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Madonna

ca. 1250
On view at The Met Cloisters in Gallery 08
Un tempo questa immagine regale della Madonna, tra i più fulgidi esempi di scultura gotica, si trovava nella monumentale transenna del coro della cattedrale di Strasburgo. Il suo posto d’onore nella parte centrale era contrassegnato da un baldacchino con angeli nell’ atto di reggere una corona sul capo della Madonna. Il bambino Gesù, oggi andato perduto, era collocato al fianco della Madonna in un cespuglio di rose, forse un riferimento alla Madonna come “rosa senza spine” oppure, per via del colore rosso, al sangue di Cristo versato nella crocifissione. Nel 1680 la transenna fu rimossa in seguito a modifiche del rituale ecclesiastico.

Artwork Details

Object Information
  • Titolo: Madonna
  • Data: ca. 1250
  • Cultura: Alsazia, Strasburgo (Francia odierna)
  • Materiale e tecnica: Arenaria con pittura e doratura originale
  • Dimensioni: Alt. 148,6 cm
  • Crediti: The Cloisters Collection, 1947
  • Numero d'inventario: 47.101.11
  • Curatorial Department: Medieval Art and The Cloisters

Audio

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Cover Image for Strasbourg Virgin

Strasbourg Virgin

Gallery 8

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This figure comes from the cathedral of Strasbourg, in eastern France. Do you remember the wooden statue of the Virgin that we saw a few stops back? If you compare that figure with this one, you can appreciate the difference between Romanesque and Gothic sculpture. The Romanesque example was majestic and austere, but the sculptor of this statue has made the Virgin graceful and life-like; her youthful face wears a slight smile, and her mantle faithfully imitates the folds of heavy cloth. This statue was made for a structure called a choir screen, which is a tall, richly decorated barrier that divided the choir and clergy from the lay congregation in medieval cathedrals. The statue was placed high above the floor there, and so it is here too. It’s one of the few fragments that remain from the choir screen of Strasbourg Cathedral.

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