Mask (Sim)
The sim mask usually appears as one of many different types of masks during a funerary ritual known as dama. This ritual takes place several years after the initial burial, so that the elaborate and costly preparations for it can be made. The goal of a dama ceremony is to escort the soul of the deceased out of the village, and ensure its transformation into an ancestor who can help his living descendants. The dama is also an opportunity to express the wealth and prestige of the deceased and of his descendants through the expenditure of great resources, performance of numerous dancers, and degree of community participation. For the dama of an important elder, the elaborate six-day ceremony may include hundreds of masked performers, creating a brilliantly colored spectacle of sculpture, costume, song, and dance.
Dama ceremonies are still performed, and new types of masks are created to reflect changes in Dogon society. Masked dances are also performed on other occasions, such as national holidays and the visits of tourist groups. Despite changes in Dogon economy, social structure, and religion, masked dancing remains an important aspect of the society's cultural identity.
Artwork Details
- Title: Mask (Sim)
- Date: 19th–20th century
- Geography: Mali
- Culture: Dogon peoples
- Medium: Wood, palm rib, hide, fiber, pigment
- Dimensions: H. 65 x W. 21 x D. 5 1/8 in. (165.1 x 53.3 x 13 cm)
- Classification: Wood-Sculpture
- Credit Line: Gift of Lester Wunderman, 1977
- Object Number: 1977.394.39
- Curatorial Department: The Michael C. Rockefeller Wing
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