생티리에의 성유물을 보관하는 흉상

ca. 1220–40, with later grill
On view at The Met Fifth Avenue in Gallery 304
생티리에는 6세기 리모주 남부에 현재 그의 이름으로 명명된 수도원을 창설하였으며 이 성유물 용기에는 그의 두개골이 보관되어 있었습니다. 중세 리모주 지역에서는 현지 성인들 머리 형상의 성유물 용기가 특별히 숭배되었으며 이는 지금도 계속되고 있습니다. 이러한 두상은 축일에는 거리를 통과하는 행렬에서 운반되기도 했지만 주로 교회의 제단에 모셔 두고 신자들이 경배하였습니다. 성유물 용기의 귀금속 소재는 성자의 신성한 용모를 강조하고 성자의 두개골은 영원한 권위를 전하였습니다.

Artwork Details

Object Information
  • 제목: 생티리에의 성유물을 보관하는 흉상
  • 연대: 122– 40년경
  • 지리: 리모주 인근 생티리에 페르쉬 성당
  • 문화: 프랑스
  • 재료: 은, 은 도금, 수정, 보석, 유리
  • 크기: 38.1 × 23.4 × 26.1cm
  • 크레디트 라인: J. 피어폰트 모건 기증, 1917
  • 작품 번호: 17.190.352a, b
  • Curatorial Department: Medieval Art and The Cloisters

Audio

다음에서만 사용 가능: English
Cover Image for 3125. Reliquary Bust of Saint Yrieix

3125. Reliquary Bust of Saint Yrieix

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NARRATOR: Barbara Drake Boehm is a curator at the Museum.

BARBARA DRAKE BOEHM: This is the reliquary bust of Saint Yriex, a saint who is venerated in Central France in a little village that bears his name. Saint Yriex was a nobleman of the sixth century. He lived to an old age. He was not martyred and upon his death he left all of his possessions and his property …to this monastery. Now there in the thirteenth century they made this reliquary head.

If you were to go to the village now, you would see in fact a copy of this reliquary head. They have a copy there that has the original skull of St. Yriex that is the prized possession of the church. The reliquary bust in a sense functioned as a kind of spiritual ancestor for the community and would’ve played a very active role in the life of the monastery. On normal days, it would’ve been displayed on the altar of the monastery’s church. But on the Feast of Saint Yriex and other important occasions it would’ve been processed through the village of Saint Yriex, as it still is today.

You can see wonderful details that have been worked into this silver head by looking at the gilt eyebrows of this saint and his kind of five o’ clock shadow. And then he has a wonderful collar, and it’s done in a technique, which is called filigree, where tiny little wires of gilt silver are turned and twisted around in rather complicated floral patterns as a background then to large rock crystals that decorate his collar, and then angels put on either side.

At the top of his head, you see a kind of hinged door and that was a means of providing access to the relic itself, that is, the skull of the saint.

NARRATOR: To hear about how this reliquary was made, walk to the wooden core on the other side of the case. [PAUSE]

BARBARA DRAKE BOEHM: What we did was to take those sheets off and to mount them on another modern core so that you could see both pieces together and really get a sense of the sculptural quality of this piece, which is more than just goldsmiths’ work. It’s also Gothic sculpture.

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