Search the collection

Filter By

Object Type / Material

Geographic Location

Drawings and Prints

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

More than 10,000 results

Sort by:

Scrapbook of Drawings and Prints, Gideon Saint British, Pen and ink, engraving and etching — Scrapbook of Drawings and Prints
Gideon Saint
ca. 1760

Lindisfarne Castle, Holy Island, Northumberland, Thomas Girtin British, Watercolor and bodycolor (gouache) — Lindisfarne Castle, Holy Island, Northumberland
Thomas Girtin
1796–97

The Lake of Zug, Joseph Mallord William Turner British, Watercolor and bodycolor (gouache) with reductive techniques over graphite — The Lake of Zug
Joseph Mallord William Turner
1843

He Disappeared into Complete Silence, Louise Bourgeois American, Engraving and drypoint with letterpress in a linen portfolio cover — He Disappeared into Complete Silence
Louise Bourgeois
1947

Embroidery Pattern with Seven Six-pointed Stars and Four Corner Pieces, Albrecht Dürer German, Woodcut — Embroidery Pattern with Seven Six-pointed Stars and Four Corner Pieces
Albrecht Dürer
Leonardo da Vinci
before 1521

Souvenir of a Castle in Vosges, Victor Hugo French, Brush and iron gall washes, pen and iron gall ink, white gouache; outline of castle obtained by using a paper stencil — Souvenir of a Castle in Vosges
Victor Hugo
1857

Samson and the Lion, from "The Story of Samson", Anonymous, French, 16th century French, Woodcut with pochoir (stencil) and hand coloring — Samson and the Lion, from "The Story of Samson"
Multiple artists/makers
ca. 1560–80

Jupiter and Juno: Study for the "Furti di Giove" Tapestries, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and dark brown ink, brush and brown and gray wash, highlighted with white gouache — Jupiter and Juno: Study for the "Furti di Giove" Tapestries
Perino del Vaga (Pietro Buonaccorsi)
ca. 1532–35

Honus Wagner, Pittsburgh, National League, from the White Border series (T206) for the American Tobacco Company, American Tobacco Company, Commercial lithograph — Honus Wagner, Pittsburgh, National League, from the White Border series (T206) for the American Tobacco Company
American Tobacco Company
1909–11

Strata, Vija Celmins American, born Latvia, Mezzotint — Strata
Multiple artists/makers
1983

Christ Crucified between the Two Thieves: The Three Crosses, Rembrandt (Rembrandt van Rijn) Dutch, Drypoint printed on vellum — Christ Crucified between the Two Thieves: The Three Crosses
Rembrandt (Rembrandt van Rijn)
1653

Eastern Coast of Rügen with Shepherd, Caspar David Friedrich German, Brown ink and wash over pencil, with white opaque watercolor, on wove paper; partial framing line in brown-black ink — Eastern Coast of Rügen with Shepherd
Caspar David Friedrich
1805–6

Nocturne: Palaces, James McNeill Whistler American, Etching and drypoint; printed in dark brown ink on drum mounted medium weight ivory laid paper. — Nocturne: Palaces
James McNeill Whistler
1879–80

Landscape, Edgar Degas French, Monotype in oil colors, heightened with pastel — Landscape
Edgar Degas
1892

Snake Man, Alison Saar American, Color woodcut and lithograph — Snake Man
Alison Saar
Vinalhaven Press
1994

Marilyn, Andy Warhol American, Color silkscreen — Marilyn
Multiple artists/makers
1967

Mascarade à la Grecque; Suite des Vases; and [Cheminées], Ennemond Alexandre Petitot French, Etching — Mascarade à la Grecque; Suite des Vases; and [Cheminées]
Multiple artists/makers
1771, 1764

Portrait of Emma Hamilton, Angelica Kauffmann Swiss, Black and white chalk, on gray prepared paper — Portrait of Emma Hamilton
Angelica Kauffmann
Lady Emma Hamilton
1791

'Rear Guard' (or 'On the Road'): women carrying rifles and children, José Clemente Orozco Mexican, Lithograph — 'Rear Guard' (or 'On the Road'): women carrying rifles and children
Multiple artists/makers
1929

Mountain Valley with a Plateau, Hercules Segers Dutch, Line etching, drypoint, and metal punch printed in blue-green, on a yellow-green ground, colored with brush; second state of two — Mountain Valley with a Plateau
Hercules Segers
ca. 1625–30

The Bearer of the Banner of the Canton Glarus, Urs Graf Swiss, Pen and brown ink — The Bearer of the Banner of the Canton Glarus
Urs Graf
1521

Hypnerotomachia Poliphili, Francesco Colonna Italian, Printed book with woodcut illustrations — Hypnerotomachia Poliphili
Multiple artists/makers
December 1499

The Entrance Hall of the Regensburg Synagogue, Albrecht Altdorfer German, Etching — The Entrance Hall of the Regensburg Synagogue
Albrecht Altdorfer
1519

Landscape with a Double Spruce, Albrecht Altdorfer German, Etching — Landscape with a Double Spruce
Albrecht Altdorfer
ca. 1521–22

Portrait of Charlotte Duchesne, Philippe de Champaigne French, Black chalk, heightened with white, with touches of red chalk — Portrait of Charlotte Duchesne
Philippe de Champaigne
ca. 1628

Angel of the Revelation (Book of Revelation, chapter 10), William Blake British, Watercolor, pen and black ink, brush and wash, over traces of graphite — Angel of the Revelation (Book of Revelation, chapter 10)
William Blake
ca. 1803–5

The Judgment of Paris: he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above. In the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback, at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another goddess, Marcantonio Raimondi Italian, Engraving — The Judgment of Paris: he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above. In the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback, at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another goddess
Marcantonio Raimondi
Raphael (Raffaello Sanzio or Santi)
ca. 1510–20

Astronomicum Caesareum, Michael Ostendorfer German, Hand-colored woodcuts — Astronomicum Caesareum
Multiple artists/makers
May 1540

Self-Portrait, from "The Iconography", Anthony van Dyck Flemish, Etching; first state of seven — Self-Portrait, from "The Iconography"
Anthony van Dyck
ca. 1640

Reclining Female Nude, Rembrandt (Rembrandt van Rijn) Dutch, Etching, drypoint, and engraving on Japanese paper; second of six states — Reclining Female Nude
Rembrandt (Rembrandt van Rijn)
1658

Woman Bathing (La Toilette), Mary Cassatt American, Drypoint and aquatint, printed in color from three plates; fourth state of four (Mathews & Shapiro) — Woman Bathing (La Toilette)
Mary Cassatt
Monsieur LeRoy
1890–91

Two Draft Horses with a Sleeping Driver, Théodore Géricault French, Brush and brown and gray wash, over graphite — Two Draft Horses with a Sleeping Driver
Théodore Géricault
1820–22

Otto, Count of Nassau and his Wife Adelheid van Vianen, Bernard van Orley Netherlandish, Pen and brown ink, watercolor over black chalk (recto); tracing in black chalk of the figures on the recto (verso) — Otto, Count of Nassau and his Wife Adelheid van Vianen
Bernard van Orley
1530–35

View of Heidelberg, Jan Brueghel the Elder Netherlandish, Pen and brown ink, brush and blue and brown wash, heightened with white; framing lines in pen and brown ink — View of Heidelberg
Jan Brueghel the Elder
ca. 1588–89

Diana and Actaeon, Bartholomeus Spranger Netherlandish, Pen and brown ink, brush and brown and gray wash, white heightening, over traces of black chalk, on paper washed blue and pink — Diana and Actaeon
Bartholomeus Spranger
ca. 1580–85

Cottage among Trees, Rembrandt (Rembrandt van Rijn) Dutch, Pen and brown ink, brush and brown wash, on paper washed with brown — Cottage among Trees
Rembrandt (Rembrandt van Rijn)
ca. 1650

Dune Landscape with Oak Tree, Jacob van Ruisdael Dutch, Black chalk, brush and gray wash, and gouache; framing lines in pen and brown ink — Dune Landscape with Oak Tree
Jacob van Ruisdael
1650–55

Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso), Leonardo da Vinci Italian, Silverpoint, partly reworked by the artist with pen and dark brown ink on pink prepared paper; lines ruled with metalpoint (recto); pen and brown ink (verso) — Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso)
Leonardo da Vinci
1480–85

The Head of the Virgin in Three-Quarter View Facing Right, Leonardo da Vinci Italian, Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing lines in pen and brown ink at upper right (not by Leonardo) — The Head of the Virgin in Three-Quarter View Facing Right
Leonardo da Vinci
1510–13

Hercules chasing Avarice from the Temple of the Muses, Ugo da Carpi Italian, Chiaroscuro woodcut from two blocks in green — Hercules chasing Avarice from the Temple of the Muses
Ugo da Carpi
Baldassarre Tommaso Peruzzi
ca. 1520–27