"克提西斯"的化身地板马赛克残片

500–550, with modern restoration
On view at The Met Fifth Avenue in Gallery 301
晚期罗马和拜占庭艺术常把抽象的概念拟人化。图上这位戴满珠宝的妇女拿着测量罗马一尺长度的工具,根据修复的希腊铭文记载,她是“克提西斯”,即慷慨捐赠或建造的人形化身。“克提西斯”的左右两侧原有一对男子,现存这位捧着丰饶之角的男子头边有希腊文“善”,可能原本是“善愿”二字的一半。这块残片由大理石和玻璃镶嵌物(小块的彩色材料)制成,它是六世纪广见于整个拜占庭世界的杰出马赛克作品中的典范。

Artwork Details

Object Information
  • 标题: "克提西斯"的化身地板马赛克残片
  • 创作日期: 约500–550年;现代重建
  • 文化: 拜占庭
  • 材料: 大理石,玻璃
  • 尺寸: 591⁄2 x 785⁄8 x 1 英寸(151.1 x 199.7 x 2.5厘米)
  • 来源信息: 购买,莱拉·艾奇逊·华莱士捐赠,道奇基金,罗杰斯基金,1999年
  • 藏品编号: 1999.99
  • Curatorial Department: Medieval Art and The Cloisters

Audio

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Cover Image for 2825. Fragment of a Floor Mosaic with a Personifixation of Ktisis

2825. Fragment of a Floor Mosaic with a Personifixation of Ktisis

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This restored mosaic represents the type of decoration found on floors of large buildings in the mid-sixth century, the peak of the early Byzantine Empire.

A monumental bust shows a stunningly bejeweled woman with large, inviting eyes. She is Ktisis, the personification of the pre-Christian idea of the generous act of foundation, or providing money for a building.

To the left of Ktisis, there’s a man holding a large cornucopia filled with fruits and leaves. He is identified by the Greek word Kaloi, meaning good or beautiful, and serves as a proclamation of the donor’s generosity. These two figures were part of a larger program, where another man would have appeared to the right of Ktisis, probably with the Greek word Kaipoi, so that the full inscription would read as good wishes.

Floor mosaics originated in the Greek and Roman world. Sometimes rugs were woven in the same patterns to cover the floors in cold weather.

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