Body: China, for the European market, late 16th–17th century; silk velvet, cut and voided
Lining: China, late 16th–17th century; silk damask
Lapels: Japan, probably 18th century; lampas, silk and gilt-paper strips
36 5/8 x 27 1/8 in. (93.0 x 68.9 cm)
Friends of Asian Art, Purchase, Mr. and Mrs. Andrew Saul Gift, 1998
Not on view
Samurai jinbaori were frequently made from expensive and flamboyant imported textiles like this Chinese silk velvet, which has a reddish pile pattern on a once vivid yellow background. The European-style "pomegranate" design features bilateral symmetry (mirror-imaged along a vertical axis) and a single direction of orientation. Patterns of this type—rare in Japan—frequently appear in European textiles of the sixteenth to seventeenth century. An exquisite Chinese silk damask lines the jinbaori, but its pattern is asymmetrical and features multiple orientations—traits more common in East Asian textiles. Both fabrics demonstrate the versatility of Chinese textile makers and the Japanese elite's enthusiasm for such imports.
[ Leighton R. Longhi Inc. , New York, until 1998; sold to MMA]
New York. The Metropolitan Museum of Art. "Blossoms of Many Colors: A Selection from the Permanent Collection of Japanese Art," March 21, 2000–August 9, 2000.
New York. The Metropolitan Museum of Art. "Graceful Gestures: A Decade of Collecting Japanese Art," September 29, 2001–March 10, 2002.
New York. The Metropolitan Museum of Art. "Great Waves: Chinese Themes in the Arts of Korea and Japan II," March 22, 2003–September 21, 2003.
Artist: Kano Chikanobu (Japanese, 1660–1728)Date: 17th–18th centuryMedium: One of a pair of six-panel folding screens; ink, color, and gilt on paper; Reverse side: ink, color, and gold on paperAccession: 29.100.498On view in:Gallery 225