デンドゥール神殿は4月26日(日)から5月8日(金)まで閉館となります。メトロポリタン美術館フィフス・アベニュー館は5月4日(月)に休館となります。

ご来館の計画

サン・ティリエの聖遺物を納めた胸像

ca. 1220–40, with later grill
On view at The Met Fifth Avenue in Gallery 304
この聖遺物容器には、6世紀にリモージュの南の町に修道院を開いたサン・ティリエの頭蓋骨が収められていました。この修道院は現在彼の名が付けられています。中世のリモージュ地方では、地元の聖人の頭の形をした聖遺物容器を崇拝するようになり、その信仰は今でも続いています。祝日には頭像が行列行進で町中を練り歩き、教会の祭壇に置かれて信者に拝まれました。貴金属の素材が聖人の高貴な容貌を思い起こさせ、納められていた頭蓋骨が永遠の権威を伝えました。

Artwork Details

Object Information
  • 題: サン・ティリエの聖遺物を納めた胸像
  • 月日: 1220–40年頃
  • 地理: リモージュ近郊のサン・ティリエ・ラ・ペルシュ教会
  • 文化: フランス
  • 手法: 銀、銀鍍金、水晶、宝石、ガラス
  • 寸法: 38.1 x 23.4 x 26.1 cm
  • 提供者: J. ピアポント・モルガン寄贈、1917年
  • 受け入れ番号: 17.190.352a, b
  • Curatorial Department: Medieval Art and The Cloisters

Audio

以下でのみ利用可能: English
Cover Image for 3125. Reliquary Bust of Saint Yrieix

3125. Reliquary Bust of Saint Yrieix

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NARRATOR: Barbara Drake Boehm is a curator at the Museum.

BARBARA DRAKE BOEHM: This is the reliquary bust of Saint Yriex, a saint who is venerated in Central France in a little village that bears his name. Saint Yriex was a nobleman of the sixth century. He lived to an old age. He was not martyred and upon his death he left all of his possessions and his property …to this monastery. Now there in the thirteenth century they made this reliquary head.

If you were to go to the village now, you would see in fact a copy of this reliquary head. They have a copy there that has the original skull of St. Yriex that is the prized possession of the church. The reliquary bust in a sense functioned as a kind of spiritual ancestor for the community and would’ve played a very active role in the life of the monastery. On normal days, it would’ve been displayed on the altar of the monastery’s church. But on the Feast of Saint Yriex and other important occasions it would’ve been processed through the village of Saint Yriex, as it still is today.

You can see wonderful details that have been worked into this silver head by looking at the gilt eyebrows of this saint and his kind of five o’ clock shadow. And then he has a wonderful collar, and it’s done in a technique, which is called filigree, where tiny little wires of gilt silver are turned and twisted around in rather complicated floral patterns as a background then to large rock crystals that decorate his collar, and then angels put on either side.

At the top of his head, you see a kind of hinged door and that was a means of providing access to the relic itself, that is, the skull of the saint.

NARRATOR: To hear about how this reliquary was made, walk to the wooden core on the other side of the case. [PAUSE]

BARBARA DRAKE BOEHM: What we did was to take those sheets off and to mount them on another modern core so that you could see both pieces together and really get a sense of the sculptural quality of this piece, which is more than just goldsmiths’ work. It’s also Gothic sculpture.

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