Unlike those Iznik dishes that derive their decoration and also their shape from Chinese porcelain models, this candlestick is a purely Ottoman shape and echoes a metal prototype. The simple, effective design, painted in blue and grayish-blue, demonstrates the continuing appeal of blue-and-white to the Iznik potter and his clients, even after additional colors were developed.
This image cannot be enlarged, viewed at full screen, or downloaded.
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
API
Public domain data for this object can also be accessed using the Met's Open Access API.
This artwork is meant to be viewed from right to left. Scroll left to view more.
Artwork Details
Use your arrow keys to navigate the tabs below, and your tab key to choose an item
Title:Candlestick in Imitation of Metalwork Form
Date:mid-16th century
Geography:Attributed to Turkey, Iznik
Medium:Stonepaste; painted in blue under transparent glaze
Dimensions:H. 9 1/2 in. (24.1 cm) Diam. of base: 7 11/16 in. (19.5 cm)
Classification:Ceramics
Credit Line:Harris Brisbane Dick Fund, 1966
Object Number:66.4.1
Inscription: Inscribed in Arabic on side of drip pan in underglaze blue: Its owner is Haji Muhammad ibn Sulaiman
Octave Homberg, Paris (by 1904–25; sale, Hôtel Drouot, Paris,November 27–28, 1925, no. 42); Fernand Adda Collection, Egypt (until 1965; sale, Palais Galliéra, Paris,December 3, 1965, no. 792, to Marthe Baschet for MMA)
New York. The Metropolitan Museum of Art. "A King's Book of Kings: Persian Miniatures from Shah Tahmasp's Shahnama of 1528," May 4–December 31, 1972, no catalog.
New York. Grey Art Gallery, New York University. "Tulips, Arabesques and Turbans," April 26, 1983–July 4, 1983, no. 98.
The Hagop Kevorkian Special Exhibitions Gallery, The Metropolitan Museum of Art. "Flowers and Leaves: The Ottoman Pottery of Iznik," September 25, 1991–November 15, 1992, no catalogue.
"November 27–28, 1925." In O[ctave] Homberg Collection. no. 42, p. 11, ill.
Rackham, Bernard. "Illustrated Catalogue of a Private Collection [Adda]." In Islamic Pottery and Italian Maiolica. London: Faber and Faber, 1959. no. 56, p. 25, ill. pl. 24.
Aslanapa, Oktay. "Turkish Ceramic Art." Archeology vol. 24, no. 3 (June 1971). pp. 215–16, ill.
"Paris, December 3, 1965." In Collection d'un Grand Amateur (Adda). Paris, December 3, 1965. no. 792.
Swietochowski, Marie, and Marilyn Jenkins-Madina. Notable Acquisitions 1965–1975 (1975). p. 144, ill. (b/w).
Denny, Walter B. The Ceramics of the Mosque of Rustem Pasha and the Environment of Change. New York: Garland Publishing, Inc., 1977. p. 261, ill. fig. 27 (b/w).
Jenkins-Madina, Marilyn, Suzanne G. Valenstein, and Julia Meech-Pekarik. "The Metropolitan Museum of Art." In Oriental Ceramics: The World's Great Collections. vol. 12. Tokyo: Kodansha International Ltd., 1977. no. 269, ill. (b/w).
Petsopoulos, Yanni, ed. "Decorative Arts from the Ottoman Empire." In Tulips, Arabesques & Turbans. New York: Abbeville Press, 1982. no. 98, p. 94, ill. (color).
Atasoy, Nurhan, and Julian Raby. Iznik: The Pottery of Ottoman Turkey, edited by Yanni Petsopoulos. London: Thames and Hudson, 1989. no. 632, p. 277, ill. (b/w).
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
The Met's collection of Islamic art is one of the most comprehensive in the world and ranges in date from the seventh to the twenty-first century. Its more than 15,000 objects reflect the great diversity and range of the cultural traditions from Spain to Indonesia.