酒神节狂欢:儿童戏弄农牧神

and Pietro Bernini Italian
ca. 1616–17
On view at The Met Fifth Avenue in Gallery 534
济安·劳伦佐·贝尼尼少年时就展现出非凡的天赋,他曾给自己多才多艺的父亲彼得罗做学徒。在这一时期,父子共同创作了许多大理石雕塑,这些作品展示出贝尼尼的雄心和本领。大都会博物馆收藏的这组雕塑就是其中最具雄心的一件,它说明了这位年轻艺术家对于表现绞缠的人物形象和不同肌理的热衷:农牧神紧绷的肌肉、他无牙的嘴、肥硕的孩童、树皮和饱满多汁的水果串都见证了他的野心。受古代石棺雕刻的启发,这件酒神节狂欢雕刻作品融合了古典主义和自然主义的影响,是巴洛克时期刚到来时流行于罗马的一种艺术风格。

Artwork Details

Object Information
  • 标题: 酒神节狂欢:儿童戏弄农牧神
  • 艺术家: 济安·劳伦佐·贝尼尼(意大利,1598–1680年)以及彼得罗·贝尼尼(意大利,1562–1629年)
  • 创作日期: 约1616年
  • 材料: 大理石
  • 尺寸: 高521⁄8 英寸(132.4厘米)
  • 来源信息: 购买,安那伯格基金公司捐赠,弗莱彻、罗杰斯、路易斯·V·贝尔基金,以及J·皮尔蓬·摩根捐赠(交换),1976年
  • 藏品编号: 1976.92
  • Curatorial Department: European Sculpture and Decorative Arts

Audio

仅适用于: English
Cover Image for 80. Bacchanal: A Faun Teased by Children

80. Bacchanal: A Faun Teased by Children

Body Language

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Jackie Terrassa: This was a collaboration between two artists working together: a younger Bernini learning from his father, who was also a master. The other thing that's amazing about this sculpture is the artists have punctured the marble to create space in between the forms. How does an artist take a piece of stone and make it feel like it's flying, make it feel like the figures are twisting and throwing each other around? Every single detail of the sculpture has some different treatment in terms of the texture of the marble and how that is finished.

Narrator: You can see this at the back of the sculpture. Look at the baby falling off the panther, especially his arm.

Luke Syson: The texture is actually like that of the tree. It looks almost as if his arm is a little branch growing off it. The sculptors are really thinking about how to give the sense that the act of creating is happening before your eyes.

Narrator: Gian Lorenzo Bernini was the most prominent sculptor of the seventeenth-century Italian Baroque.

Luke Syson: The Baroque artists were very interested in expressive movement, and the way in which transitory emotions can be expressed permanently through movements of the body and so on.

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