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双扇敏拜尔门

ca. 1325–30
On view at The Met Fifth Avenue in Gallery 450
“敏拜尔”即讲经台,它包括一个底部带门、可通过台阶抵达的讲台。这对门可能来自开罗埃米尔赛义夫丁·卡瓦位的清真寺里的敏拜尔。开罗清真寺里的陈设常饰有复杂精美的多边形,尤以马穆鲁克时期(1250 –1517年)为甚。这对门上展现出各式纹样,其中大多数都可以在石刻、大理石马赛克和灰泥窗格等其他艺术材料上见到。制作这些带纹样的物件所需的精确切割工艺非同凡响,因为每一小块都会影响到整体效果。

Artwork Details

Object Information
  • 标题: 双扇敏拜尔门
  • 创作日期: 约1325–30年
  • 地域: 埃及,开罗
  • 材料: 红木,桑木;雕刻,镶嵌牙雕、乌木及其他木料
  • 尺寸: 771⁄4 x 35 x 13⁄4 英寸(196.2 x 88.9 x 4.4厘米)
  • 来源信息: 爱德华·C·摩尔收藏,爱德华·C·摩尔遗赠,1891年
  • 藏品编号: 91.1.2064
  • Curatorial Department: Islamic Art

Audio

仅适用于: English
Cover Image for 6675. Pair of Minbar Doors, Part 1

6675. Pair of Minbar Doors, Part 1

Investigations: Art, Conservation, and Science

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NARRATOR: This is marked “I” as one of our “Investigation” stops:

ELLEN KENNY: Hi, I'm Ellen Kenney. I'm a Research Associate in the Department of Islamic Art. And we have a guest here, Mecka Baumeister, a conservator of the museum. And we're here today to talk about some stunning minbar doors. It's from the minbar that the khutbah, or the sermon on Friday would be given. And it's a set of doors…. that would have once been on the portal of one of these minbars. Mecka is an expert on wood and wood conservation, and she's had a very close, in-depth look at these doors, and has some interesting things to tell us about them.

MECKA BAUMEISTER: The construction technique uses no nails or glue, but relies on close fitting pieces and interlocking joints. This ingenious technique prevents warping of the hygroscopic materials, wood and ivory,…and allows them to expand and contract freely.

ELLEN KENNY: One of the things that I found so fascinating about these doors is not just their own history, but their collection history.

NARRATOR: To hear that story, press PLAY.

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