shape of Water", Koike Shōko Japanese, Stoneware with white and blue glazes, Japan
Plate Named "Shape of Water"
Koike Shōko
2005
Shell vessel, Koike Shōko Japanese, Shigaraki stoneware with white glaze, Japan
Shell vessel
Koike Shōko
1997
Letter about Sake, Sen no Rikyū Japanese, Hanging scroll; ink on paper, Japan
Letter about Sake
Sen no Rikyū
ca. 1583
Tea Scoop (Chashaku), Sen no Rikyū Japanese, Bent and carved bamboo, Japan
Tea Scoop (Chashaku)
Sen no Rikyū
1580s
Endless Prayers XXVIII, Y. Z. Kami Iranian-American, Mixed media on paper
Endless Prayers XXVIII
Y. Z. Kami
2009
Faces #53, Y. Z. Kami Iranian-American, Oil on canvas
Faces #53
Y. Z. Kami
1993
Faces #10, Y. Z. Kami Iranian-American, Oil on canvas
Faces #10
Y. Z. Kami
1992
Inrō with Prince Yamato Takeru Disguised as a Woman, Bairin (lacquerwork), Five cases; lacquered wood with gold, silver takamaki-e, hiramaki-e, and cut-out gold foil application on gold ground<br/>Netsuke: kagamibuta type, Ono no Tōfū; ivory and metal<br/>Ojime: red coral bead, Japan
Inrō with Prince Yamato Takeru Disguised as a Woman
Bairin
Naomasa
1752, 8th month
"One Titty Dress (OTD)", No Sesso American, nylon, metal, plastic, American
"One Titty Dress (OTD)"
Multiple artists/makers
fall/winter 2022–23
Satsuma Biwa, Mamoru Ohashi Japanese, Wood, lacquer, nylon, Japanese
Satsuma Biwa
Mamoru Ohashi
Kimi Izumi
1996
Poem about Cherry Blossoms from Collection of Elegant Flowers (Reikashū), one of the Scented-Paper Fragments (Kōshi-gire), Kodai no Kimi Japanese, Hanging scroll; ink on paper, Japan
Poem about Cherry Blossoms from Collection of Elegant Flowers (Reikashū), one of the Scented-Paper Fragments (Kōshi-gire)
Kodai no Kimi
late 11th century
Hotei with a Child, Ono no Ozū (Ono no Tsū) Japanese, Hanging scroll; ink on paper, Japan
Hotei with a Child
Ono no Ozū (Ono no Tsū)
1624
Hotei and a Child , Ono no Ozū (Ono no Tsū) Japanese, Hanging scroll; ink on paper, Japan

Hotei and a Child

Ono no Ozū (Ono no Tsū)
dated 1624 (Genna 10)
Figure: Female (Mwana Hiti), Wood, glass beads, Kami people
Figure: Female (Mwana Hiti)
Kami people
20th century
Shōsōin fragment, Kochi-no-Tanushi Japanese, Silk tabby, Japan
Shōsōin fragment
Kochi-no-Tanushi
dated 756
Landscape after Li Bai's poem, Ike no Taiga Japanese, Pair of two-panel screens, originally sliding-door panels; ink on paper, Japan
Landscape after Li Bai's poem
Ike no Taiga
probably 19th century
Competition Between Poets of Different Eras (Jidai fudō uta awase), depicting the poet Minamoto no Hitoshi, Fujiwara no Nobuzane Japanese, Section of a handscroll mounted as a hanging scroll; ink on paper, Japan
Competition Between Poets of Different Eras (Jidai fudō uta awase), depicting the poet Minamoto no Hitoshi
Fujiwara no Nobuzane
13th century
Spring Clouds Arising from the Gorge, Ike no Taiga Japanese, Hanging scroll; ink on paper, Japan
Spring Clouds Arising from the Gorge
Ike no Taiga
1770
"Maple Bridge Night Mooring", Ike no Taiga Japanese, Two-panel folding screen; ink on paper, Japan
"Maple Bridge Night Mooring"
Ike no Taiga
ca. 1770
Heart Sutra (Hannya Shingyō) and Landscape, Ike no Taiga Japanese, Hanging scroll; ink on paper, Japan
Heart Sutra (Hannya Shingyō) and Landscape
Ike no Taiga
Finger Painting of a Landscape, Ike no Taiga Japanese, Hanging scroll; ink and color on paper, Japan
Finger Painting of a Landscape
Ike no Taiga
18th century
Landscapes in Summer and Winter, Ike no Taiga Japanese, Hanging scroll; ink on silk, Japan
Landscapes in Summer and Winter
Ike no Taiga
18th century
Two Poems from the Collection of Ancient and Modern Poems (Kokin wakashū), Ike no Taiga Japanese, Hanging scroll; ink on paper, Japan
Two Poems from the Collection of Ancient and Modern Poems (Kokin wakashū)
Ike no Taiga
1734
Landscape and Couplet of Chinese Verse, Ike no Taiga Japanese, Pair of hanging scrolls; ink on paper, Japan
Landscape and Couplet of Chinese Verse
Ike no Taiga
late 18th century
Taiga Hall Painting Album (Taigadō gafu), Ike no Taiga Japanese, Woodblock printed book (orihon, accordion-style); ink and color on paper, Japan
Taiga Hall Painting Album (Taigadō gafu)
Ike no Taiga
Murase Kotei
1803
Page from the Illustrations and Explanations of the Three Jewels (Sanbō ekotoba), known as the Tōdaiji Fragment (Tōdaiji-gire), Minamoto no Toshiyori Japanese, Detached page from a book mounted as a hanging scroll; ink on mica paper, Japan
Page from the Illustrations and Explanations of the Three Jewels (Sanbō ekotoba), known as the Tōdaiji Fragment (Tōdaiji-gire)
Minamoto no Toshiyori
1120
Landscapes in Summer and Winter, Ike no Taiga Japanese, Hanging scroll; ink on silk, Japan
Landscapes in Summer and Winter
Ike no Taiga
18th century
Orchids, Ike no Taiga Japanese, Hanging scroll; ink on paper, Japan
Orchids
Ike no Taiga
ca. 1749
Tea Scoop (chashaku), Sen no Rikyū Japanese, Wood, Japan
Tea Scoop (chashaku)
Sen no Rikyū
probably early 17th century
Pine Tree and Calligraphy, Ike no Taiga Japanese, Album leaves mounted as hanging scrolls; ink on paper, Japan
Pine Tree and Calligraphy
Ike no Taiga
Minagawa Kien
late 18th–early 19th century
Orchid Pavilion Gathering; Autumn Harvest Festival, Ike no Taiga Japanese, Pair of six-panel folding screens; ink and color on paper, Japan
Orchid Pavilion Gathering; Autumn Harvest Festival
Ike no Taiga
ca. 1763
Mountain and Calligraphy, Ike no Taiga Japanese, Album leaves mounted as hanging scrolls; ink on paper, Japan
Mountain and Calligraphy
Multiple artists/makers
18th–19th century
Poems from Collection of Ki no Tsurayuki (Tsurayuki shū), Latter Part, from the Nishi-Honganji Anthology of Thirty-Six Poets, also known as one of the Ishiyama fragments (Ishiyama-gire) , Fujiwara no Sadanobu Japanese, Page from a bound booklet mounted as a hanging scroll; ink on paper decorated with silver, Japan

Poems from Collection of Ki no Tsurayuki (Tsurayuki shū), Latter Part, from the Nishi-Honganji Anthology of Thirty-Six Poets, also known as one of the Ishiyama fragments (Ishiyama-gire)

Fujiwara no Sadanobu
ca. 1112
Tenjin Travelling to China, Ike no Taiga Japanese, Hanging scroll; ink on paper, Japan
Tenjin Travelling to China
Ike no Taiga
Kō Fuyō
1763
Orchid Pavilion Gathering , Ike no Taiga Japanese, Hanging scroll: ink and color on paper, Japan

Orchid Pavilion Gathering

Ike no Taiga
1765
Poems about the Arrival of Autumn, from Newly Selected Collection of Poems to Sing (Shinsen rōeishū), one of the “Yamana Fragments” (Yamana-gire), Fujiwara no Mototoshi Japanese, Hanging scroll; ink on paper with gold and silver flecks, Japan
Poems about the Arrival of Autumn, from Newly Selected Collection of Poems to Sing (Shinsen rōeishū), one of the “Yamana Fragments” (Yamana-gire)
Fujiwara no Mototoshi
ca. 1116–22
Autumn Landscape, Ike no Taiga Japanese, Hanging scroll; ink and color on paper, Japan
Autumn Landscape
Ike no Taiga
Yanagisawa Kien
1750–58
Letter Addressed to Aoki Shukuya, Ike no Taiga Japanese, Hanging scroll; ink on paper, Japan
Letter Addressed to Aoki Shukuya
Ike no Taiga
18th century
“Paintings by Taigadō with Colophons”, Ike no Taiga , colophons by eight calligraphers Japanese, Album, Japan
“Paintings by Taigadō with Colophons”
Ike no Taiga
late 18th–early 19th century