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Вакханалия: дети дразнят фавна

and Pietro Bernini Italian
ca. 1616–17
On view at The Met Fifth Avenue in Gallery 534
Чрезвычайно одаренный Джан Лоренцо Бернини учился у своего разностороннего отца Пьетро. За этот период они совместно создали ряд мраморных скульптур, которые отчетливо демонстрируют амбиции и мастерство сына. Скульптурный ансамбль Музея является одной из особо выдающихся работ того периода и иллюстрирует склонность молодого скульптора к созданию групп переплетенных фигур и текстурному разнообразию: обратите внимание на напряжение мышц фавна, его беззубый рот, пухлых детей, кору дерева и сочные фрукты. Навеянное образами древних саркофагов, вакхальное веселье отображает слияние классицизма и натурализма, характерного для римского искусства в преддверии эпохи Барокко.

Artwork Details

Object Information
  • Название: Вакханалия: дети дразнят фавна
  • Художник: Джан Лоренцо Бернини, Италия, 1598–1680, и Пьетро Бернини, Италия, 1562–1629 гг.
  • Дата: около 1616 г.
  • Материал: Мрамор
  • Размер: Выс. 132,4 см
  • Благодарность: Приобретено на средства, пожертвованные фондами Анненберга, Флетчера, Роджерса и Луи В. Белла, а также Дж. Пьерпонтом Морганом, путем обмена, 1976
  • Номер объекта: 1976.92
  • Curatorial Department: European Sculpture and Decorative Arts

Audio

Доступно только в: English
Cover Image for 80. Bacchanal: A Faun Teased by Children

80. Bacchanal: A Faun Teased by Children

Body Language

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Jackie Terrassa: This was a collaboration between two artists working together: a younger Bernini learning from his father, who was also a master. The other thing that's amazing about this sculpture is the artists have punctured the marble to create space in between the forms. How does an artist take a piece of stone and make it feel like it's flying, make it feel like the figures are twisting and throwing each other around? Every single detail of the sculpture has some different treatment in terms of the texture of the marble and how that is finished.

Narrator: You can see this at the back of the sculpture. Look at the baby falling off the panther, especially his arm.

Luke Syson: The texture is actually like that of the tree. It looks almost as if his arm is a little branch growing off it. The sculptors are really thinking about how to give the sense that the act of creating is happening before your eyes.

Narrator: Gian Lorenzo Bernini was the most prominent sculptor of the seventeenth-century Italian Baroque.

Luke Syson: The Baroque artists were very interested in expressive movement, and the way in which transitory emotions can be expressed permanently through movements of the body and so on.

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