Busto relicário de São Yrieix

ca. 1220–40, with later grill
On view at The Met Fifth Avenue in Gallery 304
São Yrieix, cujo crânio foi preservado neste relicário, fundou no século VI um monastério no sul de Limoges, cidade que hoje leva seu nome. Durante a Idade Média, desenvolveu-se na região de Limoges uma veneração especial aos relicários em forma de cabeças de santos da região, uma tradição que continua até os dias de hoje. Durante as festividades, a imagem era levada em procissão pelas ruas e, em seguida, colocada em um altar para a veneração dos fiéis. Os materiais preciosos do relicário evocavam o semblante celestial do santo, e o crânio evoca sua autoridade eterna.

Artwork Details

Object Information
  • Título: Busto relicário de São Yrieix
  • Data: ca. 1220–40
  • Geografia: França, procedente da igreja de Saint-Yrieix-la-Perche, próximo de Limoges
  • Meio: Prata, prata dourada, cristal de rocha, gemas, vidro
  • Dimensões: 38,1 x 23,4 x 26,1 cm
  • Linha de créditos: Doação de J. Pierpont Morgan, 1917
  • Número de acesso: 17.190.352a, b
  • Curatorial Department: Medieval Art and The Cloisters

Audio

Disponível apenas em: English
Cover Image for 3125. Reliquary Bust of Saint Yrieix

3125. Reliquary Bust of Saint Yrieix

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NARRATOR: Barbara Drake Boehm is a curator at the Museum.

BARBARA DRAKE BOEHM: This is the reliquary bust of Saint Yriex, a saint who is venerated in Central France in a little village that bears his name. Saint Yriex was a nobleman of the sixth century. He lived to an old age. He was not martyred and upon his death he left all of his possessions and his property …to this monastery. Now there in the thirteenth century they made this reliquary head.

If you were to go to the village now, you would see in fact a copy of this reliquary head. They have a copy there that has the original skull of St. Yriex that is the prized possession of the church. The reliquary bust in a sense functioned as a kind of spiritual ancestor for the community and would’ve played a very active role in the life of the monastery. On normal days, it would’ve been displayed on the altar of the monastery’s church. But on the Feast of Saint Yriex and other important occasions it would’ve been processed through the village of Saint Yriex, as it still is today.

You can see wonderful details that have been worked into this silver head by looking at the gilt eyebrows of this saint and his kind of five o’ clock shadow. And then he has a wonderful collar, and it’s done in a technique, which is called filigree, where tiny little wires of gilt silver are turned and twisted around in rather complicated floral patterns as a background then to large rock crystals that decorate his collar, and then angels put on either side.

At the top of his head, you see a kind of hinged door and that was a means of providing access to the relic itself, that is, the skull of the saint.

NARRATOR: To hear about how this reliquary was made, walk to the wooden core on the other side of the case. [PAUSE]

BARBARA DRAKE BOEHM: What we did was to take those sheets off and to mount them on another modern core so that you could see both pieces together and really get a sense of the sculptural quality of this piece, which is more than just goldsmiths’ work. It’s also Gothic sculpture.

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