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Pierced Jug with Harpies and Sphinxes, Stonepaste; openwork, underglaze-painted, glazed in transparent turquoise
dated 612 AH/1215–16 CE
Dado Panel, Plaster; cast
20th century
Bowl with Green, Yellow, and Brown Splashed Decoration, Earthenware; white slip, incised and splashed with polychrome glazes under transparent glaze (sgraffito ware)
10th century
Lantern for a Lamp, Earthenware; carved decoration, unglazed
9th–10th century
Astrolabe of ‘Umar ibn Yusuf ibn ‘Umar ibn ‘Ali ibn Rasul al-Muzaffari, ‘Umar ibn Yusuf ibn ‘Umar ibn ‘Ali ibn Rasul al-Muzaffari  Yemini, Brass; cast and hammered, pierced, chased, inlaid with silver
‘Umar ibn Yusuf ibn ‘Umar ibn ‘Ali ibn Rasul al-Muzaffari
dated 690 AH/1291 CE
Brazier of Rasulid Sultan al-Malik al-Muzaffar Shams al-Din Yusuf ibn 'Umar, Brass; cast, chased, and inlaid with silver and black compound
second half 13th century
Ceiling, Wood; carved, painted, and gilded
16th century
Turquoise Bowl with Lute Player and Audience, Stonepaste; glazed (opaque monochrome), in-glaze- and overglaze-painted, gilded
late 12th–early 13th century
Armlet, Gold; filigree and granulation
first half 11th century
The Emperor's Carpet, Silk (warp and weft), wool (pile); asymmetrically knotted pile
second half 16th century
Khusrau and Shirin, Hatifi  Iranian, active Istanbul, Main support: ink, opaque watercolor, and gold on paper; binding: leather
Hatifi
Suzi
dated 904 AH/1498–99 CE
"A King Offers to Make Amends to a Bereaved Mother", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Amir Khusrau Dihlavi  Indian, Main support: Ink, opaque watercolor, gold on paper<br/>Margins: Gold on dyed paper
Amir Khusrau Dihlavi
Miskin
1597–98
"Bahram Gur Sees a Herd of Deer Mesmerized by Dilaram' s Music", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, Amir Khusrau Dihlavi  Indian, Main support: ink, opaque watercolor, and gold on paper<br/>Margins: gold on dyed paper
Amir Khusrau Dihlavi
Miskin
1597–98
Flower-Style Box with Drawers, Wood (poplar); overlaid with ebony inlaid with wood and incised, stained ivory
17th century
Qur'an Manuscript, Ink, opaque watercolor, and 13.228.24<br/>gold on paper; leather binding
dated 1268 AH/1851–52 CE
Dedicatory Inscription from a Mosque, Gabbro; carved
dated 905 AH/1500 CE
Dagger with Hilt in the Form of a Blue Bull (Nilgai), Hilt: Nephrite<br/>Blade: Watered steel
ca. 1640
Jewelry Elements, Gold sheet; worked, chased, and set  with turquoise, gray chalcedony, and glass
late 14th–16th century
"The Angel Gabriel meets 'Amr ibn Zaid (the Shepherd)", Folio from a Siyer-i Nebi (the Life of the Prophet), Mustafa ibn Vali, Ink, opaque watercolor, and gold on paper
Multiple artists/makers
ca. 1595
Pyxis (Cylindrical Container), Stonepaste; luster-painted on incised, opaque white glaze
late 11th–early 12th century
"Jonah and the Whale", Folio Probably from a Jami al-Tavarikh (Compendium of Chronicles), Ink, opaque watercolor, gold, and silver on paper
ca. 1400
Folio from a Qur'an Manuscript, Ink, opaque watercolor, and gold on paper
ca. 1180
Calligraphic Galleon, 'Abd al-Qadir Hisari  Turkish, Ink and gold on paper
'Abd al-Qadir Hisari
dated 1180 AH/1766–67 CE
Goa Stone and Gold Case, Container: gold; pierced, repoussé, with cast legs and finials<br/>Goa stone: compound of organic and inorganic materials
late 17th–early 18th century
Garden Gathering, Stonepaste; painted and polychrome glazed (cuerda seca technique)
1640–50
Great Indian Fruit Bat, Bhawani Das or a follower Indian, Pencil, ink, and opaque watercolor on paper
Bhawani Das
ca. 1777–82
Dagger with Zoomorphic Hilt, Hilt: copper; cast, chased, gilded, and inlaid with rubies.<br/>Blade: steel; forged
second half 16th century
"Shah Jahan on a Terrace, Holding a Pendant Set With His Portrait", Folio from the Shah Jahan Album, Chitarman  Indian, Ink, opaque watercolor, and gold on paper
Chitarman
recto: dated 1627–28; verso: ca. 1530–50
Dish Depicting Two Birds among Flowering Plants, Stonepaste; polychrome painted under transparent glaze
ca. 1575–90
Bowl with Eagle, Muslim Ibn al-Dahhan  Egyptian, Earthenware; luster-painted on opaque white glaze
Muslim Ibn al-Dahhan
ca. 1000
Ewer, Brass; raised, repoussé, inlaid with silver and a black compound
ca. 1180–1210
Standing Figure with Jeweled Headdress, Gypsum plaster; modeled, carved, polychrome-painted, gilded
12th–early 13th century
Ewer with a Feline-Shaped Handle, Bronze; cast, chased, and inlaid with copper
7th century
Five Medallion Carpet, Wool (warp, weft, and pile); asymmetrically knotted pile
ca. 1500
Damascus Room, Wood (poplar) with gesso relief, gold and tin leaf, glazes and paint; wood (cypress, poplar, and mulberry), mother-of-pearl, marble and other stones, stucco with glass, plaster ceramic tiles, iron, brass
dated 1119 AH/1707 CE
Kitab suwar al-kawakib al-thabita (Book of the Images of the Fixed Stars) of al-Sufi, `Abd al-Rahman al-Sufi  Iranian, Ink and gold on paper; leather binding
`Abd al-Rahman al-Sufi
late 15th century
Animal-Spouted Pitcher, Earthenware; polychrome decoration under transparent glaze (buff ware)
9th–10th century
Tughra (Insignia) of Sultan Süleiman the Magnificent (r. 1520–66), Ink, opaque watercolor, and gold on paper
ca. 1555–60
Mihrab (Prayer Niche), Mosaic of polychrome-glazed cut tiles on stonepaste body; set into mortar
dated 755 AH/1354–55 CE
Dragon-Handled Jug with Inscription, Brass; cast and turned, engraved, and inlaid with silver, gold, and black organic compound
early 16th century