Objects Conservation Department Bibliography

Mecka Baumeister, Lisa Ackerman, Jesse Ng and Ivo Kipre. “Digital 3D Reproduction and CNC Milling: Putting the Finial Touches on the Cassiobury House Staircase.” In Wooden Artifacts Group Postprints, Volume Thirty-Four, 2020, 388-412. Washington, DC: AIC, 2021.

Daniel Hausdorf, Joseph Hutchins, and Christina Hagelskamp. “Hold tight! Innovative shimbari systems for the stabilization of surfaces.” In Transcending Boundaries: Integrated Approaches to Conservation. ICOM-CC 19th Triennial Conference Preprints, Beijing, 17–21 May 2021, ed. J. Bridgland. Paris: International Council of Museums. 2021.

Carolyn Riccardelli, Beth Edelstein, and Dorothy H. Abramitis. “Reinstallation of a Roman Mosaic at The Metropolitan Museum of Art.” In What Comes to Mind When You Hear Mosaic? Conserving Mosaics from Ancient to Modern. The 13th Conference of the International Committee for the Conservation of Mosaics. Barcelona 15–20 October 2017, edited by Roberto Nardo and Montserrat Pugès i Dorca, 221–234. Florence: EDIFIR-Edizioni, 2021

Hill, Marsha, and Deborah Schorsch. “A Bird in Hand: The Miho God Reassessed.” In Up and Down the Nile--ägyptologisiche Forschungen für Regina Schulz (Ägypten und altes Testament, Studien zur Geschichte, Kultur und Religion Ägyptens und des alten Testaments 97), edited by Martina Ullmann, Gabriele Pieke, Friedheld Hoffman, and Christian Bayer, with Sara Gebhardt, 171–87. Münster: Zaphon, 2021.

Carò, Federico, Deborah Schorsch, Louisa Smieska, and Brunella Santorelli. “Non-invasive XRF Analysis of Ancient Egyptian and Near Eastern Turquoise: A Pilot Study” Journal of Archaeological Science: Reports 36 (2021) 102893. 

Schorsch, Deborah. “Caring for The Met: One Hundred Fifty Years of Conservation.” The Metropolitan Museum of Art. (March 2021)

McCann, Laura, Chantal Stein, Jessica Pace, Andrew Wolf, and Katherine Parks. “Legal and Ethical Considerations in the Conservation of Artwork Produced During Art Therapy.” JAIC (2021). DOI: 10.1080/01971360.2021.1927654

Frank, Emily, Sebastian Heath, and Chantal Stein. “Integration of Photogrammetry, Reflectance Transformation Imaging (RTI), and Multiband Imaging (MBI) for Visualization, Documentation, and Analysis of Archaeological and Related Materials.” ISAW Papers 21 (2021).

Stein, Chantal. “Medieval Naturalia: Identification, Iconography, and Iconology of Natural Objects in the Late Middle Ages.” Medievalista 29 (2021): 211-241.

Stein, Chantal, Jessica Pace, and Laura McCann. “Identification and Storage of Plastics in Libraries and Archives.” IFLA Journal (June 2021).

Abramitis, Dorothy H., and Mark B. Abbe. “A Group of Painted Funerary Monuments from Hellenistic Alexandria in The Metropolitan Museum of Art.” In Les couleurs de l’Antique. Actes de la 8e table ronde internationale sur la polychromie antique / The Colours of the Antique Polychromy in Ancient Sculpture and Architecture, 8th Round Table (Technè 48), edited by Brigitte Bourgeois, 60–71.

de Lapérouse, Jean-François. “Ceramic Musealization: How Ceramics are Conserved and the Implications for Research.” Archaeological and Anthropological Sciences 12, article no. 166.

Marincola, Michele D., and Lucretia Kargère. The Conservation of Medieval Polychrome Wood Sculpture: History, Theory, Practice. Los Angeles: Getty Conservation Institute, 2020.

Patris, Pascale. “Recreating the Context of the Met Side Table.” The Furniture History Society Newsletter 218.

Schorsch, Deborah. “Metal Manufacture in Context: Technical Investigations of Cupreous Vessels from Lansing’s Pit 3.” In Christine. Lilyquist, Excavations at Thebes, The Earl of Carnarvon and The Metropolitan Museum of Art at Carnarvon 62 and Surrounds. Digital publication, 2020.

Abramitis, Dorothy H., Seán Hemingway, and Karen Stamm. “Hellenistic and Roman Victory Monuments: A Bronze Torso in The Metropolitan Museum of Art.” In Art of the Hellenistic Kingdoms: From Pergamon to Rome, edited by Seán Hemingway and Kiki Karoglou, 117–26. New York: The Metropolitan Museum of Art, 2019.

Britton, Nancy, Catherine H. Stephens, Isabella Buscarino, Laura E. Peluso, Julia Carlson, Libby Rosa, and Eric M. Breitung. “Washing Cotton Fabrics for Use with Collections.” AIC New 44, no. 2 (Mar. 2019): 1, 6–12. 

Holakooei, Parviz, Jean-François de Lapérouse, Federico Carò, Stefan Röhrs, Ute Franke, Martina Müller-Wiener, and Ina Reiche. “Non-invasive Scientific Studies on the Provenance and Technology of Early Islamic Ceramics from Afrasiyab and Nishapur.” Journal of Archaeological Science: Reports 24 (2019): 759–72.

Kargère, Lucretia. “Preface: The Momentum of Studies of 11th to early 13th Century Polychrome Wood Sculptures in Europe.” Medievalista 26 (July–Dec. 2019).

Kargère, Lucretia. “A Tyrolean Crucifix at The Cloisters: Appendix.” In Christ on the Cross: The Boston Crucifix and the rise of Monumental Wood Sculpture, 970–1200, edited by Gerhard Lutz and Shirin Fozi, 260–63. Chicago: Brepols, 2019.

Kargère, Lucretia. “The Lavaudieu Corpus at The Cloisters.” In Christ on the Cross: The Boston Crucifix and the rise of Monumental Wood Sculpture, 970-1200, edited by Gerhard Lutz and Shirin Fozi, 282–301. Chicago: Brepols, 2019.

de Lapérouse, Jean-François. “How the Bricks were Made.” In A Wonder to Behold: Craftsmanship and the Creation of Babylon's Ishtar Gate, edited by Anastasia Amrhein, Clare Fitzgerald, and Elizabeth Knott, 73–79. Princeton: Princeton University Press, 2019.

de Lapérouse, Jean-François, and Federico Carò. “Aphrodite in Bronze: Casting a Goddess in The World Between Empires.” Now at The Met (blog). The Metropolitan Museum of Art, May 24, 2019.

de Lapérouse, Jean-François, Federico Carò, Adriana Rizzo, and Danijela Jovanovic. “Redressing the Past: The Examination and Treatment of an Ancient South Arabian Censer.” In METAL2019, Proceedings of the Interim Meeting of the ICOM-CC Metals Working Group, September 2-6, 2019, Neuchâtel, Switzerland, edited by Claudia Chemello, Laura Brambilla, and Edith Joseph, 306–13. Digital publication: ICOM-CC and HE-ARC-CR, 2019.

Levin, Sara, Nick Pedemonti, and Lisa Bruno. “Resurrecting Della Robbia’s Resurrection: Challenges in the Conservation of a Monumental Renaissance Relief.” In Objects Specialty Group Postprints, Volume Twenty-Four, 2017, edited by Kari Dodson and Emily Hamilton, with Tony Sigel, 388–412. Washington, DC: AIC, 2019.

Mandrus, Janis, and Victoria Schussler, eds. Recent Advances in Glass and Ceramics Conservation 2019: Preprints of the Interim Meeting of the ICOM-CC Working Group and Icon Ceramics and Glass Group, September 5–7, 2019, London, United Kingdom. London: International Council of Museums, 2019.

Potte, Marie-Blanche, Dominique Faunières, Agnès Blossier, and Lucretia Kargère. “Etudes menées sur les sculptures d’Auvergne en bois polychrome.” Medievalista 26 (July–Dec 2019).

Riccardelli, Carolyn. “Carbon Fiber and its Potential for Use in Objects Conservation.” In Objects Specialty Group Postprints, Volume Twenty-Four, 2017, edited by Emily Hamilton and Kari Dodson, with Tony Sigel Program Chair, 147–167. Washington, DC: American Institute for Conservation, 2019.

Riccardelli, Carolyn and Wendy Walker. “The Treatment of Two Terracotta Architectural Reliefs by Andrea della Robbia at The Metropolitan Museum of Art.” In Objects Specialty Group Postprints, Volume Twenty-Four, 2017, edited by Emily Hamilton and Kari Dodson, with Tony Sigel Program Chair, 115–35. Washington, DC: American Institute for Conservation, 2019.

Roth, Kendra, and Daniel Hausdorf. “Capturing the State of Preservation: A PDF-based Survey Method for Surveying Plastics at The Metropolitan Museum of Art.” In Future Talks 2017, The Silver Edition. Visions. Innovations in Technology and Conservation of the Modern, October 11/13 2017, Die Neue Sammlung, The Design Museum. Munich: Die Neue Sammlung, The Design Museum, 2019.

Schorsch, Deborah. “Ritual Metal Statuary in Ancient Egypt: ‘A Long Life and a Great and Good Old Age.’” In Statues in Context: Production, Meaning and (Re)uses, edited by Aurelia Masson-Berghoff, 249–68. British Museum Publications on Egypt and Sudan. Peeters. Leuven, 2019.

Schorsch, Deborah. “Technical Examination and Material Analysis.” In A Companion to Ancient Near Eastern Art, edited by Ann C. Gunter, 153–77. Blackwell Companions to the Ancient World. Malden, MA: John Wiley & Sons, 2019.

Schorsch, Deborah, Lawrence Becker, and Federico Carò. “Enlightened Technology: Casting Divinity in the Gupta Age.” Arts of Asia 49, no. 2 (March–April 2019): 131–43.

Serotta, Anna, Lisa Bruno, and Yekaterina Barbash. “The Outer Coffin of Pa-seba-khai-en-ipet. New Insights on Manufacture, History and Treatment.” In Ancient Egyptian Coffins: Past, Present, Future, edited by Helen Strudwick and Julie Dawson, 35–42. Oxford: Oxbow Books, 2019.

Walker, Wendy, and Carolyn Riccardelli. “Workshop Practice Revealed by Two Architectural Reliefs by Andrea Della Robbia.” Metropolitan Museum Journal 54 (2019): 47–61.

Borsch, Linda, Federico Carò, and Thayer Tolles. “A Closer Look at Frederic Remington’s Old Dragoons of 1850.” Collection Insights (blog). The Metropolitan Museum of Art, September 6, 2018.

Britton, Nancy, Ann-Sofie Stjernlof, and Catherine Stephens. “Digitally Created Katagami Stencils for Printing Textile Infills.” In Embellished Fabrics: Conserving Surface Manipulation and Decoration; 11th North American Textile Conservation Conference, edited by Howard Sutcliffe and Joel Thompson, 181–95. Mexico City: Escuela Nacional de Conservacion, Restauracion y Museografia “Manuel del Castillo Negrete” (ENCRyM), INAH, and Secretaria de Cultura, 2018. CD-ROM.

Dandridge, Pete. “The Hildesheim Baptismal Font: A Window into Medieval Workshop Practices.” In Cuivre, bronzes et laitons médiévaux: histoire, archéologie et archéométrie des productions en laiton, bronze et autres alliages à base de cuivre dans l’Europe médiévale (12e–16e siècles). Medieval Copper, Bronze and Brass: History, Archaeology and Archaeometry of the Production of Brass, Bronze and Other Copper Alloy Objects in Medieval Europe (12th–16th centuries). Actes du colloque de Dinant et Namur, 15–17 mai 2014. Proceedings of the Symposium of Dinant and Namur, 15–17 May 2014, edited by Nicholas Thomas and Pete Dandridge, 25–35. Études et Documents, Archéologie 39. Namur: Agence wallone du Patrimoine, 2018.

Geffert, William Scott, Daniel Hausdorf, Joseph Coscia, Oi-Cheong Lee, Dahee Han, Wilson Santiago, Frederick J. Sager, Matthew Cumbie, and Christina Hagelskamp. “From the Inside Out: Practical Application of 3D Imaging Techniques in Art Conservation.” In Archiving 2018 Final Program and Proceedings, Papers Presented at a Conference held at the National Archives, Washington, D.C., April 17–20, 2018, 151–56. Springfield, VA.: Society for Imaging Science and Technology, 2018.

Howe, Ellen, Emily Kaplan, Richard Newman, James H. Frantz, Ellen Pearlstein, Judith Levinson, and Odile Madden. “The Characterization of a Titanium Dioxide/Silica White Pigment on Wooden Andean Qeros: A Cultural and Chronological Marker.” Heritage Science 6 (July 2018). https://doi.org/10.1186/s40494-018-0207-0

Kargère, Lucretia. “Two Sculptures in Deep Conversation at The Met Cloisters,” Collection Insights (blog), The Metropolitan Museum of Art, May 22, 2018. 

Kriss, Dawn, Ellen Howe, Judith Levinson, Adriana Rizzo, Federico Carò, and Lisa DeLeonardis. “A Material and Technical Study of Paracas Painted Ceramics.” Antiquity 92 (2018): 366, 1492–1510. https://doi.org/10.15184/aqy.2018.164

Schorsch, Deborah. {Silver in Ancient Egypt.” In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, September 2018.

Schorsch, Deborah. “Technical Examination and Material Analysis.” In A Companion to the Art of the Ancient Near East, edited by Ann C. Gunter, 154‒77. Blackwell Companions to the Ancient World. Malden, MA: Wiley-Blackwell, 2018.

Schorsch, Deborah. “Turquoise in Ancient Egypt.” In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, April 2018.

Thomas, Nicholas, and Pete Dandridge, eds. Cuivre, bronzes et laitons médiévaux: histoire, archéologie et archéométrie des productions en laiton, bronze et autres alliages à base de cuivre dans l’Europe médiévale (12e–16e siècles). Medieval Copper, Bronze and Brass: History, Archaeology and Archaeometry of the Production of Brass, Bronze and Other Copper Alloy Objects in Medieval Europe (12th–16th centuries). Actes du colloque de Dinant et Namur, 15–17 mai 2014. Proceedings of the Symposium of Dinant and Namur, 15–17 May 2014, edited by Nicholas Thomas and Pete Dandridge, 25–35. Études et Documents, Archéologie 39. Namur: Agence wallone du Patrimoine, 2018.

Borsch, Linda, Federico Caro, and Mark T. Wypyski. “Technical Analysis of the Aldobrandini Tazze.” In The Silver Caesars: A Renaissance Mystery, edited by Julia Siemon, 158–68, 206–7. New York: The Metropolitan Museum of Art, 2017.

Bruno, Lisa, Sara Levin, and Nick Pedemonti. “Giovanni della Robbia’s Resurrection of Christ; Conserving a Monumental Renaissance Relief.” In Da Brooklyn al Bargello; Giovanni della Robbia, la Lunetta Antinori e Stefano Arienti, edited by Ilaria Ciseri, 82–97. Genoa: Sagep Editori, 2017.

Dandridge, Pete, and Lisa Ellis. “Fabricating Sixteenth Century Netherlandish Boxwood Miniatures.” In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–April 2017).

Harrison, Ainslie and Ellen Howe. “Evidence of Soldering Technology on Pre-Columbian Gold Pendants from Western and North-Western Colombia.” Archaeometry 59, no. 5 (October 2017): 874–90.

Hausdorf, Daniel. “Reflectance Transformation Imaging (RTI): Eine fotografische Methode zur Dokumentation und visuellen Untersuchung von Oberflächen.” In Die Kunst der Ebenisten: Quellenschriften, technologische Untersuchungen und innovative Verfahren in der Holzrestaurierung, edited by Jörg Weber, 140–47. Potsdam: Verlag der Fachhochschule Potsdam, 2017.

Hemingway, Seán, and Dorothy H. Abramitis. “The Use of Inlays in Early Greek Bronzes.” In Artistry in Bronze: The Greeks and Their Legacy (XIXth International Congress on Ancient Bronzes), edited by Jens M. Daehner, Kenneth Lapatin, and Ambra Spinelli, 116‒22. Los Angeles: J. Paul Getty Museum; Getty Conservation Institute, 2017.

Hemingway, Seán, and Richard Stone. “The New York Sleeping Eros: A Hellenistic Statue and Its Ancient Restoration.” In Techne 45: Bronzes grecs et romains; Etudes recentes sur la statuaire antique, edited by Sophie Descamps-Lequime and Benoit Mille, 46–63. Paris: Centre de Recherche et de Restauration des Musees de France, 2017.

Holakooei, Parviz, Sebastiano Soldi, Jean-François de Lapérouse, and Federico Carò. “Glaze Composition of the Iron Age Glazed Ceramics from Nimrud, Hasanlu and Borsippa Preserved at The Metropolitan Museum of Art.” Journal of Archaeological Science: Reports 16 (December 2017): 224–32.

Howe, Ellen. “Mask” and “Standing Figure.” In Golden Kingdoms: Luxury Arts in the Ancient Americas, edited by Joanne Pillsbury, Timothy Potts, and Kim N. Richter, 157, 180. Los Angeles: J. Paul Getty Museum and Getty Research Institute, 2017.

Kargère, Lucretia. “France’s Future Craftsmen, Inspired by Their Past.” In Season (blog). The Metropolitan Museum of Art, May 22, 2017.

Riccardelli, Carolyn. “Egyptian Faience: Technology and Production.” In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, December 2017.

Schorsch, Deborah. “Gold in Ancient Egypt.” In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum Art, January 2017.

Schorsch, Deborah. “Nose Ornament with Spiders,” “Nose Ornament with Intertwined Serpents,” and “Ceremonial Knife.” In Golden Kingdoms: Luxury Arts in the Ancient Americas, edited by Joanne Pillsbury, Timothy Potts, and Kim N. Richter, 145, 167. Los Angeles: J. Paul Getty Museum and Getty Research Institute, 2017.

Serotta, Anna, Jessica Walthew, Evelyn Mayberger, David Scahill, and Alison Hight. “Collaboratively Thinking Forward: Three-Dimensional (3D) Data in Conservation and Archaeology.” In Engaging Conservation: Collaboration across Disciplines, edited by Nina Owczarek, Molly Gleeson, and Lynn A. Grant, 266–78. London: Archetype Publications, 2017.

Serotta, Anna, Carolyn Riccardelli, and Debbie Schorsch. “Getting to Know William—Inside and Out.” Now at The Met (blog). The Metropolitan Museum of Art, October 24, 2017.

Yandrisevits, Marlene, Pablo Londero, Federico Carò, Adriana Rizzo, and Catarina Cappuccini. "Wavelength-dependent Absorption and Scattering Effects on Laser Cleaning of a Corroded Iron Alloy European Scale Armor. In Lasers in the Conservation of Artworks XI, Proceedings of the International Conference LACONA XI, Kraków, Poland, September 20–23 2016, edited by Piotr Targowski, Małgorzata Walczak, and Paraskevi Pouli, 27–45. Toruń: NCU Press, 2017. DOI: 10.12775/3875-4.

Arnold, Dieter, Ann Heywood, and Sara Chen. “Petrified Sound and Digital Color: A Hathor Column in the New Ptolemaic Galleries.” Now at the Met (blog). The Metropolitan Museum of Art, August 12, 2016.

Dandridge, Pete, and Lisa Ellis. “Workshop Practices.” In Small Wonders: Late-Gothic Boxwood Micro-Carvings from the Low Countries, edited by Frits Scholten, 514–77. Amsterdam: Rijksmuseum Publications Department, 2016.

Hagelskamp, Christina. “Aspects of the Manufacture of Chinese Kuancai Lacquer Screens.” Postprints of the Wooden Artifacts Group. The American Institute for Conservation of Historic & Artistic Works. Washington, DC (2016): 25–35.

Hagelskamp Christina, Arlen Heginbotham, and Paul van Duin. “Bending Asian Lacquer in Eighteenth Century Paris: New Discoveries.” Studies in Conservation 61, supplement 3 (December 2016): 91–96.

Hill, Marsha, and Deborah Schorsch. “Ptah’s Profile.” In Another Mouthful of Dust. Egyptological Studies in Honor of Geoffrey Thorndike Martin, edited by Jaap van Dijk, 251–307. (Orientalia Lovaniensia Analecta 246). Leuven; Paris; Bristol, CT: Peeters, 2016.

Holakooei, Parviz, Jean-François de Lapérouse, Martina Rugiadi, and Federico Carò. “Early Islamic Pigments at Nishapur, North-eastern Iran: Studies on the Painted Fragments Preserved at The Metropolitan Museum of Art.” Archaeological and Anthropological Sciences 2016, 1–21.

Lapérouse, Jean-François de. “Using Digital Imaging to Examine the History of Islamic Ceramic Restoration.” Ruminations (blog). The Metropolitan Museum of Art, June 21, 2016.

Patris, Pascale. “Decorative Surface Finishes: Bronzing, Patina-antiqua, Verd-antique in N.Y. Furniture 1810–1830: New York Workshops Practices.” Colour 2015: Bridging Science with Art (Color Research and Application 41, no. 3) (June 2016): 232–40.

Reeder, Jan. G., Glenn Petersen, and Mechthild Baumeister. “Are Yantorny’s Virtuoso Shoe Trees Really Old Violins?” Now at The Met (blog). The Metropolitan Museum of Art, November 1, 2016.

Rosewitz, Jessica, Christina Muir, Carolyn Riccardelli, Nima Rahbar, and George Wheeler. “A Multimodal Study of Pinning Selection for Restoration of a Historic Statue.” Materials & Design 98 (May 2016): 294–304.

Smyth, Andrew, Patrick Brewick, Raphael Greenbaum, Manolis Chatzis, Anna Serotta, and Isabel Stünkel. “Vibration Mitigation and Monitoring: A Case Study of Construction in a Museum.” Journal of the American Institute for Conservation 5, no. 1 (2016): 32–55.

Anderson, Drew, and Janis Mandrus. “Returning Clarity and Renewing Vibrancy: Treating Valentin Bousch’s The Deluge.” Now at The Met (blog). The Metropolitan Museum of Art, November 30, 2015.

Baumeister, Mechthild, Adriana Rizzo, and Gaëlle Gantier. “The Panel Answers: Uncovering the History of a Tenth-Century Egyptian Panel.” Ruminations (blog). The Metropolitan Museum of Art, September 17, 2015.

Behrendt, Kurt, Kristine Kamiya, and Matthew Cumbie. “Installing Sacred Traditions of the Himalayas: A Behind-the-Scenes Look.” Now at The Met (blog). The Metropolitan Museum of Art, June 5, 2015.

Chhabra, Mandira, Daniel Hausdorf, and Pascale Patris. “Beneath the Surface: Technical Analysis of a Vajrabhairava Figurine.” Now at The Met (blog). The Metropolitan Museum of Art, January 16, 2015.

Chhabra, Mandira, Daniel Hausdorf, and Pascale Patris. “Creating Contrast through Elaborate Details: Technical Analysis and Conservation of an Avalokitesvara.” Now at The Met (blog). The Metropolitan Museum of Art, January 23, 2015.

Cunningham, Patrick, Michael Bak, and Carolyn Riccardelli. “The Fall and Rise of Adam.” ANSYS Advantage 9, no. 3 (2015): 33–37.

Grady, Anne, and Jennifer Hickey. “Treatment of Izhar Patkin’s The Black Paintings—Collaboration and Compromise.” In The AIC Paintings Specialty Group Postprints, vol. 25 (2012): Papers Presented at the 40th Annual Meeting of the American Institute for Conservation of Historic and Artistic Works, Albuquerque, New Mexico, May 8-11, 2012, 24–30. Washington, DC: American Institute for the Conservation of Historic & Artistic Works, 2015.

Heywood, Ann. “A Statuette of Two Men and a Boy from the Amarna Period.” In The Art and Culture of Ancient Egypt: Studies in Honor of Dorothea Arnold (Bulletin of the Egyptological Seminar 19), edited by Adela Oppenheim and Ogden Goelet, 379–88. New York: Egyptological Seminar of New York, 2015.

Howe, Ellen, and Adriana Rizzo. “The Materials That Make Mangaaka.” Kongo Exhibition Blog (blog). The Metropolitan Museum of Art, October 20, 2015.

LaGamma, Alisa, with contributions by Josiah Blackmore, Christine Giuntini, James Green, Ellen G. Howe, Phyllis M. Martin, Adriana Rizzo, John K. Thornton, and Kristen Windmuller-Luna. Kongo: Power and Majesty. New York: The Metropolitan Museum of Art, 2015.

Parry, Vicki. “Nishapur Ceramics in The Metropolitan Museum of Art: 70 Years of Restoration Techniques.” In Greater Khorasan: History, Geography, Archaeology, and Material Culture (Studies in the History and Culture of the Middle East 29), edited by Rocco Rante, 141–50. Boston: Walter de Gruyter, 2015.

Patris, Pascale. “Restoring Bhairava’s Ear.” Now at The Met (blog). The Metropolitan Museum of Art, May 5, 2015.

Pearlstein, Ellen, Mark Mackenzie, Emily Kaplan, Ellen G. Howe, and Judith Levinson. “Tradition and Innovation: Cochineal and Andean Keros.” In A Red Like No Other, edited by Carmella Padilla and Barbara Anderson, 44–51. Santa Fe, NM: Museum of International Folk Art, 2015.

Pilosi, Lisa. “Memories of David Whitehouse, a Mentor and Friend.” Journal of Glass Studies 57 (2015): 237–42.

Riccardelli, Carolyn, and Jack Soultanian, with Michael Morris, Lawrence Becker, George Wheeler, and Ronald Street. “New Life for Adam.” ICOM News 68 (2) (September 2015): 4–5.

Schorsch, Deborah. “Bastet Goes Boating.” In The Art and Culture of Ancient Egypt: Papers in Honor of Dorothea Arnold (Bulletin of the Egyptological Seminar 19), edited by Ogden Goelet and Adela Oppenheim, 271–84. New York: Egyptological Seminar of New York, 2015.

Schorsch, Deborah. “Supplement: Technical Study of the Sithathoryunet Pectoral.” In Ancient Egypt Transformed: The Middle Kingdom, edited by Adela Oppenheim, Dorothea Arnold, Dieter Arnold, and Kei Yamamoto, 115–16. New York: The Metropolitan Museum of Art, 2015.

Schorsch, Deborah. “Technical Examination of the Temple Pendant of the Goddess Nephthys (MMA 2014.159),” in Marsha Hill, “A Gilded-Silver Pendant of Nephthys Naming Mereskhonsu,” Revue d’Egyptologie 66 (2015): 33–49, 43–45.

Serotta, Anna, and Federico Carò. “Hidden Secrets of Ancient Egyptian Technology.” Now at The Met (blog). The Metropolitan Museum of Art, May 22, 2015.

Van Keuren, Frances, Julia Cox, Donato Attanasio, Walter Prochaska, John J. Herrmann, Jr., and Dorothy H. Abramitis. “Parian Lychnites and the Badminton Sarcophagus in New York.” In ASMOSIA X, Proceedings of the Tenth International Conference Interdisciplinary Studies on Ancient Stone. Rome, 21–26 May 2012, edited by Patrizio Pensabene and Eleonora Gasparini, 403–12. Rome: L’Erma di Bretschneider, 2015.

Yandrisevits, Marlene. “Diamond in the Rust: Conserving a Damascened Tibetan Knife.” Now at The Met (blog). The Metropolitan Museum of Art, February 6, 2015.

Aruz, Joan, with technical comments by Jean-François de Lapérouse. “Cauldrons” and “Nimrud Ivories.” In Assyria to Iberia at the Dawn of the Classical Age, edited by Joan Aruz, Yelena Rakic, and Sarah Graff, 148–50, 273. New York: The Metropolitan Museum of Art, 2014.

Barack, Sarah, and Beth Edelstein. “From One Student to Many: Multi-Level Approaches to Conservation Outreach in the K–12 Arena.” In Proceedings of Playing to the Galleries and Engaging New Audiences: The Public Face of Conservation, edited by Emily Williams, 96–103. London: Archetype Books, 2014.

Baude, Emeline. “Laser Cleaning for Stone Conservation at The Cloisters.” In Season (blog). The Metropolitan Museum of Art, August 22, 2014.

Becker, Lawrence, Donna Strahan, and Ariel O’Connor. “Technical Observations on Casting Technology in First-Millennium Cambodia, Thailand, and Vietnam.” In Lost Kingdoms: Hindu-Buddhist Sculpture of Early Southeast Asia, by John Guy, 267–71. New York: The Metropolitan Museum of Art, 2014.

Delivré, Jean, Cécile Dupeux, and Lucretia Kargère. “Les sculptures du jubé de la cathédrale de Strasbourg: une étude technique comparative entre New York et Strasbourg.” Technè 39 (2014): 78–81.

Hagelskamp, Christina. “Tracing the Origins of Japanese Export Lacquer on an Eighteenth–Century French Side Table.” Metropolitan Museum Studies in Art, Science, and Technology 2 (2014): 173–79.

Kargère, Lucretia. “L’expérience américaine. À propos de quelques Vierges romanes conservées aux États-Unis.” Technè 39 (2014): 13–22.

Kargère, Lucretia. “Jean d’Alluye: Conservation in the Public Eye.” In Season (blog). The Metropolitan Museum of Art, May 15, 2014.

Kargère, Lucretia, and Michele Marincola. “Conservation in Context: The Examination and Treatment of Medieval Polychrome Wood Sculpture in America.” Metropolitan Museum Studies in Art, Science, and Technology 2 (2014): 11–49.

Kargère, Lucretia, and Nancy Wu. “The Portal of Villeloin-Coulangé at The Cloisters: Attribution After Eighty Years of Anonymity.” In Season (blog). The Metropolitan Museum of Art, November 20, 2014.

Kargère, Lucretia, Pierre-Yves Le Pogam, Juliette Lévy, and Nathalie Pingaud. “Un Christ roman auvergnat retrouve son unité grâce à l’étude de la polychromie.” Technè 39 (2014): 60–5.

Lapérouse, Jean-François de. “Cuneiform Documents as Artifacts.” In Cuneiform Texts in The Metropolitan Museum of Art, Volume IV: The Ebabbar Temple Archive and Other Texts from the Fourth to the First Millennium B.C., edited by Ira Spa and Michael Jursa, 243–45. New York: The Metropolitan Museum of Art, 2014.

Lapérouse, Jean-François de, Stefan Heidemann, and Vicki Parry. “The Large Audience: Life Sized Stucco Figures of Royal Princes from the Seljuq Period.” Muqarnas 31 (2014): 35–71.

Laursen, Sarah, and Donna Strahan. “Art and Technology in a Chinese Gold Cicada Plaque.” Archives of Asian Art 64, no. 1 (2014): 43–57.

Loike, Ashira, and Beth Edelstein. “Conservation Through a Gamer’s Eye.” Now at The Met (blog). The Metropolitan Museum of Art, November 10, 2014. 

Pilosi, Lisa. “Appendix: Technical Observations,” appended to Timothy B. Husband, “A Reverse-Painted Glass ‘Paten’ at the Cloisters: Imagery and Style.” Journal of Glass Studies 56 (2014): 115–16.

Pilosi, Lisa, and Drew Anderson. “The Chariot of Poseidon by Jean Dupas and Jacques-Charles Champigneulle at The Metropolitan Museum of Art.” Journal of Glass Studies 56 (2014): 219–28.

Riccardelli, Carolyn, Jack Soultanian, Michael Morris, Lawrence Becker, George Wheeler, and Ronald Street. “The Treatment of Tullio Lombardo's Adam: A New Approach to the Conservation of Monumental Marble Sculpture.” Metropolitan Museum Journal 49 (2014): 49–116.

Rizzo, Adriana, Mechthild Baumeister, Beth Edelstein, Arianna Gambirasi, and Anke Scharrahs, with contributions by Julia Schultz and Daniel P. Kirby. “A Rediscovered Opulence: The Surface Decoration of an Early 18th-Century Damascene Reception Room at The Metropolitan Museum of Art.” In Architectural Paint Research: Sharing Information, Sharing Decisions, edited by Rachel Faulding and Sue Thomas, 117–31. London: Archetype Books, 2014.

Schorsch, Deborah. “A Conservator’s Perspective on Ancient Metallurgy.” In Archeometallurgy in Global Perspective, edited by Benjamin W. Roberts and Christopher Thornton, 268–302. New York: Springer, 2014.

Schorsch, Deborah. “Lebanese Mountain Figures: Advances in the Study of Levantine Anthropomorphic Metal Statuary.” Metropolitan Museum Studies in Art, Science, and Technology 2 (2014): 115–55.

Serotta, Anna. “An Investigation of Tool Marks on Ancient Egyptian Hard Stone Sculpture: Preliminary Report.” Metropolitan Museum Studies in Art, Science, and Technology 2 (2014): 197–201.

Serotta, Anna, and Federico Carò. “Evidence for the Use of Corundum Abrasive in Egypt from the Great Aten Temple at Amarna.” Horizon 14 (Spring 2014): 2–4.

Strahan, Donna, and Simone Korolnik. “Archaeological Conservation.” In Troia 1987–2012: Grabungen und Forschungen 1: Forschungsgeschichte, Methoden und Landschaft, edited by Ernst Pernicka, Charles Brian Rose, and Peter Jablonka, vol. 2, 520–33. Bonn: Habelt, 2014.

Strahan, Donna, and Masahiko Tsukada. “Measuring Mercury Emissions from Cinnabar Lacquer Objects.” Studies in Conservation 59, supplement 1 (2014): S137–S40.

Barack, Sarah, and Beth Edelstein. “Restoring the Immaterial: Using New Media to Communicate Context.” In Objects Specialty Group Postprints, Volume Twenty, 2013, Proceedings of the Objects Specialty Group Sessions, May 29–June 1, 2013, edited by Emily Hamilton and Kari Dodson. American Institute for Conservation of Historic & Artistic Works, 2013.

Borsch, Linda, and Federico Carò. “Technical Notes.” In “Abraham Lincoln: The Man (Standing Lincoln): A Bronze Statuette by Augustus Saint-Gaudens,” by Thayer Tolles. Metropolitan Museum Journal 48 (2013): 234–35.

Hemingway, Seán, Sarah McGregor, and Dylan Smith. “The Bronze Statue of Trebonianus Gallus in The Metropolitan Museum of Art: Restoration, Technique, and Interpretation.” In The Restoration of Ancient Bronzes: Naples and Beyond, edited by Erik Risser and David Saunders, 113–36. Los Angeles: The J. Paul Getty Museum, 2013.

Kargère, Lucretia. “The Metropolitan Museum of Art’s Saint Roch: Looking at Artistic Workshops around the Elsloo Group.” In A Masterly Hand: Interdisciplinary Research on the Late-Medieval Sculptor(s) Master of Elsloo in an International Perspective, Proceedings of the Conference Held at the Royal Institute for Cultural Heritage in Brussels, 20–21 October 2011 (Scientia Artis 9), edited by Famke Peters, 276–85. Brussels: Royal Institute for Cultural Heritage, 2013.

Patris, Pascale, and Adriana Rizzo. “An Unfolding Tale: The Making and Transformation of the Golden Harpsichord.” The Journal of American Musical Instrument Society 39 (2013): 62–88.

Pearlstein, Ellen, and Dawn Lohnas (Kriss). “Conservation Outreach Materials for a Tribal Museum Without Conservators.” In Playing to the Galleries and Engaging New Audiences: The Public Face of Conservation, 14-16 November 2011, Colonial Williamsburg, Virginia, edited by Emily Williams, 222–31. London: Archetype Publications, 2013.

Pilosi, Lisa, and David Whitehouse. “Early Islamic and Byzantine Silver Stain.” In New Light on Old Glass: Recent Research on Byzantine Mosaics and Glass (British Museum Research Publication 179), edited by Chris Entwistle and Liz James, 329–37. London: British Museum, 2013.

Schorsch, Deborah. “Appendix: Technical Note on the Amphoroid Krater and Tripod.” In AMILLA: The Quest for Excellence. Studies in Honor of Günter Kopcke in Celebration of His 75th Birthday, edited by Robert B. Koehl, 303–8. Philadelphia: INSTAP Academic Press, 2013.

Stamm, Karen, Gorazc Lemajič, and Lisa Pilosi. “Vacuum-Formed PVC Molds for Casting Resin Fills in Glass Objects.” In Recent Advances in Glass, Stained-Glass, and Ceramics Conservation 2013, ICOM-CC Glass and Ceramics Working Group Interim Meeting and Forum of the International Scientific Committee for the Conservation of Stained Glass (Corpus Vitrearum-ICOMOS), edited by Hannelore Roemich and Kate van Lookeren Campagne, 69–75. Zwolle: SPA Uitgevers, 2013.

Abend, Karen, Linda Borsch, Julia Day, Janis Mandrus, and Lisa Pilosi. “Conservation of Eighteenth-Century Lighting Fixtures in The Metropolitan Museum of Art.” In The Artifact, Its Context and Their Narrative: Multidisciplinary Conservation in Historic House Museums, the Getty Research Institute, Los Angeles, November 6–9, 2012; Proceedings of the Joint Conference of ICOM-DEMHIST and Three ICOM-CC Working Groups (Sculpture, Polychromy, and Architectural Decoration; Wood, Furniture, and Lacquer; Textiles), edited by Kate Seymour and Malgorzata Sawicki. ICOM-CC & ICOM-DEMHIST, 2012.

Anderson, Drew, and Janis Mandrus. “The Faith and Hope Stained-Glass Window.” Conservation and Scientific Research Projects (blog). The Metropolitan Museum of Art, 2012.

Baumeister, Mechthild. “The Hidden History of a Roentgen Commode.” In Extravagant Inventions: The Princely Furniture of the Roentgens, by Wolfram Koeppe, 222–28. New York: The Metropolitan Museum of Art, 2012.

Ducey-Gessner, Aimée, Claudia Beyer, Jean Dommermuth, Michele Marincola, Deborah Lee Trupin, and Costanza Perrone Da Zara. “Building an Effective Decision-Making Model for Conservation of the Acton Collection, Villa La Pietra, New York University in Florence.” In The Artifact, Its Context and Their Narrative: Multidisciplinary Conservation in Historic House Museums, the Getty Research Institute, Los Angeles, November 6–9, 2012; Proceedings of the Joint Conference of ICOM-DEMHIST and Three ICOM-CC Working Groups (Sculpture, Polychromy, and Architectural Decoration; Wood, Furniture, and Lacquer; Textiles), edited by Kate Seymour and Malgorzata Sawicki. ICOM-CC & ICOM-DEMHIST, 2012.

Kargère, Lucretia. “La sculpture romane polychrome sur bois en Auvergne et Bourgogne: Étude technique.” In Gestes et techniques de l’artiste à l’époque romane: Actes des XLIIIe Journées romanes de Cuxa, 6–13 Julliet 2011 (Cahiers de Saint-Michel de Cuxa 43), 113–24. Codalet: Association culturelle de Cuxa, 2012.

Pilosi, Lisa, Karen Stamm, and Mark T. Wypyski. “An Islamic Cameo Glass Fragment in The Metropolitan Museum of Art.” In Annales du 18e Congrès de l’Association Internationale pour l’Histoire du Verre, Thessaloniki, 2009, edited by Despina Ignatiadou and Anastassios Antonaras, 341–45. Thessaloniki: ZITI Publishing, 2012.

Riccardelli, Carolyn, George Wheeler, Christina Muir, George Scherer, and Joe Vocaturo. “An Examination of Pinning Materials for Marble Sculpture.” In Objects Specialty Group Postprints: American Institute for Conservation 38th Annual Meeting, Milwaukee, WI, edited by Christine del Re, 95–112. Washington, D.C.: American Institute for Conservation of Historic & Artistic Works, 2012.

Riccardelli, Carolyn, and Sara Uricheck. “Moving the Ciborium.” Conservation and Scientific Research Projects (blog). The Metropolitan Museum of Art, 2012.

Stone, Richard E. “Riccio: Technology and Connoisseurship.” In Andrea Riccio: Renaissance Master of Bronze, by Denise Allen with Peta Motture, Julia Leonor Valiela, and Caitlin Ford Henningsen, 81–96. New York: The Frick Collection; London: P. Wilson, 2012.

Stone, Richard E. “Understanding Antico’s Patinas.” In Antico, The Golden Age of Renaissance Bronzes, by Eleonora Luciano, Denise Allen, Claudia Kryza-Gersch, and Stephen J Campbell, 179–82. Washington, D.C.: National Gallery of Art; London: Paul Holberton Publishing, 2012.

Strahan, Donna. “An Enlightened Journey: Transitions in Casting of Chinese Buddhist Images.” In Scientific Research in the Field of Asian Art, edited by Janet Douglas, Paul Jett, and John Winter, 73–82. London: Archetype Books, 2012.

Van Keuren, Frances, Shelby Hipol, Julia Cox, Donato Attanasio, John J. Herrmann, Jr., L. Peter Gromet, and Dorothy H. Abramitis. “Three Fragments of a Marsyas Sarcophagus: Multimethod Marble Analyses.” In Interdisciplinary Studies on Ancient Stone. Proceedings of the IX Association for the Study of Marbles and Other Stones in Antiquity (ASMOSIA) Conference (Tarragona 2009), edited by Anna Gutiérrez Garcia-M., Pilar Lapuente Mercadal, and Isabel Rodà de Llanza, 344–54. Tarragona: Institut Català d’Arqueologia Clàssica, 2012.

Abramitis, Dorothy H., “The Mask of Agamemnon: An Example of Electroformed Reproduction of Artworks Made by E. Gilliéron in the Early Twentieth Century.” Now at The Met (blog). The Metropolitan Museum of Art, June 1, 2011. 

Aylward, William, William Marx, and Donna Strahan. “Elemental Identification of Artifacts and Pigments from Ancient Ilion with X-Ray Fluorescence.” Studia Troica 19 (2011): 57–68.

Bayne, David, Nancy Britton, and Deborah Lee Trupin. “The Camelback Sofa—An Example of Late 18th-Century American Upholstery Techniques.” In The Forgotten History, Upholstery Conservation, edited by Karen Lohm, 232–75. Linköping: Linköping University, 2011.

Britton, Nancy. “Stitches in Time: The Integration of 18th- and 21st-Century Technologies and Techniques across Three Cultures.” In Preprints of the 8th North American Textile Conservation Conference: Plying the Trades: Pulling Together in the 21st Century, Oaxaca, Mexico, November 8–11, 2011, 181-95. Madison, WI: Omnipress, 2011. CD-ROM.

Britton, Nancy, with Mark Anderson. “The Evolution of American Upholstery Techniques.” In The Forgotten History, Upholstery Conservation, edited by Karen Lohm, 30–80. Linköping: Linköping University, 2011.

Britton, Nancy, and Heather Porter. “Upholstery Springs: Their Introduction and Early Development in Britain and America.” In The Forgotten History, Upholstery Conservation, edited by Karen Lohm, 118–47. Linköping: Linköping University, 2011.

Caldeira, Susana. “Caso de Estudo: A conservação de instrumentos musicais históricos.” Binocular 1, no. 1 (January–April 2011): 11–22.

Carboni, Stefano, and Daniel Hausdorf. “Panel (Lid from a Chest).” In Masterpieces from the Department of Islamic Art in The Metropolitan Museum, edited by Maryam D. Ekhtiar, Priscilla P. Soucek, Sheila R. Canby, and Navina Najat Haidar, 43–44. New York: The Metropolitan Museum of Art, 2011.

Dandridge, Pete. “From Tusk to Treasure: Part I.” The Game of Kings Exhibition Blog (blog). The Metropolitan Museum of Art, December 6, 2011.

Dandridge, Pete. “From Tusk to Treasure: Part II.” The Game of Kings Exhibition Blog (blog). The Metropolitan Museum of Art, December 13, 2011.

Dandridge, Pete, and Mark T. Wypyski. “Sword and Dagger Pommels Associated with the Crusades, Part II: A Technical Study.” Metropolitan Museum Journal 46 (2011): 145–52.

Dandridge, Pete, and Mark T. Wypyski. “Technical Study of Two Silver and Niello Kolty in The Metropolitan Museum of Art.” In Jewellery of Princely Kiev: The Kievan Hoards in the British Museum and The Metropolitan Museum of Art and Related Material, by Ljudmila Pekarska (Monographien des Römisch-Germanischen Zentralmuseums 92), edited by Barry Ager and Dafydd Kidd, 78–80. Mainz: Römisch-Germanischen Zentralmuseums and London: British Museum, 2011.

Kargère, Lucretia, and Michele Marincola. “The Conservation of Polychrome Wood Sculpture in the United States: An Historical Overview, 1870–1970.” In ICOM-CC: 16th Triennial Conference, Lisbon, 19–23 September 2011. Almada, Portugal: Critério–Produção Gráfica, Lda., 2011.

Kenney, Ellen, and Mechthild Baumeister. “Reception Room, Qa’a.” In Masterpieces from the Department of Islamic Art in the Metropolitan Museum, edited by Maryam D. Ekhtiar, Priscilla P. Soucek, Sheila R. Canby, and Navina Hajat Haidar, 333–37. New York: The Metropolitan Museum of Art, 2011.

Keppler, Roos, Beth Edelstein, Sarah Barack, and Batyah Shtrum. “The Stars Align: The Preservation of the Zodiac Cycle Murals at the Stanton Street Shul.” In ICOM-CC: 16th Triennial Conference, Lisbon, 19–23 September 2011. Almada, Portugal: Critério–Produção Gráfica, Lda., 2011.

Lapérouse, Jean-François de. “Conservation Work for the New Galleries.” In Masterpieces from the Department of Islamic Art in The Metropolitan Museum, edited by Maryam D. Ekhtiar, Priscilla P. Soucek, Sheila R. Canby, and Navina Najat Haidar, X–XI. New York: The Metropolitan Museum of Art, 2011.

Lapérouse, Jean-François de. “Techniques of Turkmen and Central Asian Jewelry.” In Turkmen Jewelry: Silver Ornaments from the Marshall and Marilyn Wolf Collection, by Layla Diba, 39–43. New York: The Metropolitan Museum of Art, 2011.

Marincola, Michele, and Sarah Maisey. “To Err Is Human: Understanding and Sharing Mistakes in Conservation Practice.” In ICOM-CC: 16th Triennial Conference, Lisbon, 19–23 September 2011. Almada, Portugal: Critério–Produção Gráfica, Lda., 2011.

Patris, Pascale. “A Few Remarks Resulting from the Examination of the Bernstorff Suite.” ICOM-CC Wood, Furniture, and Lacquer Newsletter 2 (January 2011): 10–14.

Pitthard, Václav, Richard E. Stone, Sabine Stanek, Martina Griesser, and Claudia Kryza-Gersch. “Organic Patinas on Renaissance and Baroque Bronzes: Interpretation of Compositions of the Original Patination by Using a Set of Simulated Varnished Bronze Coupons.” Journal of Cultural Heritage 12, no. 1 (March 2011): 44–53.

Strahan, Donna. “Uranium in Glass, Glazes, and Enamels.” In Health & Safety for Museum Professionals, edited by Catharine Hawks, Michael McCann, Kathryn Makos, Lisa Goldberg, David Hinkamp, Dennis Ertel, Jr., and Patricia Silence, 456. New York: Society for the Preservation of Natural History Collections, 2011.

Theiss, Harald, and Jack Soultanian. “Heilige Barbara” and “Heilige Katharina von Alexandrien.” In Niclaus Gerhaert: Der Bildhauer des Spaten Mittelalters, edited by Stefan Roller, 248–50. Frankfurt: Liebieghaus, 2011.

Theiss, Harald, Jack Soultanian, and Lucretia Kargère. “Muttergottes (sogenannte Rothschild-Madonna).” In Niclaus Gerhaert: Der Bildhauer des Spaten Mittelalters, edited by Stefan Roller, 277–79. Frankfurt: Liebieghaus, 2011.

Anderson, Drew, Alice Cooney Frelinghuysen, and Janis Mandrus. “Rediscovering Henry E. Sharp: The Conservation of the Faith and Hope Window at The Metropolitan Museum of Art.” In The Art of Collaboration: Stained-Glass Conservation in the Twenty-first Century (Corpus Vitrearum United States Occasional Papers 2), edited by Mary B. Shepard, Lisa Pilosi, and Sebastian Strobl, 83–91. Turnhout: Harvey Miller Publications for the American Corpus Vitrearum, 2010.

Baumeister, Mechthild, Beth Edelstein, Adriana Rizzo, Arianna Gambirasi, Timothy Hayes, Roos Keppler, and Julia Schultz. “A Splendid Welcome to the ‘House of Praises, Glorious Deeds and Magnanimity.’” In Conservation and the Eastern Mediterranean. International Institute for Conservation of Historic and Artistic Works (IIC), Contributions to the Istanbul Congress, 20–24 September 2010, edited by Christina Rozeik, Ashok Roy, and David Saunders, 126–33. London: International Institute for Conservation of Historic and Artistic Works, 2010.

Becker, Lawrence. “Technical Study of Two Northern Wei Altarpieces Dedicated to the Buddha Maitreya.” In Wisdom Embodied: Chinese Buddhist and Daoist Sculpture in The Metropolitan Museum of Art, edited by Denise Patry Leidy and Donna Strahan, 198–205. New York: The Metropolitan Museum of Art, 2010.

Becker, Lawrence, and Deborah Schorsch. “The Practice of Objects Conservation in The Metropolitan Museum of Art (1870–1942).” Metropolitan Museum Studies in Art, Science, and Technology 1 (2010): 11–37.

Castelnuovo-Tedesco, Lisbeth, and Jack Soultanian. Italian Medieval Sculpture in The Metropolitan Museum of Art and The Cloisters. New York: The Metropolitan Museum of Art, 2010.

Heywood, Ann. “Evidence for the Use of Azurite and Natural Ultramarine Pigments in Ancient Egypt.” Metropolitan Museum Studies in Art, Science, and Technology 1 (2010): 73–81.

Heywood, Ann. “Lead Cladding on a Wooden Royal Figure: An Unusual Ancient Surface Reconstructed.” In Decorated Surfaces on Ancient Egyptian Objects: Technology, Deterioration and Conservation, edited by Julie Dawson, Christina Rozeik, and Margaret M. Wright, 9–15. London: Archetype Books, 2010.

Kargère, Lucretia, and Adriana Rizzo. “Twelfth-Century French Polychrome Sculpture in The Metropolitan Museum of Art: Materials and Techniques.” Metropolitan Museum Studies in Art, Science, and Technology 1 (2010): 39–72.

Leidy, Denise Patry, and Donna Strahan, eds. Wisdom Embodied: Chinese Buddhist and Daoist Sculpture in The Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 2010.

Lightfoot, Christopher, Lisa Pilosi, and Mark T. Wypyski. “The Purple Agate Glass in The Metropolitan Museum of Art.” Journal of Glass Studies 52 (2010): 240–43.

Rahbar, Nima, Mersedeh Jorjani, Carolyn Riccardelli, George Wheeler, Ismaiel Yakub, Ting Tan, and Winston O. Soboyejo. “Mixed Mode Fracture of Marble/Adhesive Interfaces.” Materials Science and Engineering: A 527, nos. 18–19 (15 July 2010): 4939–4946.

Shepard, Mary B., Lisa Pilosi, and Sebastian Strobl, eds. The Art of Collaboration: Stained-Glass Conservation in the Twenty-first Century (Corpus Vitrearum United States Occasional Papers 2). Turnhout: Harvey Miller Publications for the American Corpus Vitrearum, 2010.

Stone, Richard E. “Organic Patinas on Small Bronzes of the Italian Renaissance.” Metropolitan Museum Journal 45 (2010): 107–24. 

Strahan, Donna. “Piece-Mold Casting: A Chinese Tradition for Fourth and Fifth-Century Bronze Buddha Images.” Metropolitan Museum Studies in Art, Science, and Technology 1 (2010): 133–53.

Strahan, Donna. “Chinese Religious Sculpture.” Conservation and Scientific Research Projects (blog). The Metropolitan Museum of Art, 2010.

Baumeister, Mechthild, Adriana Rizzo, Melanie Brussat, Erika Sanchez Goodwillie, and Batyah Shtrum. “A Re-evaluation of Three Period Rooms in the Wrightsman Galleries at The Metropolitan Museum of Art in New York.” In Architectural Finishes in the Built Environment, edited by Mary A. Jablonski and Catherine R. Matsen, 201–16. London: Archetype Books, 2009.

Frantz, Tony, Dorothy H. Abramitis, Linda Borsch, and Mark T. Wypyski. “Roman Variscite Beads: In Situ Analysis by X-Ray Microdiffraction.” Metropolitan Museum Bulletin 67, no. 1 (Summer 2009): 20–25.

Jorjani, Mersedeh, George Wheeler, Carolyn Riccardelli, Winston O. Soboyejo, and Nima Rahbar. “An Evaluation of Potential Adhesives for Marble Repair.” In Holding It All Together: Ancient and Modern Approaches to Joining, Repair and Consolidation, edited by Janet Ambers, Catherine Higgitt, Lynne Harrison, and David Saunders, 143–49. London: Archetype Books, 2009.

Meincke, Angela, Daniel Hausdorf, Nonie Gadsden, Mechthild Baumeister, Michele Derrick, Richard Newman, and Adriana Rizzo. “Cellulose Nitrate Coatings on Furniture of the Company of Master Craftsmen.” Journal of the American Institute for Conservation 48, no. 1 (2009): 1–24.

Roth, Kendra E., and Kate Moomaw. Review of Plastics: Looking at the Future and Learning from the Past: Papers from the Conference Held at the Victoria and Albert Museum, London, 23–25 May 2007, edited by Brenda Keneghan and Louise Egan. Studies in Conservation 54 (2009): 192–93.

Schorch, Deborah, and Mark T. Wypyski. “Seth, ‘Figure of Mystery.’” Journal of the American Research Center in Egypt 45 (2009): 1–24.

Soultanian, Jack. “Lucretia.” In Daniel Mauch: Bildhauer im Zeitalter der Reformation, edited by Eva Leistenschneider, 302–4. Ulm: Ulmer Museum, 2009.

Strahan, Donna. “Lacquer: The Conservation Challenge.” In The Conservation of Asian Lacquer: Case Studies at the Asian Art Museum of San Francisco, by Jane L. Williams, 7–11. San Francisco: Asian Art Museum, 2009.

Chapuis, Julien, and Michele Marincola. “Bemerkungen zum Meister der Biberacher Sippe und zu einem hl. Rochus in The Cloisters.” In Nicht die Bibliothek, sondern das Auge: Westeuropäische Skulptur und Malerei an der Wende zur Neuzeit, Beiträge zu Ehren von Hartmut Krohm; Akten des Kolloquiums vom 11.–12. November 2005 an den Staatlichen Museen zu Berlin und der Technischen Universität Berlin, 66–75. Petersberg: Michael Imhof Verlag; Berlin: Staatliche Museen zu Berlin—Stiftung Preussischer Kulturbesitz, 2008.

Dandridge, Pete. “Gegossene Phantasien: Mittelalterliche Aquamanilien und ihre Herstellung.” In Bild & Bestie: Hildesheimer Bronzen der Stauferzeit, edited by Michael Brandt, 77–102. Regensburg: Schnell + Steiner, 2008.

Hill, Marsha, and Deborah Schorsch, eds. Offrandes aux dieux d’Egypte. Martigny: Fondation Pierre Gianadda, 2008.

Jorjani, Mersedeh, George Wheeler, Carolyn Riccardelli, Winston O. Soboyejo, and Nima Rahbar. “An Evaluation of Potential Adhesives for Marble Repair.” In Objects Specialty Group Postprints Volume Fifteen, 2008, compiled by Howard Wellman, Christine Del Re, Patricia Griffin, Emily Hamilton, Kari Kipper, and Carolyn Riccardelli, 95–107. Washington, D.C.: American Institute for Conservation of Historic & Artistic Works, 2008.

Lapérouse, Jean-François de. “Early Mesopotamian Metallurgy.” In Encyclopaedia of the History of Science, Technology and Medicine in Non-Western Cultures, edited by Helaine Selin, 1624–34. 2nd ed. Berlin: Springer, 2008.

Lapérouse, Jean-François de. “Conservació de los marfiles y fragmentos de hueso y de concha procedentes de las excavaciones de Bonsor.” In El tesoro arqueológico de la Hispanic Society of America, 301–9. Madrid: Consejería de Cultura y Turismo, 2008.

Lapérouse, Jean-François de. “Technical Notes on the Metropolitan Museum Ivories” and catalogue entries 23, 24, 25, 30, 45, 46a–b, 106, 107, 108, and 109. In Beyond Babylon: Art, Trade, and Diplomacy in the Second Millennium B.C., edited by Joan Aruz, Kim Benzel, and Jean M. Evans, 52, 54–55, 58, 81, 83–85, 180–4. New York: The Metropolitan Museum of Art, 2008.

Marincola, Michele. “Brandi in America: Further Thoughts towards a History.” In Cesare Brandi oggi: prime ricognizioni, Atti del convegno, a 100 anni dalla nascita di Cesare Brandi, edited by Giuseppe Basile, 251–58. Il Prato: Saonara, 2008.

Meincke, Angela, Daniel Hausdorf, Nonie Gadsden, Mechthild Baumeister, Michele Derrick, Richard Newman, and Adriana Rizzo. “Early Cellulose Nitrate Coatings on Furniture of the Company of Modern Craftsmen.” In Plastics: Looking at the Future, Learning from the Past, edited by Brenda Keneghan and Louise Egan, 3–11. London: Archetype Books, 2008.

Piechatschek, Nadine, and Nancy Britton. “Sleeping Beauty: Treatment of a 1880s Herter Brothers Bergere.” In Postprints: Papers Delivered at the Textile Subgroup Session, American Institute for Conservation Annual Meeting, 1–20. Washington, D.C.: Textile Specialty Group, American Institute for Conservation of Historic and Artistic Works, 2008.

Pilosi, Lisa, Sarah Barack, and Mark T. Wypyski. “Early Acid Etching of Stained Glass.” In Le vitrail et les traités du Moyen Âge à nos jours, Actes du XXIIIe colloque international du Corpus Vitrearum, Tours, 3–7 juillet 2006, edited by Karine Boulanger and Michel Hérold, 97–110. Berne and New York: Peter Lang, 2008.

Strahan, Donna. “Seismic Mitigation at the Asian Art Museum in San Francisco.” In Advances in the Protection of Museum Collections from Earthquake Damage: Papers from a Symposium Held at the J. Paul Getty Museum at the Villa on May 3–4, 2006, edited by Jerry Podany, 107–13. Los Angeles: J. Paul Getty Museum, 2008.

Vuori, Jan, and Nancy Britton. “A Preliminary Investigation of Digital Inkjet Printing on Sheer Fabrics for Textile Conservation.” In 15th Triennial Conference, New Delhi, 22–26 September 2008, Preprints, vol. 2, 1002–11. New Delhi: Allied Publishers, 2008.

Anderson, Drew. “L.C. Tiffany’s Earliest Surviving Domestic Window.” Techniques du vitrail au XIXe siècle, Forum pour la conservation et la restauration des vitraux, Namur 14–16 juin 2007, edited by Isabelle Lecocq and Jacques Barlet, 81–89. Les Dossiers de l’IPW 3. Namur: Institut de patrimoine wallon, 2007.

Bewer, Francesca G., Richard E. Stone, and Shelly Sturman. “Reconstructing the Casting Technique of Lorenzo Ghiberti’s Gates of Paradise.” In The Gates of Paradise: Lorenzo Ghiberti’s Renaissance Masterpiece, edited by Gary M. Radke, 156–82. New Haven: Yale University Press, 2007.

Gudenrath, William, Lisa Pilosi, Marco Verità, David Whitehouse, and Mark T. Wypyski. “Notes on the Byzantine Painted Bowl in the Treasury of San Marco, Venice.” Journal of Glass Studies 49 (2007): 57–62.

Hill, Marsha, and Deborah Schorsch, eds. Gifts for the Gods: Images from Egyptian Temples. New York: The Metropolitan Museum of Art, 2007.

Lapérouse, Jean-François de, Karen Stamm, and Vicki Parry. “Re-examination and Treatment of Mina’iI Ceramics at The Metropolitan Museum of Art.” Glass and Ceramics Conservation 2007: Preprints of the Interim Meeting of the ICOM-CC Working Group, August 27–30, 2007, Nova Gorica, Slovenia, edited by Lisa Pilosi, 112–19. Nova Gorica: Goriški Muzej Kromberk, 2007.

Meincke, Angela, Daniel Hausdorf, Nonie Gadsden, Mechthild Baumeister, Michele Derrick, Richard Newman, and Adriana Rizzo. “Early Cellulose Nitrate Coatings on Furniture of the Company of Master Craftsmen.” In Postprints of the Wooden Artifacts Group: Presented at the Annual Meeting of the American Institute of Conservation, 4–16. Washington, D.C.: Wooden Artifacts Group, American Institute of Conservation, 2007.

Pilosi, Lisa, ed. Glass and Ceramics Conservation 2007: Preprints of the Interim Meeting of the ICOM-CC Working Group, August 27–30, 2007, Nova Gorica, Slovenia. Nova Gorica: Goriški Muzej Kromberk, 2007.

Schorsch, Deborah. “Fragment of a Wig,” “Seth,” “Amun,” and “Torso Fragment of Pedubaste.” In Gifts for the Gods: Images from Egyptian Temples, edited by Marsha Hill and Deborah Schorsch, 32–33, 34–37, 84–87, 90–91, 203, 205. New York: The Metropolitan Museum of Art, 2007.

Schorsch, Deborah. “The Manufacture of Metal Statuary in Ancient Egypt: ‘Seeing the Workshops of the Temple of the Amun.’” In Gifts for the Gods: Images from Egyptian Temples, edited by Marsha Hill and Deborah Schorsch, 189–99. New York: The Metropolitan Museum of Art, 2007.

Stone, Richard E. “Direct versus Indirect Casting of Small Bronzes in the Italian Renaissance.” In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, August 2007.

Strahan, Donna, and Mark Fenn. “A Transfer of Technology: Jade Abrasive Methods Used to Create Inscriptions in Ancient Chinese Bronzes.” In Scientific Research on the Sculptural Arts of Asia, edited by Janet Douglas, Paul Jett, and John Winter, 26–36. London: Archetype Books, 2007.